tag:blogger.com,1999:blog-39177772024-03-13T23:43:46.659+00:00ImpearlsMichael McNeilhttp://www.blogger.com/profile/08007336342718478839noreply@blogger.comBlogger393125tag:blogger.com,1999:blog-3917777.post-74005345440173087752012-02-14T19:36:00.001+00:002012-02-14T19:36:49.058+00:00Happy Valentines Day<P>Here's a Special Song,
<BR>for a special day -
<BR>"Heart of WE"
<B>http://www.archive.org/details/heartOfWeCutTamaraLynnScott</B>Tamarahttp://www.blogger.com/profile/08158322798729341363noreply@blogger.com1tag:blogger.com,1999:blog-3917777.post-17564985735048258782012-02-10T21:43:00.000+00:002012-02-10T21:44:32.854+00:00Broadcast Cable Series: New Frontiers In Science<a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/-O9BdO0uvQp4/TzWNAHjMpaI/AAAAAAAAC6I/wO44ju42tYo/s1600/NewFrontiersTeeth.jpg"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 400px; height: 300px;" src="http://4.bp.blogspot.com/-O9BdO0uvQp4/TzWNAHjMpaI/AAAAAAAAC6I/wO44ju42tYo/s400/NewFrontiersTeeth.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5707623135928165794" /></a>
<P><B>SEGMENT 436 <I>New Frontiers In Science</B></I>
<P>Segment 436 features Cad Cam Dentistry creation of a ceramic tooth cap
at the Scotts Valley, California Dental office of Dr. Nannette Benedict.
<a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/-dV34Qtu77hU/TzWNInTquuI/AAAAAAAAC6U/wXHVkrLlKaE/s1600/FeaturingNannetteBenedict%2B1.jpg"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 400px; height: 300px;" src="http://4.bp.blogspot.com/-dV34Qtu77hU/TzWNInTquuI/AAAAAAAAC6U/wXHVkrLlKaE/s400/FeaturingNannetteBenedict%2B1.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5707623281891916514" /></a>
<P><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/-arSB1YdeNTk/TzWNz7B7tZI/AAAAAAAAC7E/pIXDIsmLL00/s1600/CadCam.jpg"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 400px; height: 300px;" src="http://2.bp.blogspot.com/-arSB1YdeNTk/TzWNz7B7tZI/AAAAAAAAC7E/pIXDIsmLL00/s400/CadCam.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5707624025920615826" /></a>
<P>Using the computer to shape the ceramic crown.
<a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/-WPW5AdcUeZE/TzWOuz-hpUI/AAAAAAAAC8M/EgCMTOe_V3s/s1600/CadCam%2B5.jpg"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 400px; height: 300px;" src="http://4.bp.blogspot.com/-WPW5AdcUeZE/TzWOuz-hpUI/AAAAAAAAC8M/EgCMTOe_V3s/s400/CadCam%2B5.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5707625037639558466" /></a>
<P>copyright 2012 Tamara Lynn Scott
<a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/-4SzT9qDb4uA/TzWNQrH8yUI/AAAAAAAAC6g/xFacqBfJhZg/s1600/copyright.jpg"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 400px; height: 300px;" src="http://2.bp.blogspot.com/-4SzT9qDb4uA/TzWNQrH8yUI/AAAAAAAAC6g/xFacqBfJhZg/s400/copyright.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5707623420355463490" /></a>
<P>Cerec Unit for sculpturing ceramic tooth cap.
<a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/-koBbfdShAk8/TzWN98Ru3VI/AAAAAAAAC7Q/ieLNEWbtVn0/s1600/cerec3%2B10.jpg"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 400px; height: 300px;" src="http://1.bp.blogspot.com/-koBbfdShAk8/TzWN98Ru3VI/AAAAAAAAC7Q/ieLNEWbtVn0/s400/cerec3%2B10.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5707624198054010194" /></a>
<P>Ceramic Blank
<a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/-gmirOIoGYLQ/TzWOWBhKNcI/AAAAAAAAC70/7PdGUH8Sl2Y/s1600/CadCam%2B8.jpg"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 400px; height: 300px;" src="http://2.bp.blogspot.com/-gmirOIoGYLQ/TzWOWBhKNcI/AAAAAAAAC70/7PdGUH8Sl2Y/s400/CadCam%2B8.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5707624611777754562" /></a>
<P>Image of completed ceramic shaping
<a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/-6hNH4Nzu9Tk/TzWOg7yjVsI/AAAAAAAAC8A/WiEwZ_lislk/s1600/CadCam%2B7.jpg"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 400px; height: 300px;" src="http://2.bp.blogspot.com/-6hNH4Nzu9Tk/TzWOg7yjVsI/AAAAAAAAC8A/WiEwZ_lislk/s400/CadCam%2B7.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5707624799218652866" /></a>
<P>DVD copies are available through the Producer at NewFrontiersInScience@gmail.com
<a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/-2zLXOYYvm4I/TzWNatu_Y9I/AAAAAAAAC6s/vVbGBBDiJ3c/s1600/installedcapDVDcopies.jpg"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 400px; height: 300px;" src="http://1.bp.blogspot.com/-2zLXOYYvm4I/TzWNatu_Y9I/AAAAAAAAC6s/vVbGBBDiJ3c/s400/installedcapDVDcopies.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5707623592854774738" /></a>
<P>Produced and Directed by Tamara Lynn Scott
<a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/-BKuD-Gk_uQc/TzWNm6tUUuI/AAAAAAAAC64/dsTppfYGjFw/s1600/Produced.jpg"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 400px; height: 300px;" src="http://3.bp.blogspot.com/-BKuD-Gk_uQc/TzWNm6tUUuI/AAAAAAAAC64/dsTppfYGjFw/s400/Produced.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5707623802495849186" /></a>Tamarahttp://www.blogger.com/profile/08158322798729341363noreply@blogger.com1tag:blogger.com,1999:blog-3917777.post-54964414485623837892012-01-02T22:41:00.000+00:002012-01-02T22:42:27.955+00:00Happy New Year 2012<P><I><B>To all of us,
<BR>hope for an outstanding new year,
<BR>clarity for what we've learned in the past year,
<BR>opportunity to change our self and our world,
<BR>All the Best we can create!</B></I>Tamarahttp://www.blogger.com/profile/08158322798729341363noreply@blogger.com1tag:blogger.com,1999:blog-3917777.post-73309526574974425402011-03-28T21:07:00.000+00:002011-03-28T21:08:23.826+00:00Soroptimists International " Ruby Award "<P><B>Soroptimist International Ruby Award 2010 was given to Tamara Lynn Scott for her outstanding contributions to women through her not-for-profit, educational, Broadcast Cable Series!</B>
<a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/-lwNBvWm5Heo/TXvqxypaw0I/AAAAAAAACzI/tXNJPX6nQI4/s1600/SoroptimistLogoCrop.jpg"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 400px; height: 320px;" src="http://3.bp.blogspot.com/-lwNBvWm5Heo/TXvqxypaw0I/AAAAAAAACzI/tXNJPX6nQI4/s400/SoroptimistLogoCrop.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5583314304185844546" /></a>
<a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/-CcI1xpmWuvA/TXvroyVX3CI/AAAAAAAACzo/jtElNLzlMwE/s1600/SealOfSenateCaliforniaCertificate%2B1.jpg"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 400px; height: 300px;" src="http://4.bp.blogspot.com/-CcI1xpmWuvA/TXvroyVX3CI/AAAAAAAACzo/jtElNLzlMwE/s400/SealOfSenateCaliforniaCertificate%2B1.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5583315248994573346" /></a>
<P><B>SEGMENT 416 Soroptimists Awards</B>
<P>Capitola by the Sea hosted it's yearly awards banquet on the 100th year anniversary of the International Year of the Woman, and gave three local women awards. The " Ruby Award", once called the " Women Helping Women " Award, was given to Tamara Lynn Scott for her 10 years of self-producing a 4 times weekly, educational, not-for-profit, Broadcast Series that often features women both locally and around the world.
<P>This broadcast is the major commentary of the evening, and features all three of the women awarded.
<P>Check Cable 27 of Santa Cruz website for the airing dates.
<P>In addition to the Soroptimist Award, Certificates of Recognition were given from the House of Representatives, the Congress, and the Senate.
<a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/-p5lF-sKDr_0/TXvqW4okvSI/AAAAAAAACyo/Tn7D58OwdLs/s1600/RubyCertificate.jpg"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 400px; height: 300px;" src="http://1.bp.blogspot.com/-p5lF-sKDr_0/TXvqW4okvSI/AAAAAAAACyo/Tn7D58OwdLs/s400/RubyCertificate.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5583313841936448802" /></a>
<a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/-bHojGAMg7ng/TXvrou7G2wI/AAAAAAAACzg/YPoz7Fe1Rdc/s1600/CaliforniaAssemblyCertificate%2B1.jpg"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 400px; height: 300px;" src="http://2.bp.blogspot.com/-bHojGAMg7ng/TXvrou7G2wI/AAAAAAAACzg/YPoz7Fe1Rdc/s400/CaliforniaAssemblyCertificate%2B1.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5583315248079100674" /></a>
<a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/-l_x-CZwaOXk/TXvrogzx0cI/AAAAAAAACzY/M1jODN5_emw/s1600/HouseOfRepUSCertificate.jpg"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 400px; height: 300px;" src="http://1.bp.blogspot.com/-l_x-CZwaOXk/TXvrogzx0cI/AAAAAAAACzY/M1jODN5_emw/s400/HouseOfRepUSCertificate.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5583315244290265538" /></a>
<P>Various News articles were released on the event.
<a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/-cdxgjimmyuE/TXvroQD223I/AAAAAAAACzQ/wLGeo_OnxUU/s1600/S3g416Aptostimes.jpg"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 400px; height: 300px;" src="http://1.bp.blogspot.com/-cdxgjimmyuE/TXvroQD223I/AAAAAAAACzQ/wLGeo_OnxUU/s400/S3g416Aptostimes.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5583315239794301810" /></a>
<a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/-8Y2qba5loYw/TXvqxmps2RI/AAAAAAAACzA/Jk2hkP3e5bY/s1600/TamaraLynnScottReceiving.jpg"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 400px; height: 300px;" src="http://4.bp.blogspot.com/-8Y2qba5loYw/TXvqxmps2RI/AAAAAAAACzA/Jk2hkP3e5bY/s400/TamaraLynnScottReceiving.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5583314300965804306" /></a>
<P>Cuts of the evening can be viewed at the Internet Archives:
<BR>
"RubyAwardSoroptimistsInternationalTamaraLynnScott",
at archive.org.
<BR><B>http://www.archive.org/details/RubyAwardSoroptimistsInternationalTamaraLynnScott</B>
<a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/-1unQlltFAGk/TXvqWZU4OqI/AAAAAAAACyg/fP9aPAMv94I/s1600/ProducedCloseLiveYourDreams.jpg"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 400px; height: 300px;" src="http://3.bp.blogspot.com/-1unQlltFAGk/TXvqWZU4OqI/AAAAAAAACyg/fP9aPAMv94I/s400/ProducedCloseLiveYourDreams.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5583313833532340898" /></a>Tamarahttp://www.blogger.com/profile/08158322798729341363noreply@blogger.com0tag:blogger.com,1999:blog-3917777.post-49461151925822493342009-12-15T03:00:00.006+00:002009-12-17T00:21:57.737+00:00GWAC: George Washington - Apotheosis of Character<!-- 2 - minor wording changes -->
<!-- Header -->
<!-- Version: 2009-12-16 16:20 PST -->
<A name="GeoWashCharacter0aBack0"></A>
<table class="std-text" width="100%">
<tr>
<td valign="middle">
<SPAN class="posttitle">
George Washington – Apotheosis of Character
</SPAN>
</td>
<!-- ******** Navigation control panel ******** -->
<td width="20px"></td>
<td valign="top" align="right" class="lg2-text">
<table border="1px" cellspacing="2px" cellpadding="2px"
class="outernavpad">
<tr><td class="navpad">
<nobr>
<A href="#"
class="navpad"
alt="navigate to next article posted after this one (in Archives)"
title="navigate to next article posted after this one (in Archives)"
></A><SUB>←</SUB>
<A href="#"
class="navpad"
alt="navigate to next article posted after this one (on local page)"
title="navigate to next article posted after this one (on local page)"
></A>←
<A href="#"
class="navpad"
alt="navigate up to next higher section level in work"
title="navigate up to next higher section level in work"
></A>↑
<A href="#5338403588122758917"
class="navpad"
alt="navigate down to next lower section level in work"
title="navigate down to next lower section level in work"
>↓</A>
<A href="#"
class="navpad"
alt="navigate up to subsequent posted article in series or thread"
title="navigate up to subsequent posted article in series or thread"
></A><SUP>↑</SUP>
<A href="http://impearls.blogspot.com/2007_11_04_archive.html#8900832923062767279"
class="navpad"
alt="navigate back to previous posted article in series or thread"
title="navigate back to previous posted article in series or thread"
><SUP>↓</SUP></A>
<A href="#2587156083482534432"
class="navpad"
alt="navigate to last article posted before this one (on local page)"
title="navigate to last article posted before this one (on local page)"
>→</A>
<A href="http://impearls.blogspot.com/2009_09_20_archive.html#2587156083482534432"
class="navpad"
alt="navigate to last article posted before this one (in Archives)"
title="navigate to last article posted before this one (in Archives)"
><SUB>→</SUB></A>
</nobr>
</td></tr>
</table>
<!-- ******** End of Navigation control panel ******** -->
</td></tr>
</table>
<!-- ******** Opening Figure 1 ******** -->
<!-- inner, unbordered table -->
<TABLE width="100%" border="0" class="lg-text" cellspacing="0" cellpadding="0">
<TR>
<TD align="left">
<P><A name="GeoWashCharacter0aBackF1"></A>
<!-- Flickr.com hosted: Copy and paste this HTML into your webpage
<a href="http://www.flickr.com/photos/10610528@N04/2195702970/" title="A0-all-9-rot-resize640 by Michael Edward McNeil, on Flickr"><img src="http://farm3.static.flickr.com/2350/2195702970_c4d9a8e486_o.jpg" width="640" height="640" alt="A0-all-9-rot-resize640" /></a>
-->
<!-- Flickr.com hosted: Grab the photo's URL
http://farm3.static.flickr.com/2350/2195702970_c4d9a8e486_o.jpg
-->
<!-- Flickr.com hosted: Link to original size
http://www.flickr.com/photo_zoom.gne?id=2195702970&size=o
-->
<A href="http://www.flickr.com/photo_zoom.gne?id=2195702970&size=o"
><IMG style="display:block; margin:0px auto 0px; text-align:center; cursor:hand;"
src="http://farm3.static.flickr.com/2350/2195702970_c4d9a8e486_o.jpg"
width="640" height="640" border="0"
alt="Constantino Brumidi's Apotheosis of Washington, U.S. Capitol, Washington, D.C."
title="Constantino Brumidi's Apotheosis of Washington, U.S. Capitol, Washington, D.C."
/></A>
<BR />
</P>
</TD>
</TR>
<TR>
<TD align="center">
<!-- innermost, unbordered table, to present two captions side by side -->
<TABLE width="100%" border="0" class="lg-text" cellspacing="0" cellpadding="0">
<TR>
<TD align="right" width="5%">
<P class="lg-text">
<A href="#GeoWashCharacter7NoteF1"
title="Constantino Brumidi's Apotheosis of Washington, U.S. Capitol, Washington, D.C."
><SUP><SPAN class="smallcaps">f1</SPAN></SUP></A>
</P>
</TD>
<TD align="center">
<P class="lg-text">
Constantino Brumidi's Apotheosis of Washington, U.S. Capitol, Washington, D.C.
</P>
</TD>
<TD align="right" width="5%">
</TD>
</TR>
</TABLE>
<!-- end of innermost, unbordered table, to present two captions side by side -->
</TD>
</TR>
</TABLE>
<!-- end of inner, unbordered table -->
<BR clear="all" />
<!-- ******** Article proper, part 1 ******** -->
<P>Enthroned above a rainbow (in
<A href="http://www.gpo.gov/congress/senate/brumidi/"
>Constantino Brumidi</A>'s
stunning
<A href="http://www.aoc.gov/cc/art/rotunda/apotheosis/index.cfm"
>masterpiece</A>
“The Apotheosis of Washington”), the deified George Washington — first President of the United States and acclaimed as “father of his country” — regards us from on high as the Lord of Hosts and Supreme Judge of the Universe.
With a gesture at the Law/Constitution on the one hand, upraising a downturned sword with the other — flanked by the goddesses of Liberty (grasping the traditional Roman <SPAN class="italic">fasces</SPAN> of authority) and Victory/Fame (cradling a palm of victory whilst flourishing the clarion of fame) — the apotheosized Washington sits haloed by a constellation of thirteen Starry maidens, hoisting a banner proclaiming <SPAN class="italic">E Pluribus Unum</SPAN>.
</P>
<P>Round about that scene (starting at bottom, thence proceeding clockwise) are depicted tableaus of
<A href="http://www.aoc.gov/cc/art/rotunda/apotheosis/apoth_war.cfm"
>War</A>,
<A href="http://www.aoc.gov/cc/art/rotunda/apotheosis/apoth_sci.cfm"
>Science</A>,
“<A href="http://www.aoc.gov/cc/art/rotunda/apotheosis/apoth_mar.cfm"
>Marine</A>,”
<A href="http://www.aoc.gov/cc/art/rotunda/apotheosis/apoth_comm.cfm"
>Commerce</A>,
<A href="http://www.aoc.gov/cc/art/rotunda/apotheosis/apoth_mech.cfm"
>Mechanics</A>,
and
<A href="http://www.aoc.gov/cc/art/rotunda/apotheosis/apoth_agri.cfm"
>Agriculture</A> — occupying the crown of the great dome arching above the Capitol, within whose hallowed halls the Congress of the United States sits and holds session.
<BR />
<BR />
</P>
<!-- ******** Figure 2 ******** -->
<!-- inner, unbordered table -->
<TABLE width="100%" border="0" class="lg-text" cellspacing="0" cellpadding="0">
<TR>
<TD align="left">
<P><A name="GeoWashCharacter0aBackF2"></A>
<!-- Flickr.com hosted: Copy and paste this HTML into your webpage
<a href="http://www.flickr.com/photos/10610528@N04/2194916407/" title="A1-det-2-resize640x258 by Michael Edward McNeil, on Flickr"><img src="http://farm3.static.flickr.com/2332/2194916407_1f50f21c5f_o.jpg" width="640" height="258" alt="A1-det-2-resize640x258" /></a>
-->
<!-- Flickr.com hosted: Grab the photo's URL
http://farm3.static.flickr.com/2332/2194916407_1f50f21c5f_o.jpg
-->
<!-- Flickr.com hosted: Link to original size
http://www.flickr.com/photo_zoom.gne?id=2194916407&size=o
-->
<A href="http://www.flickr.com/photo_zoom.gne?id=2194916407&size=o"
><IMG style="display:block; margin:0px auto 0px; text-align:center; cursor:pointer; cursor:hand;"
src="http://farm3.static.flickr.com/2332/2194916407_1f50f21c5f_o.jpg"
width="640" height="258" border="0"
alt="Detail: George Washington as Lord of Hosts and Supreme Judge of the Universe"
title="Detail: George Washington as Lord of Hosts and Supreme Judge of the Universe"
/></A>
<BR />
</P>
</TD>
</TR>
<TR>
<TD align="center">
<!-- innermost, unbordered table, to present two captions side by side -->
<TABLE width="100%" border="0" class="lg-text" cellspacing="0" cellpadding="0">
<TR>
<TD align="right" width="5%">
<P class="lg-text">
<A href="#GeoWashCharacter7NoteF2"
title="Detail: George Washington as Lord of Hosts and Supreme Judge of the Universe"
><SUP><SPAN class="smallcaps">f2</SPAN></SUP></A>
</P>
</TD>
<TD align="center">
<P class="lg-text">
Detail: George Washington as Lord of Hosts and Supreme Judge of the Universe
</P>
</TD>
<TD align="right" width="5%">
</TD>
</TR>
</TABLE>
<!-- end of innermost, unbordered table, to present two captions side by side -->
</TD>
</TR>
</TABLE>
<!-- end of inner, unbordered table -->
<BR clear="all" />
<!-- ******** Article proper, part 2 ******** -->
<P>This year (2009) marks the 210th anniversary of the passing (on earthdate 1799-12-15) of the man who, first as a general in war, won the freedom of the people of the United States of America; thereafter in peace (after the ignominious failure of the first American constitution, the Articles of Confederation) presided by acclamation over the Constitutional Convention, which — composed of all-time exceptionally clear-headed political thinkers — drafted the Constitution of the United States, still in effect today (a monumental accomplishment compared with the experience of almost every other country in the world); finally serving two terms as the first constitutional President of the unified American nation.
Beyond those stupendous achievements was his final voluntary withdrawal after those elected terms of office, retiring to his Mount Vernon estate and removing himself entirely from subsequent politics — which, one might judge, due to the outstanding example presented to his successors and to posterity, as equal to all the preceding actions of his eventful career.
These acts made Washington the stuff of legend — an almost deliberate hearkening back to Republican Rome in its grandeur.
</P>
<P>Nowadays, following the turn of the 21st century, the extraordinary devoted homage earlier eras in America paid to its founding General and President seems more than a bit mysterious.
Portrayals of Washington in powdered wig and the 18th century elite attire of the day present a notably quaint appearance today, and though founder of the U.S.A. (which somehow in retrospect seems a very easy thing to do, even foreordained), really — so the “modern,” irreverent trendy line of thought goes — what did he do that was so all-fired <SPAN class="italic">great</SPAN>?
Folk today typically know little of the period or the man, so <SPAN class="italic">nothing</SPAN> (or very little) is usually the implied answer — and since most folks' dilettantish inquiries seldom go further, that's usually the end of their investigation.
</P>
<P>However, after ten score and ten years it's high time in my view for people to once again begin to reacquaint themselves with the great man and the impact, the effect the sheer force of his character has had, on America and indeed the history of the world.
</P>
<!-- ******** Updates ******** -->
<!--
<P>
<SPAN class="updathdr">
<SPAN class="updattitle">
UPDATE:
</SPAN>
2009-07-19 19:40 UT:
</SPAN>
Text
</P>
-->
<P><BR clear="all" /></P>Michael McNeilhttp://www.blogger.com/profile/08007336342718478839noreply@blogger.com0tag:blogger.com,1999:blog-3917777.post-53384035881227589172009-12-15T02:50:00.004+00:002009-12-15T19:45:45.281+00:00GWAC: Chapter Index<!-- 1 - initial -->
<!-- Header -->
<!-- Version: 2009-12-15 11:40 PST -->
<A name="GeoWashCharacter0bBack0"></A>
<table class="std-text" width="100%">
<tr>
<td valign="middle">
<SPAN class="posttitle">
Chapter Index
</SPAN>
</td>
<!-- ******** Navigation control panel ******** -->
<!--
<td width="20px"></td>
<td valign="top" align="right" class="lg2-text">
<table border="1px" cellspacing="2px" cellpadding="2px"
class="outernavpad">
<tr><td class="navpad">
<nobr>
<A href="#"
class="navpad"
alt="navigate to next article posted after this one (in Archives)"
title="navigate to next article posted after this one (in Archives)"
></A><SUB>←</SUB>
<A href="#"
class="navpad"
alt="navigate to next article posted after this one (on local page)"
title="navigate to next article posted after this one (on local page)"
></A>←
<A href="#"
class="navpad"
alt="navigate up to next higher section level in work"
title="navigate up to next higher section level in work"
></A>↑
<A href="#"
class="navpad"
alt="navigate down to next lower section level in work"
title="navigate down to next lower section level in work"
></A>↓
<A href="#"
class="navpad"
alt="navigate up to subsequent posted article in series or thread"
title="navigate up to subsequent posted article in series or thread"
></A><SUP>↑</SUP>
<A href="#"
class="navpad"
alt="navigate back to previous posted article in series or thread"
title="navigate back to previous posted article in series or thread"
></A><SUP>↓</SUP>
<A href="#2587156083482534432"
class="navpad"
alt="navigate to last article posted before this one (on local page)"
title="navigate to last article posted before this one (on local page)"
>→</A>
<A href="http://impearls.blogspot.com/2009_09_20_archive.html#2587156083482534432"
class="navpad"
alt="navigate to last article posted before this one (in Archives)"
title="navigate to last article posted before this one (in Archives)"
><SUB>→</SUB></A>
</nobr>
</td></tr>
</table>
-->
<!-- ******** End of Navigation control panel ******** -->
</td></tr>
</table>
<!-- ******** Chapter Index ******** -->
<P>
<SPAN class="reftitle">
Van Loon's Washington
</SPAN>
<nobr>by Hendrik Willem van Loon</nobr>
</P>
<P>
<UL>
<P>
<LI>
<A href="#3434302690582850952"
>Introduction</A>
by Michael McNeil
</LI>
</P>
<P>
<LI>
<A href="#2368148810354044761"
>Tectonic Movements</A>
</LI>
<LI>
<A href="#7358546881269090897"
>The Washingtons and Washington</A>
</LI>
<LI>
<A href="#2086024991659847160"
>War in the Wilderness</A>
</LI>
<LI>
<A href="#5112594042432799407"
>Martha Dandridge Custis</A>
</LI>
<LI>
<A href="#3720015968179535695"
>The Cromwellian Sequel</A>
</LI>
<LI>
<A href="#5571566513870958835"
>Apotheosis</A>
</LI>
</P>
<P>
<LI>
<A href="#6419729245152042825"
>References and Figures</A>
</LI>
<LI>
<A href="#4675993068162175928"
>Updates</A>
</LI>
<LI>
<A href="#7475972893094023709"
><SPAN class="italic">End</SPAN></A>
</LI>
</P>
</UL>
</P>
<!-- ******** Updates ******** -->
<!--
<P>
<SPAN class="updathdr">
<SPAN class="updattitle">
UPDATE:
</SPAN>
2009-07-19 19:40 UT:
</SPAN>
Text
</P>
-->
<P><BR clear="all" /></P>Michael McNeilhttp://www.blogger.com/profile/08007336342718478839noreply@blogger.com0tag:blogger.com,1999:blog-3917777.post-34343026905828509522009-12-15T02:40:00.001+00:002009-12-15T19:24:47.804+00:00GWAC: Introduction<!-- 1 - initial -->
<!-- Header -->
<!-- Version: 2009-12-15 08:40 PST -->
<A name="GeoWashCharacter0cBack0"></A>
<A name="GeoWashCharacter0cBack1"></A>
<table class="std-text" width="100%">
<tr>
<td valign="middle">
<SPAN class="posttitle">
Introduction
</SPAN>
</td>
<!-- ******** Navigation control panel ******** -->
<!--
<td width="20px"></td>
<td valign="top" align="right" class="lg2-text">
<table border="1px" cellspacing="2px" cellpadding="2px"
class="outernavpad">
<tr><td class="navpad">
<nobr>
<A href="#"
class="navpad"
alt="navigate to next article posted after this one (in Archives)"
title="navigate to next article posted after this one (in Archives)"
></A><SUB>←</SUB>
<A href="#"
class="navpad"
alt="navigate to next article posted after this one (on local page)"
title="navigate to next article posted after this one (on local page)"
></A>←
<A href="#"
class="navpad"
alt="navigate up to next higher section level in work"
title="navigate up to next higher section level in work"
></A>↑
<A href="#"
class="navpad"
alt="navigate down to next lower section level in work"
title="navigate down to next lower section level in work"
></A>↓
<A href="#"
class="navpad"
alt="navigate up to subsequent posted article in series or thread"
title="navigate up to subsequent posted article in series or thread"
></A><SUP>↑</SUP>
<A href="#"
class="navpad"
alt="navigate back to previous posted article in series or thread"
title="navigate back to previous posted article in series or thread"
></A><SUP>↓</SUP>
<A href="#2587156083482534432"
class="navpad"
alt="navigate to last article posted before this one (on local page)"
title="navigate to last article posted before this one (on local page)"
>→</A>
<A href="http://impearls.blogspot.com/2009_09_20_archive.html#2587156083482534432"
class="navpad"
alt="navigate to last article posted before this one (in Archives)"
title="navigate to last article posted before this one (in Archives)"
><SUB>→</SUB></A>
</nobr>
</td></tr>
</table>
-->
<!-- ******** End of Navigation control panel ******** -->
</td></tr>
</table>
<!-- ******** Article proper, part 1 ******** -->
<P>Most people forget the role Washington performed between the war (the Revolutionary War, where he played a decisive part in obtaining the victory), and his two terms as first President of the United States.
Historian Allan Nevins wrote about that seeming hiatus, especially with regard to Washington's commanding presence as presiding officer at the Constitutional Convention, full of portent for the future:
<A href="#GeoWashCharacter7Note1"
title="Allan Nevins, “George Washington,” Encyclopædia Britannica, 2008 Standard Edition"
><SUP>1</SUP></A>
</P>
<blockquote>
<P>Viewing the chaotic political condition of the United States after 1783 with frank pessimism and declaring (May 18, 1786) that “something must be done, or the fabric must fall, for it is certainly tottering,” Washington repeatedly wrote his friends urging steps toward “an indissoluble union.”
At first he believed that the Articles of Confederation might be amended.
Later, especially after the shock of Shays's rebellion, he took the view that a more radical reform was necessary but doubted as late as the end of 1786 that the time was ripe.
His progress toward adoption of the idea of a federal convention was, in fact, puzzlingly slow.
Though John Jay assured him in March 1786 that breakup of the nation seemed near and opinion for the convention was crystallizing, Washington remained noncommittal.
But despite long hesitations, he earnestly supported the proposal for a federal impost, warning the states that their policy must decide “whether the Revolution must ultimately be considered a blessing or a curse.”
And his numerous letters to the leading men of the country assisted greatly to form a sentiment favourable to a more perfect union.
Some understanding being necessary between Virginia and Maryland regarding the navigation of the Potomac, commissioners from the two states met at Mount Vernon in the spring of 1785; from this seed sprang the federal convention.
Washington approved in advance the call for a gathering of all the states to meet in Philadelphia in May 1787 to “render the Constitution of the Federal Government adequate to the exigencies of the Union.”
But he was again hesitant about attending, partly because he felt tired and infirm, partly because of doubts about the outcome.
Although he hoped to the last to be excused, he was chosen one of Virginia's five delegates.
</P>
<P>Washington arrived in Philadelphia on May 13, the day before the opening of the Convention, and as soon as a quorum was obtained he was unanimously chosen its president.
For four months he presided over the Constitutional Convention, breaking his silence only once upon a minor question of congressional apportionment.
Though he said little in debate, no one did more outside the hall to insist on stern measures.
“My wish is,” he wrote, “that the convention may adopt no temporizing expedients, but probe the defects of the Constitution to the bottom, and provide a radical cure.”
His weight of character did more than any other single force to bring the convention to an agreement and obtain ratification of the instrument afterward.
He did not believe it perfect, though his precise criticisms of it are unknown.
But his support gave it victory in Virginia, where he sent copies to Patrick Henry and other leaders with a hint that the alternative to adoption was anarchy, declaring that “it or dis-union is before us to chuse from,” told powerfully in Massachusetts.
He received and personally circulated copies of <SPAN class="italic">The Federalist</SPAN>.
When ratification was obtained, he wrote to leaders in the various states urging that men staunchly favourable to it be elected to Congress.
For a time he sincerely believed that, the new framework completed, he would be allowed to retire again to privacy.
But all eyes immediately turned to him for the first president.
He alone commanded the respect of both the parties engendered by the struggle over ratification, and he alone would be able to give prestige to the republic throughout Europe.
In no state was any other name considered.
The electors chosen in the first days of 1789 cast a unanimous vote for him, and reluctantly — for his love of peace, his distrust of his own abilities, and his fear that his motives in advocating the new government might be misconstrued all made him unwilling — he accepted.
<BR />
<BR />
</P>
</blockquote>
<P><A name="GeoWashCharacter0cBack2"></A>
We will essay to explore further what is already apparent from Nevins's exposition of Washington: the critical importance for the history of American and the world of <SPAN class="italic">character</SPAN>.
</P>
<P>For insight in this regard, let's turn to that delightful collection of fantasy dinner conversations with great personages of history <SPAN class="italic">Van Loon's Lives</SPAN>, published 1942 — prepared for the edification and inspiration of his grandchildren by Dutch-American historian and journalist Hendrik Willem van Loon, who arrived on America's shores in 1903 at the tender age of 19.
</P>
<P>In the foreword to his imaginary dinner with both William of Orange (known as the Silent; founder of the 16th-century Dutch Republic, whose declaration of independence from the Habsburg Spanish Empire, the Act of Abjuration, left reverberations echoing down through history to our own Declaration of Independence), as well as George Washington (father some two centuries after William of America's Republic), van Loon ended his introduction to Washington's life (which we'll soon consider in detail) with the following penetrating comment:
<A href="#GeoWashCharacter7Note2"
title="Hendrik Willem van Loon, Van Loon's Lives, 1942"
><SUP>2</SUP></A>
</P>
<blockquote>
<P>[I]t was he who founded our republic; it was this Virginian planter who set us free from foreign domination; it was this Southern aristocrat who started us off on our noble experiment in self-government, and he was able to do this because he was far ahead of his contemporaries in that one particular respect which counts more heavily in the scales of the gods than all other qualifications for glory and success put together.
</P>
<P>George Washington was the embodiment of character.
</P>
<P>Webster defines character as follows:
”Highly developed or strongly marked moral qualities; individuality, esp. as distinguished by moral excellence; moral vigor or firmness, esp. as acquired through self-discipline; inhibitory control of one's instinctive impulses….”
</P>
<P>I think that I can let it go at that.
For my final comment upon both William of Orange and George Washington need consist of but one single word:
CHARACTER.
<BR />
<BR />
</P>
</blockquote>
<P>We've already pointed to Washington's critical role in the drafting and ratification of the Constitution, which may also be attributed to the force of his character on the Convention and country.
But there is another aspect in which Washington's <SPAN class="italic">character</SPAN> had a terrific impact on the future of the fledgling nation, and that is the manner in which he <SPAN class="italic">departed</SPAN> the office of Presidency.
</P>
<P>One should observe that in all the centuries-long history of the Roman Empire (so analogous to America in certain ways, but in this respect so totally different) there was only <SPAN class="italic">a single emperor</SPAN> — to wit, Diocletian (regnant 284-305 <SPAN class="smallcaps">a.d.</SPAN>) — who managed at the end of his reign to retire and devote the remainder of his days to gardening. *
<SPAN class="italic">All</SPAN> other emperors of the Empire either died in office or were bloodily overthrown.
</P>
<P>(*Diocletian's
<A href="http://en.wikipedia.org/wiki/Diocletian%27s_Palace"
>retirement palace</A> — one can see an illustration of what it looked like
<A href="http://en.wikipedia.org/wiki/Image:SPLIT-Hebrard_overall_color_restitution.jpg"
>here</A>
— over time transformed into the ancient historical core of the modern Adriatic coastal city of <SPAN class="italic">Split</SPAN> in Croatia.)
</P>
<P>Washington retired from office after only two terms, less than a decade.
He could have run again, but chose not to, setting a lasting, shining example for future American Presidents — whose tradition continued unbroken until, with World War II raging abroad, Franklin Roosevelt chose to stand for a third, and then a fourth term.
(After the war, a constitutional amendment enforcing a two-term limit was ratified.)
</P>
<P>Washington and the Founders went even further in emphasizing a specifically Roman counterexample in an attempt to offset any tendency toward military instability such as Roman history so well exemplified, by creating an official association of Revolutionary War officers — the Society of Cincinnati — explicitly inspired by the Roman citizen-farmer Lucius Quinctius Cincinnatus (born circa 519 <SPAN class="smallcaps">b.c.</SPAN>), who became Roman Consul and then (emergency) Dictator, but after the foe was vanquished, retired once again to his farm.
</P>
<P>Washington and subsequent Presidents' example was such a success that nothing like a military rebellion has ever occurred in U.S. history.
And still, even today, America continues to transition authority wholly peacefully from one President to the next — in what is really a revolution: every election in a democracy is a revolution — an entirely peaceful revolution — yet one so many people in this country blithely take wholly for granted.
For me, though, given the stark precedents from Roman history, whenever I see each peaceful transfer of power occur, I consider it almost a miracle.
<BR />
<BR />
</P>
<!-- ******** Closing Figure 3 ******** -->
<!-- inner, unbordered table -->
<TABLE width="100%" border="0" class="lg-text" cellspacing="0" cellpadding="0">
<TR>
<TD align="left">
<P><A name="GeoWashCharacter0cBackF3"></A>
<!-- Flickr.com hosted: Copy and paste this HTML into your webpage
<a href="http://www.flickr.com/photos/10610528@N04/4185300424/" title="Cincinnatus-9-crop2-resize640x253-comp by Michael Edward McNeil, on Flickr"><img src="http://farm5.static.flickr.com/4012/4185300424_d899686056_o.jpg" width="640" height="253" alt="Cincinnatus-9-crop2-resize640x253-comp" /></a>
-->
<!-- Flickr.com hosted: Grab the photo's URL
http://farm5.static.flickr.com/4012/4185300424_d899686056_o.jpg
-->
<!-- Flickr.com hosted: Link to large size page
http://www.flickr.com/photos/10610528@N04/4184539455/sizes/o/in/set-72157605562537449/
-->
<A href="http://www.flickr.com/photos/10610528@N04/4184539455/sizes/o/in/set-72157605562537449/"
><IMG style="display:block; margin:0px auto 0px; text-align:center; cursor:hand;"
src="http://farm5.static.flickr.com/4012/4185300424_d899686056_o.jpg"
width="640" height="253" border="0"
alt="Constantino Brumidi's Lucius Quinctius Cincinnatus"
title="Constantino Brumidi's Lucius Quinctius Cincinnatus"
/></A>
<BR />
</P>
</TD>
</TR>
<TR>
<TD align="center">
<!-- innermost, unbordered table, to present two captions side by side -->
<TABLE width="100%" border="0" class="lg-text" cellspacing="0" cellpadding="0">
<TR>
<TD align="right" width="5%">
<P class="lg-text">
<A href="#GeoWashCharacter7NoteF3"
title="Constantino Brumidi's Lucius Quinctius Cincinnatus"
><SUP><SPAN class="smallcaps">f3</SPAN></SUP></A>
</P>
</TD>
<TD align="center">
<P class="lg-text">
Constantino Brumidi's Lucius Quinctius Cincinnatus
</P>
</TD>
<TD align="right" width="5%">
</TD>
</TR>
</TABLE>
<!-- end of innermost, unbordered table, to present two captions side by side -->
</TD>
</TR>
</TABLE>
<!-- end of inner, unbordered table -->
<BR clear="all" />
<!-- ******** Updates ******** -->
<!--
<P>
<SPAN class="updathdr">
<SPAN class="updattitle">
UPDATE:
</SPAN>
2009-07-19 19:40 UT:
</SPAN>
Text
</P>
-->
<P><BR clear="all" /></P>Michael McNeilhttp://www.blogger.com/profile/08007336342718478839noreply@blogger.com0tag:blogger.com,1999:blog-3917777.post-23681488103540447612009-12-15T02:30:00.000+00:002009-12-15T19:04:48.881+00:00GWAC: Tectonic Movements<!-- 1 - initial -->
<!-- Header -->
<!-- Version: 2009-12-15 08:40 PST -->
<A name="GeoWashCharacter1Back0"></A>
<A name="GeoWashCharacter1Back3"></A>
<table class="std-text" width="100%">
<tr>
<td valign="middle">
<SPAN class="posttitle">
Tectonic Movements
</SPAN>
<nobr>by Hendrik Willem van Loon</nobr>
<A href="#GeoWashCharacter7Note3"
title="Hendrik Willem van Loon, Van Loon's Lives, 1942"
><SUP>3</SUP></A>
</td>
<!-- ******** Navigation control panel ******** -->
<!--
<td width="20px"></td>
<td valign="top" align="right" class="lg2-text">
<table border="1px" cellspacing="2px" cellpadding="2px"
class="outernavpad">
<tr><td class="navpad">
<nobr>
<A href="#"
class="navpad"
alt="navigate to next article posted after this one (in Archives)"
title="navigate to next article posted after this one (in Archives)"
></A><SUB>←</SUB>
<A href="#"
class="navpad"
alt="navigate to next article posted after this one (on local page)"
title="navigate to next article posted after this one (on local page)"
></A>←
<A href="#"
class="navpad"
alt="navigate up to next higher section level in work"
title="navigate up to next higher section level in work"
></A>↑
<A href="#"
class="navpad"
alt="navigate down to next lower section level in work"
title="navigate down to next lower section level in work"
></A>↓
<A href="#"
class="navpad"
alt="navigate up to subsequent posted article in series or thread"
title="navigate up to subsequent posted article in series or thread"
></A><SUP>↑</SUP>
<A href="#"
class="navpad"
alt="navigate back to previous posted article in series or thread"
title="navigate back to previous posted article in series or thread"
></A><SUP>↓</SUP>
<A href="#2587156083482534432"
class="navpad"
alt="navigate to last article posted before this one (on local page)"
title="navigate to last article posted before this one (on local page)"
>→</A>
<A href="http://impearls.blogspot.com/2009_09_20_archive.html#2587156083482534432"
class="navpad"
alt="navigate to last article posted before this one (in Archives)"
title="navigate to last article posted before this one (in Archives)"
><SUB>→</SUB></A>
</nobr>
</td></tr>
</table>
-->
<!-- ******** End of Navigation control panel ******** -->
</td></tr>
</table>
<!-- ******** Opening Figure 4 ******** -->
<!-- inner, unbordered table -->
<TABLE width="100%" border="0" class="lg-text" cellspacing="0" cellpadding="0">
<TR>
<TD align="left">
<P><A name="GeoWashCharacter1BackF4"></A>
<!-- Flickr.com hosted: Copy and paste this HTML into your webpage
<a href="http://www.flickr.com/photos/10610528@N04/4181292303/" title="GeoW0296-0-crop-resz640x1008-comp by Michael Edward McNeil, on Flickr"><img src="http://farm5.static.flickr.com/4010/4181292303_5eec35ba4d_o.jpg" width="640" height="1008" alt="GeoW0296-0-crop-resz640x1008-comp" /></a>
-->
<!-- Flickr.com hosted: Grab the photo's URL
http://farm5.static.flickr.com/4010/4181292303_5eec35ba4d_o.jpg
-->
<!-- Flickr.com hosted: Link to original size
http://www.flickr.com/photos/10610528@N04/4181292303/sizes/o/in/set-72157605562537449/
-->
<A href="http://www.flickr.com/photos/10610528@N04/4181292303/sizes/o/in/set-72157605562537449/"
><IMG style="display:block; margin:8px auto 0px; text-align:center; cursor:hand;"
src="http://farm5.static.flickr.com/4010/4181292303_5eec35ba4d_o.jpg"
width="640" height="1008" border="0"
alt="Hendrik Willem van Loon's General George Washington (Van Loon's Lives)"
title="Hendrik Willem van Loon's General George Washington (Van Loon's Lives)"
/></A>
<BR />
</P>
</TD>
</TR>
<TR>
<TD align="center">
<!-- innermost, unbordered table, to present two captions side by side -->
<TABLE width="100%" border="0" class="lg-text" cellspacing="0" cellpadding="0">
<TR>
<TD align="right" width="5%">
<P class="lg-text">
<A href="#GeoWashCharacter7NoteF4"
title="Hendrik Willem van Loon's General George Washington (Van Loon's Lives)"
><SUP><SPAN class="smallcaps">f4</SPAN></SUP></A>
</P>
</TD>
<TD align="center">
<P class="lg-text">
Van Loon's General Washington
</P>
</TD>
<TD align="right" width="5%">
</TD>
</TR>
</TABLE>
<!-- end of innermost, unbordered table, to present two captions side by side -->
</TD>
</TR>
</TABLE>
<!-- end of inner, unbordered table -->
<BR clear="all" />
<!-- ******** Article proper, part 1 ******** -->
<P>And now a few words about General George Washington, but so much has been written about him that I can be very short.
</P>
<P>Within the realm of geology it sometimes happens that one layer of rock will push itself across another layer, and then it takes an expert to determine exactly what has taken place.
The same holds good for history.
Not infrequently it occurs that some particular cultural or economic or social layer shifts from one part of the world to another, but as a rule this takes place so quietly and so gradually that hardly anybody notices the change.
Then the denuded soil at home develops a new civilization entirely different from the old one, but that too comes about so slowly that it attracts few people's attention.
Until the fatal day when the people wake up to a realization that, though nominally they still speak the same language, are still loyal to the same flag, and are still supposed to worship the same God, they have no longer anything in common with each other.
After that the more they try to explain themselves and their motives to their former neighbors, the less they succeed in doing so.
</P>
<P>Take our own case.
We are only beginning to suspect what happened during the seventeenth century in regard to the old England and the new one.
The peace which had finally made an end to the great Lutheran-Catholic controversy had decreed that every prince should have the right to decide what form of religious worship his subjects must accept.
That, of course, had been one of those “compromises of desperation” which are the result of an intolerable situation.
Europe could not possibly survive if the people continued to destroy each other on account of their religious convictions.
Any kind of arrangement, guaranteeing at least a momentary respite from the everlasting slaughter, was better than a continuation of the war, and the disastrous principle of “whose rule I accept, his God I also worship” was greeted as a very clever solution, worthy of the support of all good citizens and not to be questioned or debated any longer.
</P>
<P>But in reality, the compromise was just another Trojan horse, filled with the partisans of totalitarianism, and after they had clambered out of their uncomfortable hiding place and had stretched their arms and legs, they descended upon the peaceful denizens of every town and hamlet in Europe and put before them the choice either of accepting the tyranny of their new masters or of being hanged in their own doorways.
</P>
<P>It was then that the old Continent was delivered over to the mercies of a dozen competing dynasties, and it was then that the last remnants of medieval self-government were threatened with complete destruction.
Here and there, in a few of the Swiss cantons and a few of the Dutch provinces, people continued to rule themselves (to a certain extent, for money, as it has always done, counted heavily in politics), and it was then that England made her noble and glorious effort to establish the supremacy of Parliament over the pretensions of the crown.
</P>
<P>I am expressing myself perhaps a little too modernly.
The medieval belief in an omnipotent God and in an equally omnipotent source of worldly authority was still part of the spiritual and intellectual make-up of most people.
The King was still revered as the God-anointed embodiment of all terrestrial authority and therefore above criticism.
Even the Act of Abjuration, which had curtly dismissed King Philip of Spain as ruler over the Low Countries because he had been an unfaithful shepherd unto his flocks, continued to be regarded by many people as something that interfered much too boldly with the orderly progress of a universe in which it stood decreed that a few were predestined to command while the rest must obey.
</P>
<P>However, there now were definite precedents for a different approach to this subject, and the people of England were the first to make use of them.
Hence, a prolonged struggle between the crown and its subjects.
Good Queen Bess may have been just as much of a tyrant at heart as her dear cousin, Mary of Scotland, but she was too shrewd to reveal her true feelings.
She knew how to temper her authoritative instincts with acts of good-humored bonhomie (is there a feminine equivalent for this expression?), and if occasionally she spanked her children, they accepted it good-naturedly enough.
What was the use of having such a sweet and loving mother if now and then she could not lose her temper with her brood and treat them to a few slaps and cuffs?
</P>
<P>But after the old lady had departed this life and had been succeeded by the son of Cousin Mary, a great change came over this Merrie England.
The Stuarts now moved from Edinburgh to London, but being Scotchmen they never quite understood their English subjects, and, with their arrival in the British capital, there came a change over the land that led up to that half a century of constant friction which in turn was to lay the foundations for the free and independent United States of America.
For those elements in England's life which foresaw what was coming despaired of maintaining the liberties and prerogatives they needed in order to function properly and happily and, as there seemed to be no chance of getting rid of their imported Scots monarchs, they began to look for another place of abode where they might continue to live their own kinds of lives without being constantly exposed to a visit from the local sheriff and a polite invitation to hie themselves to the Tower, there to await His Majesty's pleasure and (most likely) his executioner.
</P>
<P>When an exasperated nation at last grew tired of their rulers and sent for Dutch William to put their house in order, there seemed to be a chance that all would now be well.
Unfortunately, headachy William did not even live as long as Oliver Cromwell, and a dozen years after his death the British crown fell into the hands of a minor German dynasty that had to spend two centuries in its adopted country before it finally lost its guttural Teutonic accent and could express itself more or less adequately in the tongue of William Shakespeare.
From a merely political point of view, therefore, little was gained when the House of Hanover succeeded that of Stuart, and gradually there came about such a hopeless cleavage between the England of the Old World and that of the New that only a war could decide the issue.
That war became known as the American Revolution, and it gave us our own republic.
</P>
<!-- ******** Updates ******** -->
<!--
<P>
<SPAN class="updathdr">
<SPAN class="updattitle">
UPDATE:
</SPAN>
2009-07-19 19:40 UT:
</SPAN>
Text
</P>
-->
<P><BR clear="all" /></P>Michael McNeilhttp://www.blogger.com/profile/08007336342718478839noreply@blogger.com0tag:blogger.com,1999:blog-3917777.post-73585468812690908972009-12-15T02:20:00.001+00:002009-12-15T19:32:40.831+00:00GWAC: The Washingtons and Washington<!-- 1 - initial -->
<!-- Header -->
<!-- Version: 2009-12-15 07:00 PST -->
<A name="GeoWashCharacter2Back0"></A>
<table class="std-text" width="100%">
<tr>
<td valign="middle">
<SPAN class="posttitle">
The Washingtons and Washington
</SPAN>
<nobr>by Hendrik Willem van Loon</nobr>
</td>
<!-- ******** Navigation control panel ******** -->
<!--
<td width="20px"></td>
<td valign="top" align="right" class="lg2-text">
<table border="1px" cellspacing="2px" cellpadding="2px"
class="outernavpad">
<tr><td class="navpad">
<nobr>
<A href="#"
class="navpad"
alt="navigate to next article posted after this one (in Archives)"
title="navigate to next article posted after this one (in Archives)"
></A><SUB>←</SUB>
<A href="#"
class="navpad"
alt="navigate to next article posted after this one (on local page)"
title="navigate to next article posted after this one (on local page)"
></A>←
<A href="#"
class="navpad"
alt="navigate up to next higher section level in work"
title="navigate up to next higher section level in work"
></A>↑
<A href="#"
class="navpad"
alt="navigate down to next lower section level in work"
title="navigate down to next lower section level in work"
></A>↓
<A href="#"
class="navpad"
alt="navigate up to subsequent posted article in series or thread"
title="navigate up to subsequent posted article in series or thread"
></A><SUP>↑</SUP>
<A href="#"
class="navpad"
alt="navigate back to previous posted article in series or thread"
title="navigate back to previous posted article in series or thread"
></A><SUP>↓</SUP>
<A href="#2587156083482534432"
class="navpad"
alt="navigate to last article posted before this one (on local page)"
title="navigate to last article posted before this one (on local page)"
>→</A>
<A href="http://impearls.blogspot.com/2009_09_20_archive.html#2587156083482534432"
class="navpad"
alt="navigate to last article posted before this one (in Archives)"
title="navigate to last article posted before this one (in Archives)"
><SUB>→</SUB></A>
</nobr>
</td></tr>
</table>
-->
<!-- ******** End of Navigation control panel ******** -->
</td></tr>
</table>
<!-- ******** Opening Figure 5 ******** -->
<!-- inner, unbordered table -->
<TABLE width="100%" border="0" class="lg-text" cellspacing="0" cellpadding="0">
<TR>
<TD align="left">
<P><A name="GeoWashCharacter2BackF5"></A>
<!-- Flickr.com hosted: Copy and paste this HTML into your webpage
<a href="http://www.flickr.com/photos/10610528@N04/4185506468/" title="wash_front-2-rot25-crop-comp by Michael Edward McNeil, on Flickr"><img src="http://farm3.static.flickr.com/2491/4185506468_817b0ce9ce_o.jpg" width="337" height="591" alt="wash_front-2-rot25-crop-comp" /></a>
-->
<!-- Flickr.com hosted: Grab the photo's URL
http://farm3.static.flickr.com/2491/4185506468_817b0ce9ce_o.jpg
-->
<!-- Flickr.com hosted: Link to original size
http://www.flickr.com/photos/10610528@N04/4185506410/sizes/o/in/set-72157605562537449/
-->
<A href="http://www.flickr.com/photos/10610528@N04/4185506410/sizes/o/in/set-72157605562537449/"
><IMG style="display:block; margin:8px auto 0px; text-align:center; cursor:hand;"
src="http://farm3.static.flickr.com/2491/4185506468_817b0ce9ce_o.jpg"
width="337" height="591" border="0"
alt="Jean-Antoine Houdon's George Washington"
title="Jean-Antoine Houdon's George Washington"
/></A>
<BR />
</P>
</TD>
</TR>
<TR>
<TD align="center">
<!-- innermost, unbordered table, to present two captions side by side -->
<TABLE width="100%" border="0" class="lg-text" cellspacing="0" cellpadding="0">
<TR>
<TD align="right" width="5%">
<P class="lg-text">
<A href="#GeoWashCharacter7NoteF5"
title="Jean-Antoine Houdon's George Washington"
><SUP><SPAN class="smallcaps">f5</SPAN></SUP></A>
</P>
</TD>
<TD align="center">
<P class="lg-text">
Jean-Antoine Houdon's George Washington
</P>
</TD>
<TD align="right" width="5%">
</TD>
</TR>
</TABLE>
<!-- end of innermost, unbordered table, to present two captions side by side -->
</TD>
</TR>
</TABLE>
<!-- end of inner, unbordered table -->
<BR clear="all" />
<!-- ******** Article proper, part 1 ******** -->
<P>The ancestors of George Washington came from Northamptonshire.
The moved to the New World in 1658, when George's great-grandfather bade farewell to England's white cliffs and settled down near Bridges Creek, in Virginia.
We know little about him, except that he continued to follow the sort of career he would have chosen in the Old World and became a member of the Virginia House of Burgesses.
He died in 1676, leaving his meager estates to his son Lawrence.
</P>
<P>Lawrence's second son, Augustine, having been born on this side of the ocean, felt more at home among his new surroundings than his father had done.
He caught the spirit of the new country and saw more profit in running an iron mine and an iron smelter than in doing what all the members of his tribe had done.
Thus far they had contented themselves with raising tobacco for the London market — a rather hazardous venture, as it placed them completely at the mercies of their British agents.
</P>
<P>Digging iron out of the soil was, of course, not quite as genteel a profession as supervising lazy and unwilling Negro slaves, but it was much more profitable, and after he had returned from his schooling in England, Augustine had settled down near Fredericksburg and in due course of time had married two wives (one after the other, of course), by the second of whom, Mary Ball, he had six children, the oldest of whom was baptized George.
</P>
<P>The boy grew up in the normal way of that period.
The local sexton taught him his letters, and afterward a schoolmaster was hired to give the young gentleman a smattering of Latin.
Mathematics, for which Master George felt a great liking, was not on the regular curriculum of the Virginia educational system of the middle of the eighteenth century (George was born in 1732), and so he was obliged to go after it on his own account.
He later extended his scientific researches into the realm of practical surveying, and this knowledge of how to make and read maps was of the greatest value to him when he was called upon to lead the armies of the rebellious colonists.
</P>
<P>It was a time when boys of fourteen were supposed to be able to shift for themselves.
In consequence, his half brother Augustine, who had been the head of the family ever since their father's death and who recognized that George had the makings of an excellent manager, entrusted him with the care of several plantations at an age when a modern youngster has not even thought of choosing a career.
George liked his new life, for it meant action.
He was forever on the move, examining accounts, hiring and firing overseers, buying and selling crops and slaves, learning all about tobacco, experimenting with new kinds of cattle, and in a general way making himself useful until, at the ripe old age of seventeen, he was deemed fit for public office and was appointed assistant public surveyor of Fairfax County.
This favor was bestowed upon him by the amiable Thomas, Lord Fairfax, who, having acquired a trifling five million acres in the Shenandoah Valley, had at last decided to cross the ocean and inspect his property in person.
He was now living on a fine estate along the Potomac, not far away from that plantation where John, the first Washington in America, had started the family's fortunes.
</P>
<P>It was during this period as a public surveyor that Washington became thoroughly familiar with life in the wilderness and got some conception of the vastness of this new world in which the colonists, until then, had stuck anxiously to the narrow strip of land along the seaboard.
But these carefree years, which he probably enjoyed as well as any other part of his career, came abruptly to an end in 1752, when his half-brother Lawrence died.
</P>
<P>The Washingtons as a family were apt to have weak chests, and Lawrence had never recovered from the hardships of his campaign against the Spanish city of Cartagena, in what is now the republic of Colombia, in South America.
There he had served with the fleet, and the fleet had been commanded by that Admiral Edward Vernon who as “Old Grog” won everlasting detestation in the British navy by ordering that the sailors should not get their rum straight but mixed with water so that they should not be incapacitated quite as much of the time as they used to be, when the stuff was poured raw down their throats.
</P>
<P>This expedition against Cartagena had not accomplished much toward making England mistress of the Caribbean (through no fault of Vernon's, but because of the incompetence of most of his colleagues), but out of it had grown that friendship between Lawrence Washington and his commander in chief which made Lawrence change the name of Little Hunting Creek plantation to Mount Vernon.
</P>
<P>As I just said, Lawrence died in 1752.
He left Mount Vernon to his widow, Anne Fairfax, who within the same year married into the Lee family.
She sold the estate to her brother-in-law George, who, then at the age of thirty, began that career of a sound marriage and shrewd investments which eventually was to make him one of the richest young men of Virginia.
</P>
<P>But in the meantime, George had done several other things which were to prepare him still further for the role he would soon afterward be called upon to play.
</P>
<!-- ******** Updates ******** -->
<!--
<P>
<SPAN class="updathdr">
<SPAN class="updattitle">
UPDATE:
</SPAN>
2009-07-19 19:40 UT:
</SPAN>
Text
</P>
-->
<P><BR clear="all" /></P>Michael McNeilhttp://www.blogger.com/profile/08007336342718478839noreply@blogger.com1tag:blogger.com,1999:blog-3917777.post-20860249916598471602009-12-15T02:10:00.000+00:002009-12-15T19:05:47.414+00:00GWAC: War in the Wilderness<!-- 1 - initial -->
<!-- Header -->
<!-- Version: 2009-12-15 06:20 PST -->
<A name="GeoWashCharacter3Back0"></A>
<table class="std-text" width="100%">
<tr>
<td valign="middle">
<SPAN class="posttitle">
War in the Wilderness
</SPAN>
<nobr>by Hendrik Willem van Loon</nobr>
</td>
<!-- ******** Navigation control panel ******** -->
<!--
<td width="20px"></td>
<td valign="top" align="right" class="lg2-text">
<table border="1px" cellspacing="2px" cellpadding="2px"
class="outernavpad">
<tr><td class="navpad">
<nobr>
<A href="#"
class="navpad"
alt="navigate to next article posted after this one (in Archives)"
title="navigate to next article posted after this one (in Archives)"
></A><SUB>←</SUB>
<A href="#"
class="navpad"
alt="navigate to next article posted after this one (on local page)"
title="navigate to next article posted after this one (on local page)"
></A>←
<A href="#"
class="navpad"
alt="navigate up to next higher section level in work"
title="navigate up to next higher section level in work"
></A>↑
<A href="#"
class="navpad"
alt="navigate down to next lower section level in work"
title="navigate down to next lower section level in work"
></A>↓
<A href="#"
class="navpad"
alt="navigate up to subsequent posted article in series or thread"
title="navigate up to subsequent posted article in series or thread"
></A><SUP>↑</SUP>
<A href="#"
class="navpad"
alt="navigate back to previous posted article in series or thread"
title="navigate back to previous posted article in series or thread"
></A><SUP>↓</SUP>
<A href="#2587156083482534432"
class="navpad"
alt="navigate to last article posted before this one (on local page)"
title="navigate to last article posted before this one (on local page)"
>→</A>
<A href="http://impearls.blogspot.com/2009_09_20_archive.html#2587156083482534432"
class="navpad"
alt="navigate to last article posted before this one (in Archives)"
title="navigate to last article posted before this one (in Archives)"
><SUB>→</SUB></A>
</nobr>
</td></tr>
</table>
-->
<!-- ******** End of Navigation control panel ******** -->
</td></tr>
</table>
<!-- ******** Opening Figure 6 ******** -->
<!-- inner, unbordered table -->
<TABLE width="100%" border="0" class="lg-text" cellspacing="0" cellpadding="0">
<TR>
<TD align="left">
<P><A name="GeoWashCharacter3BackF6"></A>
<!-- Flickr.com hosted: Copy and paste this HTML into your webpage
<a href="http://www.flickr.com/photos/10610528@N04/4185049229/" title="washington_1772 by Michael Edward McNeil, on Flickr"><img src="http://farm3.static.flickr.com/2801/4185049229_69274c8bf3_o.jpg" width="408" height="480" alt="washington_1772" /></a>
-->
<!-- Flickr.com hosted: Grab the photo's URL
http://farm3.static.flickr.com/2801/4185049229_69274c8bf3_o.jpg
-->
<!-- Flickr.com hosted: Link to original size
http://www.flickr.com/photos/10610528@N04/4185049229/sizes/o/in/set-72157605562537449/
-->
<A href="http://www.flickr.com/photos/10610528@N04/4185049229/sizes/o/in/set-72157605562537449/"
><IMG style="display:block; margin:8px auto 0px; text-align:center; cursor:hand;"
src="http://farm3.static.flickr.com/2801/4185049229_69274c8bf3_o.jpg"
width="408" height="480" border="0"
alt="Charles Willson Peale's George Washington in 1772, in the uniform of a colonel of the Virginia Regiment"
title="Charles Willson Peale's George Washington in 1772, in the uniform of a colonel of the Virginia Regiment"
/></A>
<BR />
</P>
</TD>
</TR>
<TR>
<TD align="center">
<!-- innermost, unbordered table, to present two captions side by side -->
<TABLE width="100%" border="0" class="lg-text" cellspacing="0" cellpadding="0">
<TR>
<TD align="right" width="5%">
<P class="lg-text">
<A href="#GeoWashCharacter7NoteF6"
title="Charles Willson Peale's George Washington in 1772, in the uniform of a colonel of the Virginia Regiment"
><SUP><SPAN class="smallcaps">f6</SPAN></SUP></A>
</P>
</TD>
<TD align="center">
<P class="lg-text">
Charles Willson Peale's George Washington in 1772,
<BR />in the uniform of a colonel of the Virginia Regiment
</P>
</TD>
<TD align="right" width="5%">
</TD>
</TR>
</TABLE>
<!-- end of innermost, unbordered table, to present two captions side by side -->
</TD>
</TR>
</TABLE>
<!-- end of inner, unbordered table -->
<BR clear="all" />
<!-- ******** Article proper, part 1 ******** -->
<P>In the year 1753 Governor Dinwiddie had appointed him a major and had sent him into the wild West with orders to find the commander of the French forces, who, after an overland voyage from Canada, had occupied the greater part of the Ohio Valley.
Major Washington was to remind his French colleague that he was poaching on British territory and to suggest that he leave as soon as possible.
</P>
<P>Whether on this occasion Washington was guided by his own woodcraft, by divine Providence, or by his interpreter, Jacob Vanbraam, I could not tell you, but Washington did find the man he was looking for and delivered his message.
The Frenchman courteously invited him to dinner in a fort which is now the town of Waterford, in Pennsylvania, but added that for the present, at least, he and his French troops intended to remain where they were.
</P>
<P>This refusal on the part of the French to withdraw their forces led to skirmishes, and these skirmishes in turn led to war.
During this conflict Washington, badly supported by the undisciplined colonial troops, was taken prisoner by the French and was only released after he had signed a promise that the British would not try to build any other fortifications in the Ohio Valley for at least a year.
</P>
<P>After the failure of their irregular troops, the London authorities hoped to have better luck with their regulars.
In February, 1755, General Edward Braddock arrived in Virginia.
Washington, like most of the other native officers, had withdrawn from army life.
The reason for such a step?
These American-born fighters resented being treated as “colonials.”
No “colonial” officer could receive the same pay as one born in the old country, and any colonial officer, no matter what rank he held, was supposed to be inferior to a mere youngster who held a direct commission from the King.
</P>
<P>It was that sort of thing — that irrepressible habit of all good Britishers to act in a superior manner toward all non-Britishers — which had more to do with the outbreak of the American Revolution than all the taxes on tea and all the stamps on official documents.
But England was not to learn this until more than a century and a half later.
</P>
<P>Heaven knows, these colonials had no reason to feel inferior toward their London superiors.
General Braddock, in spite of his personal bravery, was as ignorant of wilderness warfare as the commander of the Horse Guards, a hundred years later, was to be unfamiliar with the topography of the territory around Balaklava.
And if it had not been for George Washington (who at the last moment had once more taken to the field, probably anticipating what was going to happen), hardly a man of that British expeditionary force would have come back alive.
</P>
<P>In consequence whereof, Colonel Washington was appointed to the post of commander in chief of all the Virginia troops.
Did all this teach the British regulars their lesson?
It did not.
For when George Washington, holder of a colonial appointment, told a mere captain with a royal commission to do something he wanted done, the captain told him to go jump into the lake.
And Washington was obliged to travel all the way to Boston, where the British commander in chief was stationed, to get redress for this insult.
</P>
<P>This time he won out, but it was that sort of inexcusable stupidity and arrogance which kept the colonials in a constant state of irritation.
It is quite understandable that the Virginian, whose health had been greatly impaired by his campaign in the wilderness, used the first possible opportunity to resign his commission and refused to have anything further to do with British officialdom.
From then on he was going to enjoy the quiet life of a plantation owner, and the world, whether sober or drunk, could pass by his door — it was to be no concern of his what happened to it.
A military lean-to in the forest was at best a pretty poor sort of makeshift, where as a home of his own in his beloved Virginia would allow him to forget the hardships and discomforts of his earlier days in the field.
<BR />
</P>
<!-- ******** Closing Figure 7 ******** -->
<!-- inner, unbordered table -->
<TABLE width="100%" border="0" class="lg-text" cellspacing="0" cellpadding="0">
<TR>
<TD align="left">
<P><A name="GeoWashCharacter3BackF7"></A>
<!-- Flickr.com hosted: Copy and paste this HTML into your webpage
<a href="http://www.flickr.com/photos/10610528@N04/4182820732/" title="Yorkt-3-resize640x456-comp by Michael Edward McNeil, on Flickr"><img src="http://farm5.static.flickr.com/4011/4182820732_c15a1e90b5_o.jpg" width="640" height="456" alt="Yorkt-3-resize640x456-comp" /></a>
-->
<!-- Flickr.com hosted: Grab the photo's URL
http://farm5.static.flickr.com/4011/4182820732_c15a1e90b5_o.jpg
-->
<!-- Flickr.com hosted: Link to large size page
http://www.flickr.com/photos/10610528@N04/4182058335/sizes/o/in/set-72157605562537449/
-->
<A href="http://www.flickr.com/photos/10610528@N04/4182996004/sizes/o/in/set-72157605562537449/"
><IMG style="display:block; margin:0px auto 0px; text-align:center; cursor:pointer; cursor:hand;"
src="http://farm3.static.flickr.com/2467/4182233377_3dc1fed121_o.jpg"
width="341" height="854" border="0"
alt="Antonio Canova's George Washington in the garb of a Roman soldier"
title="Antonio Canova's George Washington in the garb of a Roman soldier"
/></A>
<BR />
</P>
</TD>
</TR>
<TR>
<TD align="center">
<!-- innermost, unbordered table, to present two captions side by side -->
<TABLE width="100%" border="0" class="lg-text" cellspacing="0" cellpadding="0">
<TR>
<TD align="right" width="5%">
<P class="lg-text">
<A href="#GeoWashCharacter7NoteF7"
title="Antonio Canova's George Washington in the garb of a Roman soldier"
><SUP><SPAN class="smallcaps">f7</SPAN></SUP></A>
</P>
</TD>
<TD align="center">
<P class="lg-text">
Antonio Canova's George Washington in the garb of a Roman soldier
</P>
</TD>
<TD align="right" width="5%">
</TD>
</TR>
</TABLE>
<!-- end of innermost, unbordered table, to present two captions side by side -->
</TD>
</TR>
</TABLE>
<!-- end of inner, unbordered table -->
<BR clear="all" />
<!-- ******** Updates ******** -->
<!--
<P>
<SPAN class="updathdr">
<SPAN class="updattitle">
UPDATE:
</SPAN>
2009-07-19 19:40 UT:
</SPAN>
Text
</P>
-->
<P><BR clear="all" /></P>Michael McNeilhttp://www.blogger.com/profile/08007336342718478839noreply@blogger.com0tag:blogger.com,1999:blog-3917777.post-51125940424327994072009-12-15T02:00:00.000+00:002009-12-15T19:06:21.760+00:00GWAC: Martha Dandridge Custis<!-- 1 - initial -->
<!-- Header -->
<!-- Version: 2009-12-15 05:50 PST -->
<A name="GeoWashCharacter4Back0"></A>
<table class="std-text" width="100%">
<tr>
<td valign="middle">
<SPAN class="posttitle">
Martha Dandridge Custis
</SPAN>
<nobr>by Hendrik Willem van Loon</nobr>
</td>
<!-- ******** Navigation control panel ******** -->
<!--
<td width="20px"></td>
<td valign="top" align="right" class="lg2-text">
<table border="1px" cellspacing="2px" cellpadding="2px"
class="outernavpad">
<tr><td class="navpad">
<nobr>
<A href="#"
class="navpad"
alt="navigate to next article posted after this one (in Archives)"
title="navigate to next article posted after this one (in Archives)"
></A><SUB>←</SUB>
<A href="#"
class="navpad"
alt="navigate to next article posted after this one (on local page)"
title="navigate to next article posted after this one (on local page)"
></A>←
<A href="#"
class="navpad"
alt="navigate up to next higher section level in work"
title="navigate up to next higher section level in work"
></A>↑
<A href="#"
class="navpad"
alt="navigate down to next lower section level in work"
title="navigate down to next lower section level in work"
></A>↓
<A href="#"
class="navpad"
alt="navigate up to subsequent posted article in series or thread"
title="navigate up to subsequent posted article in series or thread"
></A><SUP>↑</SUP>
<A href="#"
class="navpad"
alt="navigate back to previous posted article in series or thread"
title="navigate back to previous posted article in series or thread"
></A><SUP>↓</SUP>
<A href="#2587156083482534432"
class="navpad"
alt="navigate to last article posted before this one (on local page)"
title="navigate to last article posted before this one (on local page)"
>→</A>
<A href="http://impearls.blogspot.com/2009_09_20_archive.html#2587156083482534432"
class="navpad"
alt="navigate to last article posted before this one (in Archives)"
title="navigate to last article posted before this one (in Archives)"
><SUB>→</SUB></A>
</nobr>
</td></tr>
</table>
-->
<!-- ******** End of Navigation control panel ******** -->
</td></tr>
</table>
<!-- ******** Opening Figure 8 ******** -->
<!-- inner, unbordered table -->
<TABLE width="100%" border="0" class="lg-text" cellspacing="0" cellpadding="0">
<TR>
<TD align="center">
<A name="GeoWashCharacter4BackF8"></A>
<!-- innermost, unbordered table, to present two images side by side -->
<TABLE width="100%" border="0" class="lg-text" cellspacing="0" cellpadding="0">
<TR>
<TD align="right">
<P>
<!-- Flickr.com hosted: Copy and paste this HTML into your webpage
<a href="http://www.flickr.com/photos/10610528@N04/4183975868/" title="007george-2-crop-comp by Michael Edward McNeil, on Flickr"><img src="http://farm3.static.flickr.com/2668/4183975868_c57a259952_o.jpg" width="230" height="283" alt="007george-2-crop-comp" /></a>
-->
<!-- Flickr.com hosted: Grab the photo's URL
http://farm3.static.flickr.com/2668/4183975868_c57a259952_o.jpg
-->
<!-- Flickr.com hosted: Link to large size page
http://www.flickr.com/photos/10610528@N04/4183975770/sizes/o/in/set-72157605562537449/
-->
<A href="http://www.flickr.com/photos/10610528@N04/4183975770/sizes/o/in/set-72157605562537449/"
><IMG style="display:block; margin:8px 4px 12px 4px; text-align:center; cursor:hand;"
src="http://farm3.static.flickr.com/2668/4183975868_c57a259952_o.jpg"
width="230" height="283" border="0" align="right"
alt="Charles Willson Peale's George Washington in 1776 at the age of 44"
title="Charles Willson Peale's George Washington in 1776 at the age of 44"
/></A>
<BR />
</P>
</TD>
<TD align="left">
<P>
<!-- Flickr.com hosted: Copy and paste this HTML into your webpage
<a href="http://www.flickr.com/photos/10610528@N04/4183975822/" title="007martha-2-crop-comp by Michael Edward McNeil, on Flickr"><img src="http://farm3.static.flickr.com/2767/4183975822_19c3c2ecdb_o.jpg" width="229" height="280" alt="007martha-2-crop-comp" /></a>
-->
<!-- Flickr.com hosted: Grab the photo's URL
http://farm3.static.flickr.com/2767/4183975822_19c3c2ecdb_o.jpg
-->
<!-- Flickr.com hosted: Link to large size page
http://www.flickr.com/photos/10610528@N04/4183213685/sizes/o/in/set-72157605562537449/
-->
<A href="http://www.flickr.com/photos/10610528@N04/4183213685/sizes/o/in/set-72157605562537449/"
><IMG style="display:block; margin:8px 4px 12px 4px; text-align:center; cursor:hand;"
src="http://farm3.static.flickr.com/2767/4183975822_19c3c2ecdb_o.jpg"
width="229" height="280" border="0" align="left"
alt="Charles Willson Peale's Martha Washington in 1776 at the age of 45"
title="Charles Willson Peale's Martha Washington in 1776 at the age of 45"
/></A>
<BR />
</P>
</TD>
</TR>
</TABLE>
<!-- end of innermost, unbordered table, to present two images side by side -->
</TD>
</TR>
<TR>
<TD align="center">
<!-- innermost, unbordered table, to present two captions side by side -->
<TABLE width="100%" border="0" class="lg-text" cellspacing="0" cellpadding="0">
<TR>
<TD align="right" width="5%">
<P class="lg-text">
<A href="#GeoWashCharacter7NoteF8"
title="Charles Willson Peale's George and Martha Washington in 1776 when they were ages 44 and 45 respectively"
><SUP><SPAN class="smallcaps">f8</SPAN></SUP></A>
</P>
</TD>
<TD align="center">
<P class="lg-text">
Charles Willson Peale's George and Martha Washington
<BR />in 1776 when they were ages 44 and 45 respectively
</P>
</TD>
<TD align="right" width="5%">
</TD>
</TR>
</TABLE>
<!-- end of innermost, unbordered table, to present two captions side by side -->
</TD>
</TR>
</TABLE>
<!-- end of inner, unbordered table -->
<BR clear="all" />
<!-- ******** Article proper, part 1 ******** -->
<P>Of course, one could not very well administer a plantation without a wife.
But suitable wives were hard to find, and furthermore, George Washington had never been very successful with the ladies.
This, in spite of his six feet and his perfect willingness to adapt himself completely to the customs and habits of the society into which he happened to have been born and to partake of all the fashionable pleasures of that day, such as dancing, hunting, riding, drinking, and going to Sunday service in the nearest Episcopal church.
</P>
<P>But, as most of us six-footers know only too well, women, being what they are, prefer the little fellows whom they can pick up when they fall and hurt themselves and whom they can carry away in their arms and fondle until they smile again and are able to say, “I am feeling much better, and now I will go and pluck you a daisy.”
</P>
<P>George Washington was no daisy plucker.
A young man who before his twenty-fourth year had gone through a couple of wilderness campaigns, who had fought in half a dozen battles, and who had experienced a great deal of sickness was apt to be a rather serious person, and that, of course, did not help him very much either while trying to win the favor of some Virginia belle.
Finally, in sheer exasperation he decided to be practical rather than romantic, and he married the widow of a fellow planter, one Colonel Daniel Parke Custis.
Martha Dandridge Custis was the mother of two children and the owner of fifteen thousand acres of land near Williamsburg, sixty-five thousand dollars in cash in the bank, and one hundred and fifty slaves.
Martha Custis also was (and was to prove herself even more so in the years to come) a very kindhearted and understanding companion, an excellent housekeeper, and a discreet and faithful wife to a man who was to occupy the highest position in the land.
Best of all (the only real consideration in such matters), she gave her husband everything he most cared for.
She provided him with a well-run home, where at any time he could entertain all the friends he wanted to bring, and she saved him from all those fussy details which are so exasperating to a man who has got a real job to do.
</P>
<P>Fifteen years after their marriage, George Washington came at last into his own.
For he was given the task of reorganizing the new England on our side of the ocean into a nation that would be able to take over when the older England overseas should have failed.
</P>
<!-- ******** Updates ******** -->
<!--
<P>
<SPAN class="updathdr">
<SPAN class="updattitle">
UPDATE:
</SPAN>
2009-07-19 19:40 UT:
</SPAN>
Text
</P>
-->
<P><BR clear="all" /></P>Michael McNeilhttp://www.blogger.com/profile/08007336342718478839noreply@blogger.com0tag:blogger.com,1999:blog-3917777.post-37200159681795356952009-12-15T01:50:00.000+00:002009-12-15T19:06:48.624+00:00GWAC: The Cromwellian Sequel<!-- 1 - initial -->
<!-- Header -->
<!-- Version: 2009-12-15 05:30 PST -->
<A name="GeoWashCharacter5Back0"></A>
<table class="std-text" width="100%">
<tr>
<td valign="middle">
<SPAN class="posttitle">
The Cromwellian Sequel
</SPAN>
<nobr>by Hendrik Willem van Loon</nobr>
</td>
<!-- ******** Navigation control panel ******** -->
<!--
<td width="20px"></td>
<td valign="top" align="right" class="lg2-text">
<table border="1px" cellspacing="2px" cellpadding="2px"
class="outernavpad">
<tr><td class="navpad">
<nobr>
<A href="#"
class="navpad"
alt="navigate to next article posted after this one (in Archives)"
title="navigate to next article posted after this one (in Archives)"
></A><SUB>←</SUB>
<A href="#"
class="navpad"
alt="navigate to next article posted after this one (on local page)"
title="navigate to next article posted after this one (on local page)"
></A>←
<A href="#"
class="navpad"
alt="navigate up to next higher section level in work"
title="navigate up to next higher section level in work"
></A>↑
<A href="#"
class="navpad"
alt="navigate down to next lower section level in work"
title="navigate down to next lower section level in work"
></A>↓
<A href="#"
class="navpad"
alt="navigate up to subsequent posted article in series or thread"
title="navigate up to subsequent posted article in series or thread"
></A><SUP>↑</SUP>
<A href="#"
class="navpad"
alt="navigate back to previous posted article in series or thread"
title="navigate back to previous posted article in series or thread"
></A><SUP>↓</SUP>
<A href="#2587156083482534432"
class="navpad"
alt="navigate to last article posted before this one (on local page)"
title="navigate to last article posted before this one (on local page)"
>→</A>
<A href="http://impearls.blogspot.com/2009_09_20_archive.html#2587156083482534432"
class="navpad"
alt="navigate to last article posted before this one (in Archives)"
title="navigate to last article posted before this one (in Archives)"
><SUB>→</SUB></A>
</nobr>
</td></tr>
</table>
-->
<!-- ******** End of Navigation control panel ******** -->
</td></tr>
</table>
<!-- ******** Opening Figure 9 ******** -->
<!-- inner, unbordered table -->
<TABLE width="100%" border="0" class="lg-text" cellspacing="0" cellpadding="0">
<TR>
<TD align="left">
<P><A name="GeoWashCharacter5BackF9"></A>
<!-- Flickr.com hosted: Copy and paste this HTML into your webpage
<a href="http://www.flickr.com/photos/10610528@N04/4184382019/" title="BattleofMonmouth-resz640x480-comp by Michael Edward McNeil, on Flickr"><img src="http://farm3.static.flickr.com/2520/4184382019_33004dd1eb_o.jpg" width="640" height="480" alt="BattleofMonmouth-resz640x480-comp" /></a>
-->
<!-- Flickr.com hosted: Grab the photo's URL
http://farm3.static.flickr.com/2520/4184382019_33004dd1eb_o.jpg
-->
<!-- Flickr.com hosted: Link to large size page
http://www.flickr.com/photos/10610528@N04/4184381943/sizes/o/in/set-72157605562537449/
-->
<A href="http://www.flickr.com/photos/10610528@N04/4184381943/sizes/o/in/set-72157605562537449/"
><IMG style="display:block; margin:8px auto 0px; text-align:center; cursor:hand;"
src="http://farm3.static.flickr.com/2520/4184382019_33004dd1eb_o.jpg"
width="640" height="480" border="0"
alt="Emanuel Gottlieb Leutze's Washington Rallying the Troops at Monmouth"
title="Emanuel Gottlieb Leutze's Washington Rallying the Troops at Monmouth"
/></A>
<BR />
</P>
</TD>
</TR>
<TR>
<TD align="center">
<!-- innermost, unbordered table, to present two captions side by side -->
<TABLE width="100%" border="0" class="lg-text" cellspacing="0" cellpadding="0">
<TR>
<TD align="right" width="5%">
<P class="lg-text">
<A href="#GeoWashCharacter7NoteF9"
title="Emanuel Gottlieb Leutze's Washington Rallying the Troops at Monmouth"
><SUP><SPAN class="smallcaps">f9</SPAN></SUP></A>
</P>
</TD>
<TD align="center">
<P class="lg-text">
Emanuel Gottlieb Leutze's Washington Rallying the Troops at Monmouth
</P>
</TD>
<TD align="right" width="5%">
</TD>
</TR>
</TABLE>
<!-- end of innermost, unbordered table, to present two captions side by side -->
</TD>
</TR>
</TABLE>
<!-- end of inner, unbordered table -->
<BR clear="all" />
<!-- ******** Article proper, part 1 ******** -->
<P>The rest is history.
It has been told so often and so well that I shall not waste your time repeating what all of us know.
In England no one connected with the government seemed to have grasped the fact that the crown was dealing with a people who were the spiritual descendants of those Englishmen who, a century and a half before, had already rid themselves of one head bearing a crown.
There is a story current in many parts of New England of how, during a threatened Indian massacre, there suddenly appeared an old, white-haired fellow, coming from nowhere in particular but wearing an outmoded Cromwellian uniform and wearily but efficiently swinging an old Cromwellian sword with which he promptly slew so many of the savages that the others fled in panic and were never again seen.
Having saved his fellow settlers by his unexpected arrival, the white-haired, white-bearded hero silently withdrew into the dark fringe of the near-by forest and never again showed himself to mortal eye.
</P>
<P>There was more truth to this bit of folklore than most people suspected.
The number of regicide judges and other fugitives from Charles Stuart's revenge who had actually lost themselves in the American wilderness to find safety was probably very small.
But their spirit was everywhere, and it lay hidden in the souls of a great many people who were completely unconscious of being anything but good, loyal subjects of His Majesty the King.
Had a clever man ruled over England just before our Revolution, or even a merely mediocre one, capable at least of surrounding himself with wise counselors, all might have yet been saved, and the Revolution could probably have been avoided.
But by this time the real rulers of England had been petrified into an aristocracy — into a rigid caste — and the country squire had so completely lost touch with the realities of daily existence that the world for him did not really begin except at five hundred pounds a year.
How could those insular port drinkers and fox hunters, who only went abroad for the purpose of returning home infinitely more self-satisfied than they had left, ever had been made to understand that old Oliver Cromwell's ideas were still stirring among the spiritual descendants of those preposterous dissenters who had dared to lift their blasphemous hands against the sacred person of their anointed Majesty and who — serve them right! — had been taught a lesson when the body of their abominable leader had been dug out of its grave and had been thrown to the dogs.
</P>
<P>That much was true.
The remains of the great Oliver no longer rested in the chapel of Henry VII in Westminster Abbey, but his soul had gone marching on.
It continued to march on for six long and desperate years, until that ever-fateful nineteenth of October of the year 1781, when General George Washington of Mount Vernon in Virginia, commander in chief of the armies of the United States of America, courteously bowed to Major General Charles Cornwallis, commander in chief of His Majesty's forces in South Carolina, and told that dejected gentleman to keep his sword, for he had been a brave foeman, and the code of honor of their common heritage demanded that one behave generously toward a conquered enemy who had fought the good fight squarely and decently and who had behaved as modestly and decorously in victory as in defeat.
<BR />
<BR />
</P>
<!-- ******** Closing Figure 10 ******** -->
<!-- inner, unbordered table -->
<TABLE width="100%" border="0" class="lg-text" cellspacing="0" cellpadding="0">
<TR>
<TD align="left">
<P><A name="GeoWashCharacter5BackF10"></A>
<!-- Flickr.com hosted: Copy and paste this HTML into your webpage
<a href="http://www.flickr.com/photos/10610528@N04/4182820732/" title="Yorkt-3-resize640x456-comp by Michael Edward McNeil, on Flickr"><img src="http://farm5.static.flickr.com/4011/4182820732_c15a1e90b5_o.jpg" width="640" height="456" alt="Yorkt-3-resize640x456-comp" /></a>
-->
<!-- Flickr.com hosted: Grab the photo's URL
http://farm5.static.flickr.com/4011/4182820732_c15a1e90b5_o.jpg
-->
<!-- Flickr.com hosted: Link to large size page
http://www.flickr.com/photos/10610528@N04/4182058335/sizes/o/in/set-72157605562537449/
-->
<A href="http://www.flickr.com/photos/10610528@N04/4182058335/sizes/o/in/set-72157605562537449/"
><IMG style="display:block; margin:0px auto 0px; text-align:center; cursor:pointer; cursor:hand;"
src="http://farm5.static.flickr.com/4011/4182820732_c15a1e90b5_o.jpg"
width="640" height="456" border="0"
alt="Constantino Brumidi's Surrender at Yorktown"
title="Constantino Brumidi's Surrender at Yorktown"
/></A>
<BR />
</P>
</TD>
</TR>
<TR>
<TD align="center">
<!-- innermost, unbordered table, to present two captions side by side -->
<TABLE width="100%" border="0" class="lg-text" cellspacing="0" cellpadding="0">
<TR>
<TD align="right" width="5%">
<P class="lg-text">
<A href="#GeoWashCharacter7NoteF10"
title="Constantino Brumidi's Surrender at Yorktown"
><SUP><SPAN class="smallcaps">f10</SPAN></SUP></A>
</P>
</TD>
<TD align="center">
<P class="lg-text">
Constantino Brumidi's Surrender at Yorktown
</P>
</TD>
<TD align="right" width="5%">
</TD>
</TR>
</TABLE>
<!-- end of innermost, unbordered table, to present two captions side by side -->
</TD>
</TR>
</TABLE>
<!-- end of inner, unbordered table -->
<BR clear="all" />
<!-- ******** Updates ******** -->
<!--
<P>
<SPAN class="updathdr">
<SPAN class="updattitle">
UPDATE:
</SPAN>
2009-07-19 19:40 UT:
</SPAN>
Text
</P>
-->
<P><BR clear="all" /></P>Michael McNeilhttp://www.blogger.com/profile/08007336342718478839noreply@blogger.com0tag:blogger.com,1999:blog-3917777.post-55715665138709588352009-12-15T01:40:00.001+00:002009-12-16T01:58:55.577+00:00GWAC: Apotheosis<!-- 1 - initial -->
<!-- Header -->
<!-- Version: 2009-12-15 18:00 PST -->
<A name="GeoWashCharacter6Back0"></A>
<table class="std-text" width="100%">
<tr>
<td valign="middle">
<SPAN class="posttitle">
Apotheosis
</SPAN>
<nobr>by Hendrik Willem van Loon</nobr>
</td>
<!-- ******** Navigation control panel ******** -->
<!--
<td width="20px"></td>
<td valign="top" align="right" class="lg2-text">
<table border="1px" cellspacing="2px" cellpadding="2px"
class="outernavpad">
<tr><td class="navpad">
<nobr>
<A href="#"
class="navpad"
alt="navigate to next article posted after this one (in Archives)"
title="navigate to next article posted after this one (in Archives)"
></A><SUB>←</SUB>
<A href="#"
class="navpad"
alt="navigate to next article posted after this one (on local page)"
title="navigate to next article posted after this one (on local page)"
></A>←
<A href="#"
class="navpad"
alt="navigate up to next higher section level in work"
title="navigate up to next higher section level in work"
></A>↑
<A href="#"
class="navpad"
alt="navigate down to next lower section level in work"
title="navigate down to next lower section level in work"
></A>↓
<A href="#"
class="navpad"
alt="navigate up to subsequent posted article in series or thread"
title="navigate up to subsequent posted article in series or thread"
></A><SUP>↑</SUP>
<A href="#"
class="navpad"
alt="navigate back to previous posted article in series or thread"
title="navigate back to previous posted article in series or thread"
></A><SUP>↓</SUP>
<A href="#2587156083482534432"
class="navpad"
alt="navigate to last article posted before this one (on local page)"
title="navigate to last article posted before this one (on local page)"
>→</A>
<A href="http://impearls.blogspot.com/2009_09_20_archive.html#2587156083482534432"
class="navpad"
alt="navigate to last article posted before this one (in Archives)"
title="navigate to last article posted before this one (in Archives)"
><SUB>→</SUB></A>
</nobr>
</td></tr>
</table>
-->
<!-- ******** End of Navigation control panel ******** -->
</td></tr>
</table>
<!-- ******** Opening Figure 11 ******** -->
<!-- inner, unbordered table -->
<TABLE width="100%" border="0" class="lg-text" cellspacing="0" cellpadding="0">
<TR>
<TD align="left">
<P><A name="GeoWashCharacter6BackF11"></A>
<!-- Flickr.com hosted: Copy and paste this HTML into your webpage
<a href="http://www.flickr.com/photos/10610528@N04/4186774664/" title="3641181082_cc4738983f_o-resz640x963-comp by Michael Edward McNeil, on Flickr"><img src="http://farm3.static.flickr.com/2509/4186774664_0de1beb825_o.jpg" width="640" height="963" alt="3641181082_cc4738983f_o-resz640x963-comp" /></a>
-->
<!-- Flickr.com hosted: Grab the photo's URL
http://farm3.static.flickr.com/2509/4186774664_0de1beb825_o.jpg
-->
<!-- Flickr.com hosted: Link to large size page
http://www.flickr.com/photos/10610528@N04/4186774602/sizes/o/in/set-72157605562537449/
-->
<A href="http://www.flickr.com/photos/10610528@N04/4186774602/sizes/o/in/set-72157605562537449/"
><IMG style="display:block; margin:8px auto 0px; text-align:center; cursor:hand;"
src="http://farm3.static.flickr.com/2509/4186774664_0de1beb825_o.jpg"
width="640" height="963" border="0"
alt="Horatio Greenough's Washington as Zeus"
title="Horatio Greenough's Washington as Zeus"
/></A>
<BR />
</P>
</TD>
</TR>
<TR>
<TD align="center">
<!-- innermost, unbordered table, to present two captions side by side -->
<TABLE width="100%" border="0" class="lg-text" cellspacing="0" cellpadding="0">
<TR>
<TD align="right" width="5%">
<P class="lg-text">
<A href="#GeoWashCharacter7NoteF11"
title="Horatio Greenough's Washington as Zeus"
><SUP><SPAN class="smallcaps">f11</SPAN></SUP></A>
</P>
</TD>
<TD align="center">
<P class="lg-text">
Horatio Greenough's Washington as Zeus
</P>
</TD>
<TD align="right" width="5%">
</TD>
</TR>
</TABLE>
<!-- end of innermost, unbordered table, to present two captions side by side -->
</TD>
</TR>
</TABLE>
<!-- end of inner, unbordered table -->
<BR clear="all" />
<!-- ******** Article proper, part 1 ******** -->
<P>With this little anecdote, I think I can bid the General farewell, for you will now understand what kind of person he was.
And now that all the evidence is available, we can sum him up in a very few words, for there really was nothing very complicated about this greatest of all Americans.
</P>
<P>George Washington was not a great military leader.
He was careful and methodical, but he lacked the genius of an Alexander or a Napoleon.
He was not a creative statesman like Jefferson, and old Ben Franklin was his undisputed master when it came to diplomatic negotiations that required shrewdness and patience and a gift for horse trading.
As an orator he was deplorably lacking in all those tricks by which an experienced speaker can sway his audiences.
Nor did he ever indulge in what we would now call original and creative thinking.
He was by nature a conservative and deeply distrusted the bright boys who tried to sell him the ideal of the French Revolution.
Indeed, if he had had his way, all radicals would have been sent back right away to where they had come from.
They upset his notions about a well-regulated commonwealth in which every man, woman, child, horse, and dog should know his, or her, or its place in society.
He wanted freedom, but it was the freedom that had prevailed in the England of his ancestors.
The conception of liberty which was to arise soon afterward among the disinherited masses of the future republic he did not understand at all, and it is doubtful whether it would have been very much to his liking.
</P>
<P>Yet, it was he who founded our republic; it was this Virginian planter who set us free from foreign domination; it was this Southern aristocrat who started us off on our noble experiment in self-government, and he was able to do this because he was far ahead of his contemporaries in that one particular respect which counts more heavily in the scales of the gods than all other qualifications for glory and success put together.
</P>
<P>George Washington was the embodiment of character.
</P>
<P>Webster defines character as follows:
“Highly developed or strongly marked moral qualities; individuality, esp. as distinguished by moral excellence; moral vigor or firmness, esp. as acquired through self-discipline; inhibitory control of one's instinctive impulses….”
</P>
<P>I think that I can let it go at that.
For my final comment upon both William of Orange and George Washington need consist of but one single word:
CHARACTER.
<BR />
<BR />
</P>
<!-- ******** Closing Figure 12 ******** -->
<!-- inner, unbordered table -->
<TABLE width="100%" border="0" class="lg-text" cellspacing="0" cellpadding="0">
<TR>
<TD align="left">
<P><A name="GeoWashCharacter6BackF12"></A>
<!-- Flickr.com hosted: Copy and paste this HTML into your webpage
<a href="http://www.flickr.com/photos/10610528@N04/2194916491/" title="A2-all-4-resize640x675 by Michael Edward McNeil, on Flickr"><img src="http://farm3.static.flickr.com/2165/2194916491_47034bb7cb_o.jpg" width="640" height="675" alt="A2-all-4-resize640x675" /></a>
-->
<!-- Flickr.com hosted: Grab the photo's URL
http://farm3.static.flickr.com/2165/2194916491_47034bb7cb_o.jpg
-->
<!-- Flickr.com hosted: Link to original size
http://www.flickr.com/photo_zoom.gne?id=2194916491&size=o
-->
<A href="http://www.flickr.com/photo_zoom.gne?id=2194916491&size=o"
><IMG style="display:block; margin:0px auto 0px; text-align:center; cursor:pointer; cursor:hand;"
src="http://farm3.static.flickr.com/2165/2194916491_47034bb7cb_o.jpg"
width="640" height="675" border="0"
alt="Constantino Brumidi's Apotheosis of Washington, Detail: E Pluribus Unum"
title="Constantino Brumidi's Apotheosis of Washington, Detail: E Pluribus Unum"
/></A>
<BR />
</P>
</TD>
</TR>
<TR>
<TD align="center">
<!-- innermost, unbordered table, to present two captions side by side -->
<TABLE width="100%" border="0" class="lg-text" cellspacing="0" cellpadding="0">
<TR>
<TD align="right" width="5%">
<P class="lg-text">
<A href="#GeoWashCharacter7NoteF12"
title="Constantino Brumidi's Apotheosis of Washington, Detail: E Pluribus Unum"
><SUP><SPAN class="smallcaps">f12</SPAN></SUP></A>
</P>
</TD>
<TD align="center">
<P class="lg-text">
Constantino Brumidi's Apotheosis of Washington, Detail: E Pluribus Unum
</P>
</TD>
<TD align="right" width="5%">
</TD>
</TR>
</TABLE>
<!-- end of innermost, unbordered table, to present two captions side by side -->
</TD>
</TR>
</TABLE>
<!-- end of inner, unbordered table -->
<BR clear="all" />
<!-- ******** Updates ******** -->
<!--
<P>
<SPAN class="updathdr">
<SPAN class="updattitle">
UPDATE:
</SPAN>
2009-07-19 19:40 UT:
</SPAN>
Text
</P>
-->
<P><BR clear="all" /></P>Michael McNeilhttp://www.blogger.com/profile/08007336342718478839noreply@blogger.com0tag:blogger.com,1999:blog-3917777.post-64197292451520428252009-12-15T01:30:00.002+00:002009-12-16T03:57:35.227+00:00GWAC: References and Figures<!-- 1 - initial -->
<!-- Header -->
<!-- Version: 2009-12-15 20:50 PST -->
<A name="GeoWashCharacter6Back0"></A>
<table class="std-text" width="100%">
<tr>
<td valign="middle">
<SPAN class="posttitle">
References and Figures
</SPAN>
</td>
<!-- ******** Navigation control panel ******** -->
<!--
<td width="20px"></td>
<td valign="top" align="right" class="lg2-text">
<table border="1px" cellspacing="2px" cellpadding="2px"
class="outernavpad">
<tr><td class="navpad">
<nobr>
<A href="#"
class="navpad"
alt="navigate to next article posted after this one (in Archives)"
title="navigate to next article posted after this one (in Archives)"
></A><SUB>←</SUB>
<A href="#"
class="navpad"
alt="navigate to next article posted after this one (on local page)"
title="navigate to next article posted after this one (on local page)"
></A>←
<A href="#"
class="navpad"
alt="navigate up to next higher section level in work"
title="navigate up to next higher section level in work"
></A>↑
<A href="#"
class="navpad"
alt="navigate down to next lower section level in work"
title="navigate down to next lower section level in work"
></A>↓
<A href="#"
class="navpad"
alt="navigate up to subsequent posted article in series or thread"
title="navigate up to subsequent posted article in series or thread"
></A><SUP>↑</SUP>
<A href="#"
class="navpad"
alt="navigate back to previous posted article in series or thread"
title="navigate back to previous posted article in series or thread"
></A><SUP>↓</SUP>
<A href="#2587156083482534432"
class="navpad"
alt="navigate to last article posted before this one (on local page)"
title="navigate to last article posted before this one (on local page)"
>→</A>
<A href="http://impearls.blogspot.com/2009_09_20_archive.html#2587156083482534432"
class="navpad"
alt="navigate to last article posted before this one (in Archives)"
title="navigate to last article posted before this one (in Archives)"
><SUB>→</SUB></A>
</nobr>
</td></tr>
</table>
-->
<!-- ******** End of Navigation control panel ******** -->
</td></tr>
</table>
<!-- ******** References and Figures******** -->
<DIV class="reftitle">
References
</DIV>
<P><A name="GeoWashCharacter7NoteF1"></A>
<A href="#GeoWashCharacter0cBack1">
<SUP>1</SUP></A>
<a href="http://en.wikipedia.org/wiki/Allan_Nevins"
>Allan Nevins</a>
(1890−1971; Senior Research Associate, Henry E. Huntington Library and Art Gallery, San Marino, California, 1958−1969; Dewitt Clinton Professor of History, Columbia University, 1931−1958; author of <SPAN class="italic">The American States During and After the Revolution</SPAN>, <SPAN class="italic">The Emergence of Modern America</SPAN>, and many biographies),
“George Washington,” <SPAN class="italic">Encyclopædia Britannica</SPAN>, 2008 Standard Edition.
</P>
<P><A name="GeoWashCharacter7Note2"></A>
<A href="#GeoWashCharacter0cBack2">
<SUP>2</SUP></A>
<a href="http://en.wikipedia.org/wiki/Hendrik_Willem_van_Loon"
>Hendrik Willem van Loon</a>
(1882−1944),
<SPAN class="italic">Van Loon's Lives: Being a true and faithful account of a number of highly interesting meetings with certain historical personages, from Confucius and Plato to Voltaire and Thomas Jefferson, about whom we had always felt a great deal of curiosity and who came to us as our dinner guests in a bygone year</SPAN>, written and illustrated by Hendrik Willem van Loon, 1942, Simon and Schuster, New York; pp. 110−111.
</P>
<P><A name="GeoWashCharacter7Note3"></A>
<A href="#GeoWashCharacter1Back3">
<SUP>3</SUP></A>
<a href="http://en.wikipedia.org/wiki/Hendrik_Willem_van_Loon"
>Hendrik Willem van Loon</a>
(1882−1944),
<SPAN class="italic">Van Loon's Lives: Being a true and faithful account of a number of highly interesting meetings with certain historical personages, from Confucius and Plato to Voltaire and Thomas Jefferson, about whom we had always felt a great deal of curiosity and who came to us as our dinner guests in a bygone year</SPAN>, written and illustrated by Hendrik Willem van Loon, 1942, Simon and Schuster, New York; pp. 100−111.
Dinner conversation (not quoted): pp. 111−127.
<BR />
<BR />
</P>
<DIV class="reftitle">
Figures
</DIV>
<P><A name="GeoWashCharacter7NoteF1"></A>
<A href="#GeoWashCharacter0aBackF1">
<SUP><SPAN class="smallcaps">f1</SPAN></SUP></A>
<A href="http://www.gpo.gov/congress/senate/brumidi/"
>Constantino Brumidi</A>
(1805−1880),
“The Apotheosis of Washington” (1865), Capitol of the United States, Washington, D.C.
</P>
<P><A name="GeoWashCharacter7NoteF2"></A>
<A href="#GeoWashCharacter0aBackF2">
<SUP><SPAN class="smallcaps">f2</SPAN></SUP></A>
<A href="http://www.gpo.gov/congress/senate/brumidi/"
>Constantino Brumidi</A>
(1805−1880),
Detail: George Washington as Lord of Hosts and Supreme Judge of the Universe, from “The Apotheosis of Washington” (1865), Capitol of the United States, Washington, D.C.
</P>
<P><A name="GeoWashCharacter7NoteF3"></A>
<A href="#GeoWashCharacter0cBackF3">
<SUP><SPAN class="smallcaps">f3</SPAN></SUP></A>
<A href="http://www.gpo.gov/congress/senate/brumidi/"
>Constantino Brumidi</A>
(1805−1880),
“Lucius Quinctius Cincinnatus,&rdquo Capitol of the United States, Washington, D.C.
</P>
<P><A name="GeoWashCharacter7NoteF4"></A>
<A href="#GeoWashCharacter1BackF4">
<SUP><SPAN class="smallcaps">f4</SPAN></SUP></A>
<a href="http://en.wikipedia.org/wiki/Hendrik_Willem_van_Loon"
>Hendrik Willem van Loon</a>
(1882−1944),
“General George Washington,” from <SPAN class="italic">Van Loon's Lives: Being a true and faithful account of a number of highly interesting meetings with certain historical personages, from Confucius and Plato to Voltaire and Thomas Jefferson, about whom we had always felt a great deal of curiosity and who came to us as our dinner guests in a bygone year</SPAN>, written and illustrated by Hendrik Willem van Loon, 1942, Simon and Schuster, New York; p. 117.
</P>
<P><A name="GeoWashCharacter7NoteF5"></A>
<A href="#GeoWashCharacter2BackF5">
<SUP><SPAN class="smallcaps">f5</SPAN></SUP></A>
<a href="http://en.wikipedia.org/wiki/Jean-Antoine_Houdon"
>Jean-Antoine Houdon</a>
(1741−1828),
“<a href="http://www.history.org/Foundation/journal/Autumn03/houdon.cfm"
>George Washington</a>”
(1788), located in Virginia state capitol, Richmond.
Original image file is
<a href="http://www.history.org/Foundation/journal/Autumn03/images/wash_front.jpg"
>here</a>.
“In Richmond stands a marble statue of George Washington that is among the most notable pieces of eighteenth-century art, one of the most important works in the nation, and, some think, the truest likeness of perhaps the first American to become himself an icon.”
</P>
<P><A name="GeoWashCharacter7NoteF6"></A>
<A href="#GeoWashCharacter3BackF6">
<SUP><SPAN class="smallcaps">f6</SPAN></SUP></A>
<a href="http://en.wikipedia.org/wiki/Charles_Willson_Peale"
>Charles Willson Peale</a>
(1741−1827),
“George Washington in 1772,”
hanging in Lee Chapel at Washington and Lee University, Lexington, Virginia.
Image from Wikipedia:
<a href="http://en.wikipedia.org/wiki/George_Washington_in_the_French_and_Indian_War"
>George Washington in the French and Indian War</a>;
image page is
<a href="http://en.wikipedia.org/wiki/File:Washington_1772.jpg"
>here</a>;
image file
<a href="http://upload.wikimedia.org/wikipedia/commons/c/c7/Washington_1772.jpg"
>here</a>.
</P>
<P><A name="GeoWashCharacter7NoteF7"></A>
<A href="#GeoWashCharacter3BackF7">
<SUP><SPAN class="smallcaps">f7</SPAN></SUP></A>
<a href="http://en.wikipedia.org/wiki/Antonio_Canova"
>Antonio Canova</a>
(1757−1822),
“<a href="http://www.nps.gov/history/nr/twhp/wwwlps/lessons/61capitol/61visual3.htm"
>George Washington</a>”
in the garb of a Roman soldier (1820), located in North Carolina state capitol, Raleigh.
The original image file is
<a href="http://www.nps.gov/history/nr/twhp/wwwlps/lessons/61capitol/61images/61img8bh.jpg"
>here</a>.
</P>
<P><A name="GeoWashCharacter7NoteF8"></A>
<A href="#GeoWashCharacter4BackF8">
<SUP><SPAN class="smallcaps">f8</SPAN></SUP></A>
<a href="http://en.wikipedia.org/wiki/Charles_Willson_Peale"
>Charles Willson Peale</a>
(1741−1827),
“George Washington in 1776” and “Martha Washington in 1776,”
images from
<a href="http://www.mountvernon.org/"
>George Washington's Mount Vernon – Estate and Gardens</a>,
specifically from
<a href="http://www.mountvernon.org/learn/collections/index.cfm/pid/100/"
>Paintings & Sculpture</a>
(obsolete page).
</P>
<P><A name="GeoWashCharacter7NoteF9"></A>
<A href="#GeoWashCharacter5BackF9">
<SUP><SPAN class="smallcaps">f9</SPAN></SUP></A>
<a href="http://en.wikipedia.org/wiki/Emanuel_Gottlieb_Leutze"
>Emanuel Gottlieb Leutze</a>
(1816−1868),
“<a href="http://en.wikipedia.org/wiki/File:BattleofMonmouth.jpg"
>Washington Rallying the Troops at Monmouth</a>”;
image is
<a href="http://upload.wikimedia.org/wikipedia/commons/9/9f/BattleofMonmouth.jpg"
>here</a>.
</P>
<P><A name="GeoWashCharacter7NoteF10"></A>
<A href="#GeoWashCharacter5BackF10">
<SUP><SPAN class="smallcaps">f10</SPAN></SUP></A>
<A href="http://www.gpo.gov/congress/senate/brumidi/"
>Constantino Brumidi</A>
(1805−1880),
“Surrender at Yorktown” (1865), Capitol of the United States, Washington, D.C.
</P>
<P><A name="GeoWashCharacter7NoteF11"></A>
<A href="#GeoWashCharacter6BackF11">
<SUP><SPAN class="smallcaps">f11</SPAN></SUP></A>
<a href="http://en.wikipedia.org/wiki/Horatio_Greenough"
>Horatio Greenough</a>
(1805−1852),
“<a href="http://www.smithsonianlegacies.si.edu/objectdescription.cfm?ID=66"
>Washington as Zeus</a>”
(1832−1841),
now on display at the Smithsonian Institute, National Museum of American History, Washington, D.C.
Many thanks to Flickr user
<a href="http://www.flickr.com/photos/wallyg/"
>wallyg</a>
for the photograph; search to find
<a href="http://www.flickr.com/search/?q=greenough&w=70323761%40N00"
>similar Horatio Greenough photos</a>
by wallyg; particular photo is
<a href="http://www.flickr.com/photos/wallyg/3641181082/"
>here</a>.
</P>
<P><A name="GeoWashCharacter7NoteF12"></A>
<A href="#GeoWashCharacter6BackF12">
<SUP><SPAN class="smallcaps">f12</SPAN></SUP></A>
<A href="http://www.gpo.gov/congress/senate/brumidi/"
>Constantino Brumidi</A>
(1805−1880),
Detail: E Pluribus Unum, from “The Apotheosis of Washington” (1865), Capitol of the United States, Washington, D.C.
</P>
<!-- ******** Updates ******** -->
<!--
<P>
<SPAN class="updathdr">
<SPAN class="updattitle">
UPDATE:
</SPAN>
2009-07-19 19:40 UT:
</SPAN>
Text
</P>
-->
<P><BR clear="all" /></P>Michael McNeilhttp://www.blogger.com/profile/08007336342718478839noreply@blogger.com0tag:blogger.com,1999:blog-3917777.post-46759930681621759282009-12-15T01:20:00.004+00:002009-12-20T17:29:08.847+00:00GWAC: Updates<!-- 2 - added update re Eric Scheie's Classical Values pointing to this piece -->
<!-- Header -->
<!-- Version: 2009-12-20 09:30 PST -->
<A name="GeoWashCharacter8Back0"></A>
<table class="std-text" width="100%">
<tr>
<td valign="middle">
<SPAN class="posttitle">
Updates
</SPAN>
</td>
<!-- ******** Navigation control panel ******** -->
<!--
<td width="20px"></td>
<td valign="top" align="right" class="lg2-text">
<table border="1px" cellspacing="2px" cellpadding="2px"
class="outernavpad">
<tr><td class="navpad">
<nobr>
<A href="#"
class="navpad"
alt="navigate to next article posted after this one (in Archives)"
title="navigate to next article posted after this one (in Archives)"
></A><SUB>←</SUB>
<A href="#"
class="navpad"
alt="navigate to next article posted after this one (on local page)"
title="navigate to next article posted after this one (on local page)"
></A>←
<A href="#"
class="navpad"
alt="navigate up to next higher section level in work"
title="navigate up to next higher section level in work"
></A>↑
<A href="#"
class="navpad"
alt="navigate down to next lower section level in work"
title="navigate down to next lower section level in work"
></A>↓
<A href="#"
class="navpad"
alt="navigate up to subsequent posted article in series or thread"
title="navigate up to subsequent posted article in series or thread"
></A><SUP>↑</SUP>
<A href="#"
class="navpad"
alt="navigate back to previous posted article in series or thread"
title="navigate back to previous posted article in series or thread"
></A><SUP>↓</SUP>
<A href="#2587156083482534432"
class="navpad"
alt="navigate to last article posted before this one (on local page)"
title="navigate to last article posted before this one (on local page)"
>→</A>
<A href="http://impearls.blogspot.com/2009_09_20_archive.html#2587156083482534432"
class="navpad"
alt="navigate to last article posted before this one (in Archives)"
title="navigate to last article posted before this one (in Archives)"
><SUB>→</SUB></A>
</nobr>
</td></tr>
</table>
-->
<!-- ******** End of Navigation control panel ******** -->
</td></tr>
</table>
<!-- ******** Null Article ******** -->
<!-- ******** Updates ******** -->
<P>
<SPAN class="updathdr">
<SPAN class="updattitle">
UPDATE:
</SPAN>
2009-12-20 17:30 UT:
</SPAN>
Eric Scheie at his
<a href="http://www.classicalvalues.com/"
><SPAN class="italic">Classical Values</SPAN></a>
blog posts a piece titled
“<a href="http://www.classicalvalues.com/archives/2009/12/210_years_ago.html"
>210 years ago…</a>”
pointing to <SPAN class="italic">Impearls'</SPAN> article, and noting:
“It is no exaggeration to say that George Washington's leadership of the country in its infancy has ensured that we have never had an emperor, dictator or military coup.
His importance cannot be underestimated”
[presumably he means “overestimated” here],
“and it's never too late to learn why.”
“Simply go to Michael McNeil's blog, check out his own essays, scroll down to read <SPAN class="italic">Van Loon's Washington</SPAN> and look at some wonderful images.”
Thanks, Eric!
</P>
<!--
<P>
<SPAN class="updathdr">
<SPAN class="updattitle">
UPDATE:
</SPAN>
2009-12-20 17:20 UT:
</SPAN>
Text
</P>
-->
<P><BR clear="all" /></P>Michael McNeilhttp://www.blogger.com/profile/08007336342718478839noreply@blogger.com0tag:blogger.com,1999:blog-3917777.post-74759728930940237092009-12-15T01:10:00.000+00:002009-12-15T19:08:48.331+00:00GWAC: (End)<!-- 1 - initial -->
<!-- Header -->
<!-- Version: 2009-12-14 22:50 PST -->
<A name="GeoWashCharacter8Back0"></A>
<table class="std-text" width="100%">
<tr>
<td valign="middle">
<SPAN class="posttitle">
(End)
</SPAN>
</td>
<!-- ******** Navigation control panel ******** -->
<!--
<td width="20px"></td>
<td valign="top" align="right" class="lg2-text">
<table border="1px" cellspacing="2px" cellpadding="2px"
class="outernavpad">
<tr><td class="navpad">
<nobr>
<A href="#"
class="navpad"
alt="navigate to next article posted after this one (in Archives)"
title="navigate to next article posted after this one (in Archives)"
></A><SUB>←</SUB>
<A href="#"
class="navpad"
alt="navigate to next article posted after this one (on local page)"
title="navigate to next article posted after this one (on local page)"
></A>←
<A href="#"
class="navpad"
alt="navigate up to next higher section level in work"
title="navigate up to next higher section level in work"
></A>↑
<A href="#"
class="navpad"
alt="navigate down to next lower section level in work"
title="navigate down to next lower section level in work"
></A>↓
<A href="#"
class="navpad"
alt="navigate up to subsequent posted article in series or thread"
title="navigate up to subsequent posted article in series or thread"
></A><SUP>↑</SUP>
<A href="#"
class="navpad"
alt="navigate back to previous posted article in series or thread"
title="navigate back to previous posted article in series or thread"
></A><SUP>↓</SUP>
<A href="#2587156083482534432"
class="navpad"
alt="navigate to last article posted before this one (on local page)"
title="navigate to last article posted before this one (on local page)"
>→</A>
<A href="http://impearls.blogspot.com/2009_09_20_archive.html#2587156083482534432"
class="navpad"
alt="navigate to last article posted before this one (in Archives)"
title="navigate to last article posted before this one (in Archives)"
><SUB>→</SUB></A>
</nobr>
</td></tr>
</table>
-->
<!-- ******** End of Navigation control panel ******** -->
</td></tr>
</table>
<!-- ******** Null Article ******** -->
<!-- ******** Updates ******** -->
<!--
<P>
<SPAN class="updathdr">
<SPAN class="updattitle">
UPDATE:
</SPAN>
2009-07-19 19:40 UT:
</SPAN>
Text
</P>
-->
<P><BR clear="all" /></P>Michael McNeilhttp://www.blogger.com/profile/08007336342718478839noreply@blogger.com1tag:blogger.com,1999:blog-3917777.post-25871560834825344322009-09-20T16:20:00.015+00:002009-12-15T20:13:25.184+00:00The Parade of Ants<!-- 4 - backlinked navigation toolbar to new posting -->
<!-- Header -->
<!-- Version: 2009-12-15 11:50 PST -->
<A name="ZimmerMythParadeBack0"></A>
<table class="std-text" width="100%">
<tr>
<td valign="middle">
<SPAN class="posttitle">
The Parade of Ants
</SPAN>
<nobr>by Heinrich Zimmer</nobr>
</td>
<!-- ******** Navigation control panel ******** -->
<td width="20px"></td>
<td valign="top" align="right" class="lg2-text">
<table border="1px" cellspacing="2px" cellpadding="2px"
class="outernavpad">
<tr><td class="navpad">
<nobr>
<A href="http://impearls.blogspot.com/2009_12_13_archive.html#4946115192582249334"
class="navpad"
alt="navigate to next article posted after this one (in Archives)"
title="navigate to next article posted after this one (in Archives)"
><SUB>←</SUB></A>
<A href="#4946115192582249334"
class="navpad"
alt="navigate to next article posted after this one (on local page)"
title="navigate to next article posted after this one (on local page)"
>←</A>
<A href="#"
class="navpad"
alt="navigate up to next higher section level in work"
title="navigate up to next higher section level in work"
></A>↑
<A href="#"
class="navpad"
alt="navigate down to next lower section level in work"
title="navigate down to next lower section level in work"
></A>↓
<A href="#"
class="navpad"
alt="navigate up to subsequent posted article in series or thread"
title="navigate up to subsequent posted article in series or thread"
></A><SUP>↑</SUP>
<A href="#"
class="navpad"
alt="navigate back to previous posted article in series or thread"
title="navigate back to previous posted article in series or thread"
></A><SUP>↓</SUP>
<A href="#6346789822173879320"
class="navpad"
alt="navigate to last article posted before this one (on local page)"
title="navigate to last article posted before this one (on local page)"
>→</A>
<A href="http://impearls.blogspot.com/2009_09_06_archive.html#6346789822173879320"
class="navpad"
alt="navigate to last article posted before this one (in Archives)"
title="navigate to last article posted before this one (in Archives)"
><SUB>→</SUB></A>
</nobr>
</td></tr>
</table>
<!-- ******** End of Navigation control panel ******** -->
</td></tr>
</table>
<!-- ******** Opening Figure 1 ******** -->
<!-- inner, unbordered table -->
<TABLE width="100%" border="0" class="lg-text" cellspacing="0" cellpadding="0">
<TR>
<TD align="left">
<P><A name="ZimmerMythParadeBackF1"></A>
<!-- Flickr.com hosted: Copy and paste this HTML into your webpage
<a href="http://www.flickr.com/photos/10610528@N04/3936302664/" title="Indra by Michael Edward McNeil, on Flickr"><img src="http://farm3.static.flickr.com/2472/3936302664_e7a3a48d58_o.jpg" width="575" height="589" alt="Indra" /></a>
-->
<!-- Flickr.com hosted: Grab the photo's URL
http://farm3.static.flickr.com/2472/3936302664_e7a3a48d58_o.jpg
-->
<!-- Flickr.com hosted: Link to original size
http://www.flickr.com/photos/10610528@N04/3936302664/sizes/o/in/set-72157605562537449/
-->
<A href="http://www.flickr.com/photos/10610528@N04/3936302664/sizes/o/in/set-72157605562537449/"
><IMG style="display:block; margin:0px auto 0px; text-align:center; cursor:hand;"
src="http://farm3.static.flickr.com/2472/3936302664_e7a3a48d58_o.jpg"
width="575" height="589" border="0"
alt="Indra the Storm-God"
title="Indra the Storm-God"
/></A>
</P>
</TD>
</TR>
<TR>
<TD align="center">
<P class="lg-text">
<A href="#ZimmerMythParadeNoteF1"><SUP><SPAN class="smallcaps">f1</SPAN></SUP></A>
Indra the Storm-God
<BR />
<BR />
</P>
</TD>
</TR>
</TABLE>
<!-- end of inner, unbordered table -->
<!-- ******** Intro. paragraph ******** -->
<P class="lg-text-ital">
<A name="ZimmerMythParadeBack1"></A>
<A name="ZimmerMythParadeBack2"></A>
Heinrich Zimmer (1890-1943; author of <SPAN class="opp-italic">The King and the Corpse: Tales of the Soul's Conquest of Evil</SPAN> — highly recommended — as well as <SPAN class="opp-italic">Philosophies of India</SPAN>) also wrote the terrific <SPAN class="opp-italic">Myths and Symbols in Indian Art and Civilization</SPAN>.
Within that enthralling repository of mythic tales and their symbolic interpretation (completed after Zimmer's premature death by editor Joseph Campbell), alongside other rich nuggets of Indian mythic lore one finds this glittering gem, “The Parade of Ants”:
<SUP><A href="#ZimmerMythParadeNote1">1</A>,
<A href="#ZimmerMythParadeNote2">2</A></SUP>
<BR />
<BR />
</P>
<!-- ******** Article proper, part 1 ******** -->
<P>Indra slew the dragon, a giant titan that had been couching on the mountains in the limbless shape of a cloud serpent, holding the waters of heaven captive in its belly.
The god flung his thunderbolt into the midst of the ungainly coils; the monster shattered like a stack of withered rushes.
The waters burst free and streamed in ribbons across the land, to circulate once more through the body of the world.
</P>
<P>This flood is the flood of life and belongs to all.
It is the sap of field and forest, the blood coursing in the veins.
The monster had appropriated the common benefit, massing his ambitious, selfish hulk between heaven and earth, but now was slain.
The juices again were pouring.
The titans were retreating to the underworlds; the gods were returning to the summit of the central mountain of the earth, there to reign from on high.
</P>
<P>During the period of the supremacy of the dragon, the majestic mansions of the lofty city of the gods had cracked and crumbled.
The first act of Indra was to rebuild them.
All the divinities of the heavens were acclaiming him their savior.
Greatly elated in his triumph and in the knowledge of his strength, he summoned Vishvakarman, the god of arts and crafts, and commanded him to erect such a palace as should befit the unequaled splendor of the king of the gods.
</P>
<P>The miraculous genius, Vishvakarman, succeeded in constructing in a single year a shining residence, marvelous with palaces and gardens, lakes and towers.
But as the work progressed, the demands of Indra became even more exacting and his unfolding visions vaster.
He required additional terraces and pavilions, more ponds, groves, and pleasure grounds.
Whenever Indra arrived to appraise the work, he developed vision beyond vision of marvels remaining to be contrived.
Presently the divine craftsman, brought to despair, decided to seek succor from above.
He would turn to the demiurgic creator, Brahmā, the pristine embodiment of the Universal Spirit, who abides far above the troubled Olympian sphere of ambition, strife, and glory.
</P>
<P>When Vishvakarman secretly resorted to the higher throne and presented his case, Brahmā comforted the petitioner.
“You will soon be relieved of your burden,” he said.
“Go home in peace.”
Then, while Vishvakarman was hurrying down again to the city of Indra, Brahmā himself ascended to a still higher sphere.
He came before Vishnu, the Supreme Being, of whom he himself, the Creator, was but an agent.
In beatific silence Vishnu gave ear, and by a mere nod of the head let it be known that the request of Vishvakarman would be fulfilled.
</P>
<P>Early next morning a brahmin boy, carrying the staff of a pilgrim, made his appearance at the gate of Indra, bidding the porter announce his visit to the king.
The gate-man hurried to the master, and the master hastened to the entrance to welcome in person the auspicious guest.
The boy was slender, some ten years old, radiant with the luster of wisdom.
Indra discovered him amidst a cluster of enraptured, staring children.
The boy greeted the host with a gentle glance of his dark and brilliant eyes.
The king bowed to the holy child and the boy cheerfully gave his blessing.
The two retired to the hall of Indra, where the god ceremoniously proffered welcome to his guest with oblations of honey, milk, and fruits, then said:
“O Venerable Boy, tell me of the purpose of your coming.”
</P>
<P>The beautiful child replied with a voice that was as deep and soft as the slow thundering of auspicious rain clouds.
“O King of Gods, I have heard of the mighty palace you are building, and have come to refer to you the questions in my mind.
How many years will it require to complete this rich and extensive residence?
What further feats of engineering will Vishvakarman be expected to accomplish?
O Highest of the Gods,” — the boy's luminous features moved with a gentle, scarcely perceptible smile — “no Indra before you has ever succeeded in completing such a palace as yours is to be.”
</P>
<P>Full of the wine of triumph, the king of the gods was entertained by this mere boy's pretension to a knowledge of Indras earlier than himself.
With a fatherly smile he put the question:
</P>
<P>“Tell me, Child!
Are they then so very many, the Indras and Vishvakarmans whom you have seen — or at least, whom you have heard of?”
</P>
<P>The wonderful guest calmly nodded.
“Yes, indeed, many have I seen.”
The voice was as warm and sweet as milk fresh from the cow, but the words sent a slow chill through Indra's veins.
“My dear child,” the boy continued, “I knew your father, Kashyapa, the Old Tortoise Man, lord and progenitor of all the creatures of the earth.
And I knew your grandfather, Marichi, Beam of Celestial Light, who was the son of Brahmā.
Marichi was begotten of the god Brahmā's pure spirit; his only wealth and glory were his sanctity and devotion.
Also, I know Brahmā, brought forth by Vishnu from the lotus calix growing from Vishnu's navel.
And Vishnu himself — the Supreme Being, supporting Brahmā in his creative endeavor — him too I know.
</P>
<P>“O King of Gods, I have known the dreadful dissolution of the universe.
I have seen all perish, again and again, at the end of every cycle.
At that terrible time, every single atom dissolves into the primal, pure waters of eternity, whence originally all arose.
Everything then goes back into the fathomless, wild infinity of the ocean, which is covered with utter darkness and is empty of every sign of animate being.
Ah, who will count the Universes that have passed away, or the creations that have risen afresh, again and again, from the formless abyss of the vast waters?
Who will number the passing ages of the world, as they follow each other endlessly?
And who will search through the wide infinities of space to count the universes side by side, each containing its Brahmā, its Vishnu, and its Shiva?
Who will count the Indras in them all — those Indras side by side, who reign at once in all the innumerable worlds; those others who passed away before them; or even the Indras who succeed each other in any given line, ascending to godly kingship, one by one, and, one by one, passing away?
King of Gods, there are among your servants certain who maintain that it may be possible to number the grains of sand on earth and the drops of rain that fall from the sky, but no one will ever number all those Indras.
This is what the Knowers know.
</P>
<P>“The life and kingship of an Indra endure seventy-one eons, and when twenty-eight Indras have expired, one Day and Night of Brahmā has elapsed.
But the existence of one Brahmā, measured in such Brahmā Days and Nights, is only one hundred and eight years.
Brahmā follows Brahmā; one sinks, the next arises; the endless series cannot be told.
There is no end to the number of those Brahmās — to say nothing of Indras.
</P>
<P>“But the universes side by side at any given moment, each harboring a Brahmā and an Indra: who will estimate the number of these?
Beyond the farthest vision, crowding outer space, the universes come and go, an innumerable host.
Like delicate boats they float on the fathomless, pure waters that form the body of Vishnu.
Out of every hair-pore of that body a universe bubbles and breaks.
Will you presume to count them?
Will you number the gods in all those worlds — the worlds present and the worlds past?”
</P>
<P>A procession of ants had made its appearance in the hall during the discourse of the boy.
In military array, in a column four yards wide, the tribe paraded across the floor.
The boy noted them, paused, and stared, then suddenly laughed with an astonishing peal, but immediately subsided into a profoundly indrawn and thoughtful silence.
<BR />
<BR />
<BR />
</P>
<!-- ******** Figure 2 ******** -->
<!-- inner, unbordered table -->
<TABLE width="100%" border="0" class="lg-text" cellspacing="0" cellpadding="0">
<TR>
<TD align="left">
<P><A name="ZimmerMythParadeBackF2"></A>
<!-- Flickr.com hosted: Copy and paste this HTML into your webpage
<a href="http://www.flickr.com/photos/10610528@N04/3935520499/" title="Brahma and Indra by Michael Edward McNeil, on Flickr"><img src="http://farm3.static.flickr.com/2568/3935520499_85ff57facc_o.jpg" width="516" height="800" alt="Brahma and Indra" /></a>
-->
<!-- Flickr.com hosted: Grab the photo's URL
http://farm3.static.flickr.com/2568/3935520499_85ff57facc_o.jpg
-->
<!-- Flickr.com hosted: Link to original size
http://www.flickr.com/photos/10610528@N04/3935520499/sizes/o/in/set-72157605562537449/
-->
<A href="http://www.flickr.com/photos/10610528@N04/3935520499/sizes/o/in/set-72157605562537449/"
><IMG style="display:block; margin:0px auto 0px; text-align:center; cursor:hand;"
src="http://farm3.static.flickr.com/2568/3935520499_85ff57facc_o.jpg"
width="516" height="800" border="0"
alt="Brahma and Indra"
title="Brahma and Indra"
/></A>
<BR />
</P>
</TD>
</TR>
<TR>
<TD align="center">
<P class="lg-text">
<A href="#ZimmerMythParadeNoteF2"><SUP><SPAN class="smallcaps">f2</SPAN></SUP></A>
Brahma and Indra
</P>
</TD>
</TR>
</TABLE>
<BR />
<!-- end of inner, unbordered table -->
<!-- ******** Article proper, part 2 ******** -->
<P>“Why do you laugh?” stammered Indra.
“Who are you, mysterious being, under this deceiving guise of a boy?”
The proud king's throat and lips had gone dry, and his voice continually broke.
“Who are you, Ocean of Virtues, enshrouded in deluding mist?”
</P>
<P>The magnificent boy resumed:
“I laughed because of the ants.
The reason is not to be told.
Do not ask me to disclose it.
The seed of woe and the fruit of wisdom are enclosed within this secret.
It is the secret that smites with an ax the tree of worldly vanity, hews away its roots, and scatters its crown.
This secret is a lamp to those groping in ignorance.
This secret lies buried in the wisdom of the ages, and is rarely revealed even to saints.
This secret is the living air of those ascetics who renounce and transcend mortal existence; but worldlings, deluded by desire and pride, it destroys.”
</P>
<P>The boy smiled and sank into silence.
Indra regarded him, unable to move.
“O Son of a Brahmin,” the king pleaded presently, with a new and visible humility, “I do not know who you are.
You would seem to be Wisdom Incarnate.
Reveal to me this secret of the ages, this light that dispels the dark.”
</P>
<P>Thus requested to teach, the boy opened to the god the hidden wisdom.
“I saw the ants, O Indra, filing in long parade.
Each was once an Indra.
Like you, each by virtue of pious deeds once ascended to the rank of a king of gods.
But now, through many rebirths, each has become again an ant.
This army is an army of former Indras.
</P>
<P>“Piety and high deeds elevate the inhabitants of the world to the glorious realm of the celestial mansions, or to the higher domains of Brahmā and Shiva and to the highest sphere of Vishnu; but wicked acts sink them into the worlds beneath, into pits of pain and sorrow, involving reincarnation among birds and vermin, or out of the wombs of pigs and animals of the wild, or among trees, or among insects.
It is by deeds that one merits happiness or anguish, and becomes a master or a serf.
It is by deeds that one attains to the rank of a king or brahmin, or of some god, or of an Indra or a Brahmā.
And through deeds again, one contracts disease, acquires beauty and deformity, or is reborn in the condition of a monster.
</P>
<P>“This is the whole substance of the secret.
This wisdom is the ferry to beatitude across the ocean of hell.
</P>
<P>“Life in the cycle of the countless rebirths is like a vision in a dream.
The gods on high, the mute trees and the stones, are alike apparitions in this phantasy.
But Death administers the law of time.
Ordained by time, Death is the master of all.
Perishable as bubbles are the good and the evil of the beings of the dream.
In unending cycles the good and evil alternate.
Hence, the wise are attached to neither, neither the evil nor the good.
The wise are not attached to anything at all.”
</P>
<P>The boy concluded the appalling lesson and quietly regarded his host.
The king of gods, for all his celestial splendor, had been reduced in his own regard to insignificance.
Meanwhile, another amazing apparition had entered the hall.
</P>
<P>The newcomer had the appearance of a kind of hermit.
His head was piled with matted hair; he wore a black deerskin around his loins; on his forehead was painted a white mark; his head was shaded by a paltry parasol of grass; and a quaint, circular cluster of hair grew on his chest: it was intact at the circumference, but from the center many of the hairs, it seemed, had disappeared.
This saintly figure strode directly to Indra and the boy, squatted between them on the floor, and there remained, motionless as a rock.
The kingly Indra, somewhat recovering his hostly role, bowed and paid obeisance, offering sour milk with honey and other refreshments; then he inquired, falteringly but reverently, after the welfare of the stern guest, and bade him welcome.
Whereupon the boy addressed the holy man, asking the very questions Indra himself would have proposed.
</P>
<P>“Whence do you come, O Holy Man?
What is your name and what brings you to this place?
Where is your present home, and what is the meaning of this grass parasol?
What is the portent of that circular hair-tuft on your chest: why is it dense at the circumference but at the center almost bare?
Be kind enough, O Holy Man, to answer, in brief, these questions.
I am anxious to understand.”
</P>
<P>Patiently the old saint smiled, and slowly began his reply.
“I am a brahmin.
Hairy is my name.
And I have come here to behold Indra.
Since I know that I am short-lived, I have decided to possess no home, to build no house, and neither to marry nor to seek a livelihood.
I exist by begging alms.
To shield myself from sun and rain I carry over my head this parasol of grass.
</P>
<P>“As to the circle of hair on my chest, it is a source of grief to the children of the world.
Nevertheless, it teaches wisdom.
With the fall of an Indra, one hair drops.
That is why, in the center all the hairs have gone.
When the other half of the period allotted to the present Brahmā will have expired,
I myself shall die.
O Brahmin Boy, it follows that I am somewhat short of days; what, therefore, is the use of a wife and a son, or of a house?
</P>
<P>“Each flicker of the eyelids of the great Vishnu registers the passing of a Brahmā.
Everything below that sphere of Brahmā is as insubstantial as a cloud taking shape and again dissolving.
That is why I devote myself exclusively to meditating on the incomparable lotus-feet of highest Vishnu.
Faith in Vishnu is more than the bliss of redemption; for every joy, even the heavenly, is as fragile as a dream, and only interferes with the one-pointedness of our faith in Him Supreme.
</P>
<P>“Shiva, the peace-bestowing, the highest spiritual guide, taught me this wonderful wisdom.
I do not crave to experience the various blissful forms of redemption: to share the highest god's supernal mansions and enjoy his eternal presence, or to be like him in body and apparel, or to become a part of his august substance, or even to be absorbed wholly in his ineffable essence.”
</P>
<P>Abruptly, the holy man ceased and immediately vanished.
It had been the god Shiva himself; he had now returned to his supramundane abode.
Simultaneously, the brahmin boy, who had been Vishnu, disappeared as well.
The king was alone, baffled and amazed.
</P>
<P>The king, Indra, pondered; and the events seemed to him to have been a dream.
But he no longer felt any desire to magnify his heavenly splendor or to go on with the construction of his palace.
He summoned Vishvakarman.
Graciously greeting the craftsman with honeyed words, he heaped on him jewels and precious gifts, then with a sumptuous celebration sent him home.
</P>
<P>The king, Indra, now desired redemption.
He had acquired wisdom, and wished only to be free.
He entrusted the pomp and burden of his office to his son, and prepared to retire to the hermit life of the wilderness.
Whereupon his beautiful and passionate queen, Shachi, was overcome with grief.
</P>
<P>Weeping, in sorrow and utter despair, Shachi resorted to Indra's ingenious house-priest and spiritual advisor, the Lord of Magic Wisdom, Brihaspati.
Bowing at his feet, she implored him to divert her husband's mind from its stern resolve.
The resourceful counselor of the gods, who by his spells and devices had helped the heavenly powers wrest the government of the universe from the hands of their titan rivals, listened thoughtfully to the complaint of the voluptuous, disconsolate goddess, and knowingly nodded assent.
With a wizard's smile, he took her hand and conducted her to the presence of her spouse.
In the role, then, of spiritual teacher, he discoursed sagely on the virtues of the spiritual life, but on the virtues also, of the secular.
He gave to each its due.
Very skillfully he developed his theme.
The royal pupil was persuaded to relent in his extreme resolve.
The queen was restored to radiant joy.
</P>
<P>This Lord of Magic Wisdom, Brihaspati, once had composed a treatise on government, in order to teach Indra how to rule the world.
He now issued a second work, a treatise on the polity and stratagems of married love.
Demonstrating the sweet art of wooing ever anew, and of enchaining the beloved with enduring bonds, this priceless book established on sound foundations the married life of the reunited pair.
</P>
<P>Thus concludes the marvelous story of how the king of gods was humiliated in his boundless pride, cured of an excessive ambition, and through wisdom, both spiritual and secular, brought to a knowledge of his proper role in the wheeling play of unending life.
<BR />
<BR />
<BR />
</P>
<!-- ******** Closing Figure 3 ******** -->
<!-- inner, unbordered table -->
<TABLE width="100%" border="0" class="lg-text" cellspacing="0" cellpadding="0">
<TR>
<TD align="left">
<P><A name="ZimmerMythParadeBackF3"></A>
<!-- Flickr.com hosted: Copy and paste this HTML into your webpage
<a href="http://www.flickr.com/photos/10610528@N04/3937507106/" title="Dreaming Vishnu - Dashavatara temple, Deogarh - crop comp by Michael Edward McNeil, on Flickr"><img src="http://farm3.static.flickr.com/2602/3937507106_6a948891e0_o.jpg" width="640" height="520" alt="Dreaming Vishnu - Dashavatara temple, Deogarh - crop comp" /></a>
-->
<!-- Flickr.com hosted: Grab the photo's URL
http://farm3.static.flickr.com/2602/3937507106_6a948891e0_o.jpg
-->
<!-- Flickr.com hosted: Link to original size
http://www.flickr.com/photos/byronic501/55833695/sizes/o/in/set-1209692/
-->
<A href="http://www.flickr.com/photos/10610528@N04/3936728821/sizes/o/in/set-72157605562537449/"
><IMG style="display:block; margin:0px auto 0px; text-align:center; cursor:hand;"
src="http://farm3.static.flickr.com/2602/3937507106_6a948891e0_o.jpg"
width="640" height="520" border="0"
alt="The sleeping Vishnu, whose dream is the World - Dashavatara temple, Deogarh, India"
title="The sleeping Vishnu, whose dream is the World - Dashavatara temple, Deogarh, India"
/></A>
<BR />
</P>
</TD>
</TR>
<TR>
<TD align="center">
<P class="lg-text">
<A href="#ZimmerMythParadeNoteF3"><SUP><SPAN class="smallcaps">f3</SPAN></SUP></A>
The sleeping Vishnu, whose dream is the World
<BR /><SPAN class="sm2-text"> Dashavatara temple, Deogarh, India – photographer
<a href="http://www.flickr.com/photos/byronic501/55833695/in/set-1209692/"
>Byron Aihara</a></SPAN>
<BR />
<BR />
<BR />
</P>
</TD>
</TR>
</TABLE>
<!-- end of inner, unbordered table -->
<!-- ******** References ******** -->
<DIV class="reftitle">
References
</DIV>
<P><A name="ZimmerMythParadeNote1"></A>
<A href="#ZimmerMythParadeBack1"><SUP>1</SUP></A>
<SPAN class="italic">Brahmavaivarta Purāṇa</SPAN>, Kṛiṣṇa-janma Khaṇḍa, 47. 50-161.
</P>
<P><A name="ZimmerMythParadeNote2"></A>
<A href="#ZimmerMythParadeBack2"><SUP>2</SUP></A>
Heinrich Zimmer, <SPAN class="italic">Myths and Symbols in Indian Art and Civilization</SPAN>, edited by Joseph Campbell, 1946, Bollingen Series VI, Pantheon Books, Random House, Inc., New York, 1963; pp. 3-11.
<BR />
<BR />
</P>
<P><A name="ZimmerMythParadeNoteF1"></A>
<A href="#ZimmerMythParadeBackF1"><SUP><SPAN class="smallcaps">f1</SPAN></SUP></A>
<a href="http://www.buddhanet.net/lineart/deities/images/indra.jpg"
>Indra the Storm-God</a>,
from
<a href="http://www.buddhanet.net/lineart/deities/pages/indra.htm"
>Buddhist Artwork: Buddhist Line Art: Indra</a>,
at
<a href="http://www.buddhanet.net"
>BuddhaNet.net</a>.
</P>
<P><A name="ZimmerMythParadeNoteF2"></A>
<A href="#ZimmerMythParadeBackF2"><SUP><SPAN class="smallcaps">f2</SPAN></SUP></A>
<a href="http://www.baxleystamps.com/litho/sr/sr_13_3-1.jpg"
>Brahma and Indra</a>,
by artist Takuma Shōga (fl. 12th century Japan),
from
<a href="http://www.baxleystamps.com/litho/sr/sr_2.shtml"
><SPAN class="italic">Selected Relics of Japanese Art</SPAN></a>
(20 volume set), edited by Shiiji Tajima, photographs and collotypes by K. Ogawa,
published by Shimbi Shoin (Nippon Shimbi Kyokwai), 1899-1908, Volume 13, Plate 14;
selections therefrom available on-line at
<a href="http://www.baxleystamps.com/"
>BaxleyStamps.com</a>.
See also the
<a href="http://commons.wikimedia.org/wiki/File:Brahma_and_Indra.jpg"
>same image</a>
(from the same source) at WikiMedia.org.
</P>
<P><A name="ZimmerMythParadeNoteF3"></A>
<A href="#ZimmerMythParadeBackF3"><SUP><SPAN class="smallcaps">f3</SPAN></SUP></A>
<a href="http://www.flickr.com/photos/byronic501/55833695/in/set-1209692/"
>The sleeping Vishnu, whose dream is the World</a>
(cropped), from
<a href="http://www.flickr.com/photos/byronic501/sets/1209692/"
>India 2004 Dashavatar Temple Deogarh</a>
(Set), photographer Byron Aihara
(<a href="http://www.flickr.com/photos/byronic501/"
>byronic501</a>
at Flickr.com).
<!--
<BR />
<BR />
<BR />
-->
</P>
<!-- ******** Updates ******** -->
<!--
<P>
<SPAN class="updathdr">
<SPAN class="updattitle">
UPDATE:
</SPAN>
2009-07-19 19:40 UT:
</SPAN>
Text
</P>
-->
<P><BR clear="all" /></P>Michael McNeilhttp://www.blogger.com/profile/08007336342718478839noreply@blogger.com1tag:blogger.com,1999:blog-3917777.post-63467898221738793202009-09-06T07:51:00.019+00:002009-09-20T17:01:11.283+00:00Sex in Antiquity III – the Wages of Adultery<!-- 4 - revectored navigation toolbar to point to next posting; fixed SPAN tags -->
<!-- Header -->
<!-- Version: 2009-09-20 10:00 PDT -->
<A name="SexAntiquityIIIBack0"></A>
<table class="std-text" width="100%">
<tr>
<td valign="middle">
<SPAN class="posttitle">
Sex in Antiquity III – the Wages of Adultery
</SPAN>
</td>
<!-- ******** Navigation control panel ******** -->
<td width="20px"></td>
<td valign="top" align="right" class="lg2-text">
<table border="1px" cellspacing="2px" cellpadding="2px"
class="outernavpad">
<tr><td class="navpad">
<nobr>
<A href="http://impearls.blogspot.com/2009_09_20_archive.html#2587156083482534432"
class="navpad"
alt="navigate to next article posted after this one (in Archives)"
title="navigate to next article posted after this one (in Archives)"
><SUB>←</SUB></A>
<A href="#2587156083482534432"
class="navpad"
alt="navigate to next article posted after this one (on local page)"
title="navigate to next article posted after this one (on local page)"
>←</A>
<A href="#"
class="navpad"
alt="navigate up to next higher section level in work"
title="navigate up to next higher section level in work"
></A>↑
<A href="#"
class="navpad"
alt="navigate down to next lower section level in work"
title="navigate down to next lower section level in work"
></A>↓
<A href="#"
class="navpad"
alt="navigate up to subsequent posted article in series or thread"
title="navigate up to subsequent posted article in series or thread"
></A><SUP>↑</SUP>
<A href="http://impearls.blogspot.com/2005_10_30_archive.html#113125689062737103"
class="navpad"
alt="navigate back to previous posted article in series or thread"
title="navigate back to previous posted article in series or thread"
><SUP>↓</SUP></A>
<A href="#2783764680841133408"
class="navpad"
alt="navigate to last article posted before this one (on local page)"
title="navigate to last article posted before this one (on local page)"
>→</A>
<A href="http://impearls.blogspot.com/2009_08_23_archive.html#2783764680841133408"
class="navpad"
alt="navigate to last article posted before this one (in Archives)"
title="navigate to last article posted before this one (in Archives)"
><SUB>→</SUB></A>
</nobr>
</td></tr>
</table>
<!-- ******** End of Navigation control panel ******** -->
</td></tr>
</table>
<!-- ******** Article proper ******** -->
<P>I've been watching the first couple seasons of the BBC series <SPAN class="italic">Rome</SPAN>, checked out from the library.
Covering the period of Caesar and Octavian, it's pretty entertaining, especially considering the various antics and tribulations that Vorenus and Pullo, two non-historical characters whose supposed lives we follow through the history, get into (I won't spoil it for folks by detailing them).
</P>
<P><SPAN class="italic">Rome</SPAN> as a production does appear to go to some effort trying to get its portrait of classical history and civilization basically correct, but can be seen to fail on occasion.
I was amused by a scene in season two where a high-status woman who is having an affair with a man is quite offended when he attempts to offer her money, rejecting it as portraying her as a prostitute — which it turns out is quite ahistoric, merely projecting modern attitudes onto a very different antique society.
</P>
<P><A name="SexAntiquityIIIBack1"></A>
As Paul Veyne writes in his chapter “The Roman Empire” in Volume I of <SPAN class="italic">A History of Private Life</SPAN>:
<SUP><A href="#SexAntiquityIIINote1">1</A></SUP>
</P>
<blockquote>
<P> The social and institutional character of the Roman economy was so different from that of our own that it is tempting to call it archaic.
It sustained, nevertheless, a high level of production and was as dynamic and ruthless as capitalism.
For, if Roman aristocrats distinguished themselves by their culture and their interest in philosophy, they were still avid for profit.
</P>
<P>The greatest nobles talked business.
Pliny, a senator, in letters intended to be specimens of the finest in the genre, held up his behavior as a wealthy landlord as an example for others to follow.
When a noble wished to get rid of old furniture or building materials, he held a public auction.
(Auctions were the normal way for private individuals to sell their used belongings; the emperors themselves auctioned off unwanted palace furniture.)
</P>
<P>Money was not supposed to lie idle.
Even loans to friends and relatives earned interest (not charging interest on such loans was considered a mark of special virtue).
A woman's father had to pay interest to her husband if transfer of her dowry was delayed.
</P>
<P>Usury was a part of daily life; modern anti-Semites might have made ancient Rome the object of their obsession instead of the Jews.
In Rome commerce and money-lending were not left exclusively to professionals or to any one class of society.
Any toil, no matter how pleasurable, merited payment.
</P>
<P>One picturesque aspect of amorous customs among the Romans was that the female partner in a high-society affair was paid for her trouble.
A matron who deceived her husband received a large sum or, in some cases, an annual income from her lover.
Some cads reclaimed these gifts when affairs were broken off, and on occasion the courts became involved.
</P>
<P>The practice of accepting gifts from lovers was considered not prostitution but work for hire.
The woman did not give herself because she was paid, the jurists held; she was rewarded for giving herself of her own free will.
She who loved best was most handsomely paid.
Women sought the wages of adultery as eagerly as men sought dowries.
<BR />
<BR />
<BR />
</P>
</blockquote>
<!-- ******** References ******** -->
<DIV class="reftitle">
Reference
</DIV>
<P><A name="SexAntiquityIIINote1"></A>
<A href="#SexAntiquityIIIBack1"><SUP>1</SUP></A>
Paul Veyne, Chapter 1: “The Roman Empire,” Volume I: <SPAN class="italic">From Pagan Rome to Byzantium</SPAN>, edited by Paul Veyne, translated by Arthur Goldhammer, <SPAN class="italic">A History of Private Life</SPAN>, the Belknap Press of Harvard University Press, Cambridge, Massachusetts, 1987; <nobr>pp. 146-147.</nobr>
Originally published as Volume I: <SPAN class="italic">De l'Empire romain à l'an mil</SPAN>, of <SPAN class="italic">Histoire de la vie Privée</SPAN>, Editions du Seuil, 1985.
Additional paragraph breaks added to the quoted text.
<BR />
<BR />
<BR />
</P>
<!-- ******** Updates ******** -->
<P>
<SPAN class="updathdr">
<SPAN class="updattitle">
UPDATE:
</SPAN>
2009-09-08 17:40 UT:
</SPAN>
See also the earlier posted
“<a href="http://impearls.blogspot.com/2004_07_25_archive.html#109120479822124737"
>Sex in Antiquity I</a>”
and
“<a href="http://impearls.blogspot.com/2005_10_30_archive.html#113125191844920610"
>Sex in Antiquity II – Moral hypochondria</a>.”
</P>
<P>
<SPAN class="updathdr">
<SPAN class="updattitle">
UPDATE:
</SPAN>
2009-09-06 16:00 UT:
</SPAN>
University of Wisconsin law professor
<a href="http://althouse.blogspot.com/"
>Ann Althouse</a>
had a posting this last week
“<a href="http://althouse.blogspot.com/2009/08/from-expert-on-he-etiquette-of-open.html"
>From an expert on ‘the etiquette of open marriages’</a>,”
quoting that “expert” as saying, “I'm a class act in infidelity.”
Note that I have no reason to think that Althouse (who was only just married herself a few weeks back) supports this “class act's” position in this regard (quite the contrary, I think), but a poster on that Althouse thread made a comment which enhances my point above concerning the profound differences between <SPAN class="italic">cultures</SPAN>, ancient and modern, in this connection.
</P>
<P>As “cubanbob”
<a href="http://althouse.blogspot.com/2009/08/from-expert-on-he-etiquette-of-open.html#c3647078417567105726"
>put it</a>
in that thread (emphasis added):
</P>
<blockquote>
<P>Years ago when I traveled to Taiwan extensively on business it was expected that a successful man have a mistress.
Indeed if he did not have one it would almost [be] a loss of face.
However the rules were very clear:
</P>
<P>1 — never be seen in public with the mistress, especially with by people who know the wife.
Under no circumstances can the wife be subject to embarrassment.
</P>
<P>2 — no outside children or STD's.
</P>
<P>3 — home every day at a reasonable hour and on weekends [to] spend time with the kids.
The wife must be able to maintain the fiction that there is no affair indeed it is the desired goal that [she] should not even be aware there is a mistress.
Only the close circle of the boys at the club can know.
</P>
<P><SPAN class="bold">4 — money is always left on the night stand by the bed after sex with the mistress.
If she refuses to take the money the affair is to be ended immediately.
Even if she loves him, she must take the money otherwise he must end it.
As long as she takes the money she has no claim on him.</SPAN>
</P>
<P>5 — If the wife is publicly humiliated by the husband due to his having an affair, the punishment for the husband is to be left essentially penniless as she can never remarry (or at least in socially acceptable circles) and the money is her compensation.
</P>
<P>It's been a while since I [have] last been there, I wonder if those unwritten rules are still in effect.
As for the woman in the article, she should know that discretion is the only way something like that can be made to work.
So why openly comment on your marriage and embarrass your husband?
She will find her herself divorced soon enough.
</P>
</blockquote>
<!--
<P>
<SPAN class="updathdr">
<SPAN class="updattitle">
UPDATE:
</SPAN>
2009-07-19 19:40 UT:
</SPAN>
Text
</P>
-->
<P><BR clear="all" /></P>Michael McNeilhttp://www.blogger.com/profile/08007336342718478839noreply@blogger.com0tag:blogger.com,1999:blog-3917777.post-27837646808411334082009-08-29T22:28:00.021+00:002009-12-15T20:17:59.745+00:00Cancer is an evolutionary process<!-- 4 - fixed SPAN tags -->
<!-- Header -->
<!-- Version: 2009-09-20 10:20 PDT -->
<A name="CancerEvolBack0"></A>
<table class="std-text" width="100%">
<tr>
<td valign="middle">
<SPAN class="posttitle">
Cancer is an evolutionary process
</SPAN>
</td>
<!-- ******** Navigation control panel ******** -->
<td width="20px"></td>
<td valign="top" align="right" class="lg2-text">
<table border="1px" cellspacing="2px" cellpadding="2px"
class="outernavpad">
<tr><td class="navpad">
<nobr>
<A href="http://impearls.blogspot.com/2009_09_06_archive.html#6346789822173879320"
class="navpad"
alt="navigate to next article posted after this one (in Archives)"
title="navigate to next article posted after this one (in Archives)"
><SUB>←</SUB></A>
<A href="#6346789822173879320"
class="navpad"
alt="navigate to next article posted after this one (on local page)"
title="navigate to next article posted after this one (on local page)"
>←</A>
<A href="#"
class="navpad"
alt="navigate up to next higher section level in work"
title="navigate up to next higher section level in work"
></A>↑
<A href="#"
class="navpad"
alt="navigate down to next lower section level in work"
title="navigate down to next lower section level in work"
></A>↓
<A href="#"
class="navpad"
alt="navigate up to subsequent posted article in series or thread"
title="navigate up to subsequent posted article in series or thread"
></A><SUP>↑</SUP>
<A href="#"
class="navpad"
alt="navigate back to previous posted article in series or thread"
title="navigate back to previous posted article in series or thread"
></A><SUP>↓</SUP>
<A href="http://impearls.blogspot.com/#4594800160345438482"
class="navpad"
alt="navigate to last article posted before this one (on local page)"
title="navigate to last article posted before this one (on local page)"
>→</A>
<A href="http://impearls.blogspot.com/2009_07_19_archive.html#4594800160345438482"
class="navpad"
alt="navigate to last article posted before this one (in Archives)"
title="navigate to last article posted before this one (in Archives)"
><SUB>→</SUB></A>
</nobr>
</td></tr>
</table>
<!-- ******** End of Navigation control panel ******** -->
</td></tr>
</table>
<!-- ******** Opening Figure 1 ******** -->
<!-- inner, unbordered table -->
<TABLE width="100%" border="0" class="lg-text" cellspacing="0" cellpadding="0">
<TR>
<TD align="left">
<P><A name="CancerEvolBackF1"></A>
<!-- Flickr.com hosted: Copy and paste this HTML into your webpage
<a href="http://www.flickr.com/photos/10610528@N04/3865415670/" title="Nature-v458-p719-nature07943-f1.2-resz640x250 by Michael Edward McNeil, on Flickr"><img src="http://farm4.static.flickr.com/3501/3865415670_9c7243f098_o.jpg" width="640" height="250" alt="Nature-v458-p719-nature07943-f1.2-resz640x250" /></a>
-->
<!-- Flickr.com hosted: Grab the photo's URL
http://farm4.static.flickr.com/3501/3865415670_9c7243f098_o.jpg
-->
<!-- Flickr.com hosted: Link to original size
http://www.flickr.com/photos/10610528@N04/3864631473/sizes/o/in/set-72157605562537449/
-->
<A href="http://www.flickr.com/photos/10610528@N04/3864631473/sizes/o/in/set-72157605562537449/"
><IMG style="display:block; margin:10px auto 0px; text-align:center; cursor:hand;"
src="http://farm4.static.flickr.com/3501/3865415670_9c7243f098_o.jpg"
width="640" height="250" border="0"
alt="Figure 1. Cancer is an evolutionary process"
title="Figure 1. Cancer is an evolutionary process"
/></A>
<BR />
</P>
</TD>
</TR>
<TR>
<TD align="left">
<P class="lg-text">
<A href="#CancerEvolNoteF1"><SUP>F1</SUP></A>
Figure 1.
Cancer is an evolutionary process.
“The lineage of mitotic cell divisions from the fertilized egg to a single cell within a cancer showing the timing of the somatic mutations acquired by the cancer cell and the processes that contribute to them.”
</P>
<P class="lg-text">Further description of the figure from the <SPAN class="italic">Nature</SPAN> article quoted below:
“Mutations may be acquired while the cell lineage is phenotypically normal, reflecting both the intrinsic mutations acquired during normal cell division and the effects of exogenous mutagens.
During the development of the cancer other processes, for example DNA repair defects, may contribute to the mutational burden.
Passenger mutations do not have any effect on the cancer cell, but driver mutations will cause a clonal expansion.
Relapse after chemotherapy can be associated with resistance mutations that often predate the initiation of treatment.”
</P>
</TD>
</TR>
</TABLE>
<BR />
<BR />
<!-- end of inner, unbordered table -->
<!-- ******** Article proper ******** -->
<P class="lg-text"><A name="CancerEvolBack1"></A>
An illuminating perspective on the nature of cancer has been achieved in that we now realize that cancer is itself the result of a process of biological <SPAN class="italic">evolution</SPAN> (random mutation plus natural selection) occurring amongst individual cells within the environment of one's own body.
</P>
<P>A technical <a href="http://www.nature.com/nature/journal/v458/n7239/full/nature07943.html">review article</a> appearing in the renowned scientific journal <SPAN class="italic">Nature</SPAN> on the subject of the newly deciphered cancer genome lays out our recent understanding of the nature of cancer:
<A href="#CancerEvolNote1"><SUP>1</SUP></A>
</P>
<blockquote>
<P><SPAN class="lg-text"><SPAN class="bold">Cancer is an evolutionary process</SPAN></SPAN>
</P>
<P>All cancers are thought to share a common pathogenesis.
Each is the outcome of a process of Darwinian evolution occurring among cell populations within the microenvironments provided by the tissues of a multicellular organism.
Analogous to Darwinian evolution occurring in the origins of species, cancer development is based on two constituent processes, the continuous acquisition of heritable genetic variation in individual cells by more-or-less random mutation and natural selection acting on the resultant phenotypic diversity.
</P>
<P>The selection may weed out cells that have acquired deleterious mutations or it may foster cells carrying alterations that confer the capability to proliferate and survive more effectively than their neighbours.
Within an adult human there are probably thousands of minor winners of this ongoing competition, most of which have limited abnormal growth potential and are invisible or manifest as common benign growths such as skin moles.
</P>
<P>Occasionally, however, a single cell acquires a sufficiently advantageous set of mutations that allows it to proliferate autonomously, invade tissues and metastasize.
</P>
</blockquote>
<P>Some people reject this concept, at least on first encounter, believing it to be, as one person put it, ”a misapplication of evolutionary theory,” because “cancerous changes in cells insure their own destruction rather than being passed on to the next [human] generation,” and “thus cancer is better understood as a malfunction [or degeneration] of cellular mechanisms rather than an evolutionary process.”
</P>
<P>This argument is wrong, or at best an appreciation of only half of the dual interacting principles that are at work in the onset of cancer.
In this regard, one might note that the authors of the foregoing <SPAN class="italic">Nature</SPAN> piece from which the earliest quotation was excerpted are highly experienced cancer researchers and thus hardly naive concerning this topic.
Beyond that mere “argument from authority,” however, though genetic “malfunctions” (aka mutation) do of course occur, the development of cancer goes way beyond a mere haphazard accumulation of defects — which would indeed be inherently far less dangerous — rather, the creation of cancer is propelled by true evolutionary forces.
</P>
<P>The typically negative changes that the bulk of accidental genetic modifications to complex biological systems (known as <SPAN class="italic">mutations</SPAN>) introduce, subsequently get filtered in living environments by <SPAN class="italic">natural selection</SPAN> (random mutations in combination with natural selection being collectively known <SPAN class="italic">evolution</SPAN>), leaving only the <SPAN class="italic">advantageous</SPAN> (or at least neutral) results behind — advantageous, that is (in the context we're discussing), for individual cell lineages, if not for the body as a whole — which steadily improves the cells of those lineages' reproductive and competitive standing within the body's increasingly diverse cellular environment.
</P>
<P>Beyond that, however, taking the above objection at face value would mean that whenever a new species evolves/arises out of another to fit the environment in which it presently finds itself (for instance, humans with their big brains evolving during the last few million years out of stupider hominids) — but which evolutionary alterations happen to ensure that the environment afterwards changes or even is disrupted or destroyed by the actions of the newer species (such as people blowing up the world or making it unfit to live in due to pollution or global warming) so that the species subsequently becomes <SPAN class="italic">extinct</SPAN> — that the earlier adaptive changes resulting in the origin of that species would therefore have to be deemed <SPAN class="italic">not</SPAN> to have been “evolution”!
Good to know; Creationists must therefore be right: humans didn't evolve!
(End sarcasm.)
</P>
<P>Discarding sarcasm, it's important to realize that body cells which are progressing towards a cancerous variety as a result of the dual actions of mutation and natural selection (i.e., evolution) <SPAN class="italic">are</SPAN> “fitter” — in that those cells successfully out-reproduce and out-compete for a considerable length of time their more unassuming compatriots within the bodily environment.
It's not till much later (cellular time-wise) that the overall encompassing bodily environment could end up being destroyed as a consequence of the tumor that those cells may eventually grow into.
In the meantime, those cells are responding to real evolutionary forces that propel their progression — not mere haphazard “degeneration.”
</P>
<P><A name="CancerEvolBack2"></A>
It can even occur on occasion that a cancerous line does <SPAN class="italic">not</SPAN> get wiped out along with its host!
As it happens there is a variety of cancer in dogs known as <SPAN class="italic">canine transmissible venereal tumor</SPAN> (CTVT), also called Sticker's sarcoma (that one can learn about <a href="http://scienceblogs.com/loom/2006/08/09/an_old_dog_lives_on_inside_new.php">here</a> <A href="#CancerEvolNote2"><SUP>2</SUP></A>), which, rather than being viral in nature as most infectious cancers are, actually consists of the <SPAN class="italic">mutated cells of the original dog</SPAN> that initially developed that variety of cancer, in the course of which somehow evolving the capability to <SPAN class="italic">survive and escape</SPAN> from its host, infecting other dogs thereafter in an endless chain, and thus as a result long outliving its original progenitor.
</P>
<P>Ignoring the instance of the cancerous dog cell lineage that succeeded in escaping and outliving its bodily host whilst infecting dogs more generally — even more “ordinary” cancers that never manage to escape and live free of their host are remarkable as instances of the body's constituent cells (or rebel lineages of them) learning via evolution how to <SPAN class="italic">disobey</SPAN> the body's regulatory apparatus — in effect raising the “jolly roger,” taking up a life of independent piracy within the host, perhaps in the end by their free-wheeling activities killing off their formerly allied-to body.
</P>
<P><A name="CancerEvolBack3"></A>
A page at the University of California, Berkeley, titled “ <a href="http://evolution.berkeley.edu/evolibrary/news/071001_cancer">Another perspective on cancer: Evolution within</a>,“ puts the ultimate evolutionary origin of cancers succinctly: <A href="#CancerEvolNote3"><SUP>3</SUP></A>
</P>
<blockquote>
<P>[D]espite increased attention and funding, the cure for this and other cancers has remained notoriously elusive.
Viewing cancer through the lens of evolution helps explain why a cure seems to remain just out of reach and points the way toward new treatments.
Where's the evolution?
Iconic examples of evolution (birds evolving from dinosaurs, hominids evolving an upright posture, or a lineage of lobe-finned fish evolving four legs and moving onto land) might seem unrelated to the growth of a cancerous tumor, but the process underlying them both — natural selection — is identical.
We typically think of natural selection acting among individuals, favoring those carrying advantageous traits and making those traits more common in the next generation.
However, the key elements of this process — variation, inheritance, and selective advantage — characterize not just populations of organisms in a particular environment, but also populations of cells within our own bodies.
The cells lining your intestines, for example, are not genetically uniform; there is variation among them.
Some of those cells have incurred chance mutations as they have divided.
If one of those mutations (or a series of mutations) allows its bearer to evade cell death and reproduce more prolifically than others, it will pass that mutation on to its daughter cells, and cells bearing that mutation will increase in frequency over time.
Like organisms in an ecosystem, cell lineages within one's own body compete for resources.
A cell lineage that gains an advantage in that competition, accumulating mutations that allow it to grab extra resources and escape the body's control mechanisms, will proliferate and may evolve into a cancerous tumor.
</P>
</blockquote>
<P><A name="CancerEvolBack4"></A>
One is reminded of renowned science fiction writer (as well as editor) John W. Campbell's chilling tale from 1938, “Who Goes There?” (subsequently made into the 1951 motion picture <SPAN class="italic">The Thing from Another World</SPAN>, remade as <SPAN class="italic">The Thing</SPAN> in 1982) in which a terrible alien menace, liberated from Antarctic ice, possessed (once unfrozen) the capability of taking over the substance of animal and man, incorporating it into its own flesh and being — whilst (contrary to eating and ingestion as we know it) continuing to present the devoured human or animal's semblance as a “doppelganger” or zombie of that individual.
Thus, an entire kennel of dogs or barracks of humans could, in the context of that story, be surreptitiously consumed one by one and thereby incorporated into the newly revived alien life form.
</P>
<P>The thing (pun intended) that saved the folk in that story was that every such subsumed (semblance of a) human or animal, though now fully part of the alien species, was ultimately still an <SPAN class="italic">individual</SPAN> that would fight for its own survival when threatened — and simply separating a small part (such as a bit of sampled blood) of the creature whenever its takeover of man or dog was suspected, and then “threatening” that sample (with a hot wire perhaps), would cause the newly separated being to recoil in its own defense (unlike untransformed people's blood), thus revealing the doppelganger.
</P>
<P>As a character in story put it, initially blurting out the idea: <A href="#CancerEvolNote4"><SUP>4</SUP></A>
</P>
<blockquote>
<P>“Blood is tissue.
They have to bleed; if they don't bleed when cut, then by Heaven, they're phoney from hell!
If they bleed — then that blood, separated from them, is an individual — a newly formed individual in its own right, just as they — split, all of them, from one original — are individuals!”
</P>
<P>“Get it, Van?
See the answer, Bar?”
</P>
<P>Van Hall laughed very softly.
“The blood — the blood will not obey.
It's a new individual, with all the desire to protect its own life that the original — the main mass from which it was split — has.
The blood will live — and try to crawl away from a hot needle, say!”
</P>
</blockquote>
<P>It's extremely interesting, I think, that our own body cells turn out to be rather like Campbell's hypothetical alien menace, as they evolve on their own as individuals within one's own body toward an independent, if piratical, existence.
</P>
<P>Realizing that cancer results from an evolutionary progression amongst the cells within one's own body provides an illuminating perspective with regard to the fundamental nature of cancer, revealing just why it is that cancer so often proves resistant to treatment (as cancerous cells simply evolve away from a given regimen unless every last tumor-generating cell is thereby destroyed), as well as suggesting a number of avenues along which the phenomenon may be mitigated, obviated, and (one hopes) ultimately defeated.
<BR />
<BR />
<BR clear="all" />
</P>
<!-- ******** References ******** -->
<DIV class="reftitle">
References
</DIV>
<P><A name="CancerEvolNoteF1"></A><A href="#CancerEvolBackF1"><SUP>F1</SUP></A>
<a href="http://www.nature.com/nature/journal/v458/n7239/fig_tab/nature07943_F1.html">Figure 1</a> from the Ref. 1 <SPAN class="italic">Nature</SPAN> article.
</P>
<P><A name="CancerEvolNote1"></A><A href="#CancerEvolBack1"><SUP>1</SUP></A>
Michael R. Stratton, Peter J. Campbell, P. Andrew Futreal, “<a href="http://www.nature.com/nature/journal/v458/n7239/full/nature07943.html">The Cancer Genome</A>,” <a href="http://www.nature.com/nature/index.html"><SPAN class="italic">Nature</SPAN></a>, Vol. 458, Issue no. 7239 (9 April 2009 [2009-04-09]), pp. 719-724.
</P>
<P><A name="CancerEvolNote2"></A><A href="#CancerEvolBack2"><SUP>2</SUP></A>
Carl Zimmer, “<a href="http://scienceblogs.com/loom/2006/08/09/an_old_dog_lives_on_inside_new.php">A Dead Dog Lives On (Inside New Dogs)</a>,“ <a href="http://scienceblogs.com/loom/"><SPAN class="italic">The Loom</SPAN></a>, August 9, 2006 [2006-08-09].
</P>
<P><A name="CancerEvolNote3"></A><A href="#CancerEvolBack3"><SUP>3</SUP></A>
“<a href="http://evolution.berkeley.edu/evolibrary/news/071001_cancer">Another perspective on cancer: Evolution within</a>,” October 2007 [2007-10], part of: “<a href="http://evolution.berkeley.edu/evolibrary/home.php">Understanding Evolution</a>,” University of California, Berkeley.
</P>
<P><A name="CancerEvolNote4"></A><A href="#CancerEvolBack4"><SUP>4</SUP></A>
John W. Campbell (under the pseudonym Don A. Stuart), “Who Goes There?”, August 1938 [1938-08], <SPAN class="italic">Astounding Science Fiction</SPAN>, Street & Smith Publications, Inc., New York.
Collected in: <SPAN class="italic">The Best of John W. Campbell</SPAN>, Edited with an introduction by Lester Del Rey, Nelson Doubleday, Inc., Garden City, New York, 1976, pp. 246-298; quote on p. 291.
Also collected in: John W. Campbell, <SPAN class="italic">Who Goes There?</SPAN>, Shasta Publishers, 1948.
Made into the motion picture <SPAN class="italic">The Thing from Another World</SPAN>, directed by Howard Hawks, Winchester Pictures, distributed by RKO Radio Pictures, 1951.
Remade as <SPAN class="italic">The Thing</SPAN>, directed by John Carpenter, distributed by MCA / Universal Pictures, 1982.
<BR />
<BR />
<BR />
</P>
<!-- ******** Updates ******** -->
<!--
<P>
<SPAN class="updathdr">
<SPAN class="updattitle">
UPDATE:
</SPAN>
2009-07-19 19:40 UT:
</SPAN>
Text
</P>
-->
<P><BR clear="all" /></P>Michael McNeilhttp://www.blogger.com/profile/08007336342718478839noreply@blogger.com0tag:blogger.com,1999:blog-3917777.post-45948001603454384822009-07-20T20:17:00.023+00:002009-09-20T17:36:53.059+00:00The Earths of Alpha Centauri<!-- 8 - fixed SPAN tags -->
<!-- Header -->
<!-- Version: 2009-09-20 10:30 PDT -->
<A name="ACentPlanetsBack0"></A>
<table class="std-text" width="100%">
<tr>
<td valign="middle">
<SPAN class="posttitle">
The Earths of Alpha Centauri
</SPAN>
</td>
<!-- ******** Navigation control panel ******** -->
<td width="20px"></td>
<td valign="top" align="right" class="lg2-text">
<table border="1px" cellspacing="2px" cellpadding="2px"
class="outernavpad">
<tr><td class="navpad">
<nobr>
<A href="http://impearls.blogspot.com/2009_08_23_archive.html#2783764680841133408"
class="navpad"
alt="navigate to next article posted after this one (in Archives)"
title="navigate to next article posted after this one (in Archives)"
><SUB>←</SUB></A>
<A href="http://impearls.blogspot.com/#2783764680841133408"
class="navpad"
alt="navigate to next article posted after this one (on local page)"
title="navigate to next article posted after this one (on local page)"
>←</A>
<A href="#"
class="navpad"
alt="navigate up to next higher section level in work"
title="navigate up to next higher section level in work"
></A>↑
<A href="#"
class="navpad"
alt="navigate down to next lower section level in work"
title="navigate down to next lower section level in work"
></A>↓
<A href="#"
class="navpad"
alt="navigate up to subsequent posted article in series or thread"
title="navigate up to subsequent posted article in series or thread"
></A><SUP>↑</SUP>
<A href="#"
class="navpad"
alt="navigate back to previous posted article in series or thread"
title="navigate back to previous posted article in series or thread"
></A><SUP>↓</SUP>
<A href="http://impearls.blogspot.com/#1557826382972590781"
class="navpad"
alt="navigate to last article posted before this one (on local page)"
title="navigate to last article posted before this one (on local page)"
>→</A>
<A href="http://impearls.blogspot.com/2009_06_28_archive.html#1557826382972590781"
class="navpad"
alt="navigate to last article posted before this one (in Archives)"
title="navigate to last article posted before this one (in Archives)"
><SUB>→</SUB></A>
</nobr>
</td></tr>
</table>
</td></tr>
</table>
<!-- ******** End of Navigation control panel ******** -->
<!-- ******** Opening Figure 1 ******** -->
<!-- inner, unbordered table -->
<TABLE width="100%" border="0" class="lg-text" cellspacing="0" cellpadding="0">
<TR>
<TD align="left">
<P><A name="ACentPlanetsBackF1"></A>
<!-- Flickr.com hosted: Copy and paste this HTML into your webpage
<a href="http://www.flickr.com/photos/10610528@N04/3630370193/" title="ACent-Fig0-Schema-1-resz-crop640x320 by Michael Edward McNeil, on Flickr"><img src="http://farm4.static.flickr.com/3363/3630370193_51ba0a98aa_o.png" width="640" height="320" alt="ACent-Fig0-Schema-1-resz-crop640x320" /></a>
-->
<!-- Flickr.com hosted: Grab the photo's URL
http://farm4.static.flickr.com/3363/3630370193_51ba0a98aa_o.png
-->
<!-- Flickr.com hosted: Link to original size
http://www.flickr.com/photos/10610528@N04/3631185398/sizes/o/in/set-72157605562537449/
-->
<A href="http://www.flickr.com/photos/10610528@N04/3631185398/sizes/o/in/set-72157605562537449/"
><IMG style="display:block; margin:0px auto 0px; text-align:center; cursor:hand;"
src="http://farm4.static.flickr.com/3363/3630370193_51ba0a98aa_o.png"
width="640" height="320" border="0"
alt="Fig. 1. Schema of Alpha Centauri planetary systems"
title="Fig. 1. Schema of Alpha Centauri planetary systems"
/></A>
<BR />
</P>
</TD>
</TR>
<TR>
<TD align="center">
<P class="lg-text">Figure 1.
Schema of the Alpha Centauri system
</P>
</TD>
</TR>
</TABLE>
<BR />
<!-- end of inner, unbordered table -->
<!-- ******** Intro. paragraph ******** -->
<P class="lg-text-ital">As a Board member of the Friends of the U.C. Santa Cruz Library, I was invited this year to assist in judging UCSC's annual Graduate Research Symposium, in which the university's graduate students present personal or poster presentations concerning their thesis research for prestige, prizes, and trophies.
The winner of this year's entire event was a female graduate student, Javiera Guedes of the Astronomy and Astrophysics department at UCSC, who presented a talk on “The Earths of Alpha Centauri,” concerning the likelihood that <SPAN class="italic">both</SPAN> principal stars of the binary Alpha Centauri system possess planets, which we should be able to start discovering (as detection technology has steadily improved, and given a determined search) within the next several years.
I wrote up a brief report on Guedes' talk for a mailing list, only to be subsequently invited by editor Kevin Langdon (also endorsed by Javiera) to expand that piece for the Mega Society's online journal <SPAN class="opp-italic">Noesis's</SPAN> upcoming special issue on Astronomy and Space.
<BR/>
<BR/>
</P>
<!-- ******** Article proper, part 1 ******** -->
<P><A name="ACentPlanetsBack1"></A>
University of California at Santa Cruz astronomy and astrophysics graduate student Javiera Guedes (first author), together with her coauthors, have published a fascinating piece in <SPAN class="italic">The Astrophysical Journal</SPAN> titled the “Formation and Detection of Terrestrial Planets around <SPAN class="fontserif">α</SPAN> [Alpha] Centauri B” <A href="#ACentPlanetsNote1"><SUP>1</SUP></A>
— which in my view deserves far wider audience and consideration than it can receive in that journal, however prestigious and renowned a scientific journal it assuredly is.
</P>
<P>The subject of that paper, the binary Alpha Centauri star system (also known as Rigil Kentaurus or Toliman), at some 4.4 light years (or about 1.3 parsecs) distant from the Sun, is the closest extrasolar stellar system to our own Solar System and Earth.
The brightest star in that system Alpha Centauri A is quite similar to our Sun in mass (at ∼1.105 solar masses), and extremely similar in color and thus temperature (classed like the Sun as a spectral type G2 V, a so-called “yellow dwarf”), whilst its companion Alpha Centauri B is only slightly smaller (∼0.934 times the Sun's mass) and a bit redder and therefore cooler (spectral type K1 V) than the Sun.
One might note that the Alpha Centauri system (at about 5.6–5.9 Gyr) is between 1 and 1.3 billion years older than our Sun and Solar System, while it's about half again as rich in “metals” (as astronomers regard them: i.e., elements heavier than hydrogen and helium) as our own system.
</P>
<P>Though it has a third, much smaller (∼0.1 solar mass) spectral type M “red dwarf” companion star known as Proxima Centauri — swinging at an enormous distance (perhaps a fifth of a light year) away from its principals — however ignoring Proxima, Alpha Centauri is essentially a <SPAN class="italic">close binary</SPAN> star system; and thus one might imagine that Alpha Centauri's two principal stars A and B's gravitational interference on each other would forestall prospects for any stable planets circling either star.
As it happens, however, those primary components of Alpha Centauri are not actually all that close, orbiting each other some 23 astronomical units (23 times the distance between the Earth and the Sun, abbreviated AU) apart from each other — equivalent to B (or A) circling between the orbits of Uranus and Neptune (in our Solar System) with regard to the other — and as a result planets orbiting beyond what would be the orbit of Mars here, up to some 3 AU away from its primary (or well into our asteroid belt) are not ruled out around either star; moreover any planets (if they exist) are computed with high probability to be stable for the requisite billions of years time.
Moreover, planets have already been discovered orbiting other roughly similar binary stars (e.g., <SPAN class="fontserif">γ</SPAN> [Gamma] Cephei, HD 41004, and Gliese 86) having basically equivalent separations from each other.
</P>
<P>Indeed, Alpha Centauri A and B would probably even have performed a <SPAN class="italic">positive</SPAN> perturbative role with regard each other's incipient planetary systems, similar to that which the gas giants Jupiter, Saturn, and beyond are thought to have played in planetary evolution here in our Solar System, to wit providing “perturbations allow[ing] for the accretion of a large number of planetary embryos into a final configuration containing 3–4 bodies.”
(Note that we omit end-note references in all quotes from <SPAN class="italic">The Astrophysical Journal</SPAN> article.)
</P>
<P>Alpha Centauri B, as a cooler, “quieter,” less variable and flare-prone star than Alpha Centauri A (or the Sun for that matter), as a result is somewhat easier than A to detect any planets circling round.
Thus it is on B that the authors concentrate their attention, estimating that after only about three years of “high cadence” observations (watching B on basically every night that there's good seeing, which could be close to 300 days a year), one could detect (using the so-called Doppler or radial-shift detection method) a planet of only some 1.8 Earth-masses circling within B's so-called “habitable zone,” while somewhat smaller worlds ought to become apparent in only a couple of years more.
</P>
<P>Whilst it's also sometimes possible to detect extrasolar planets by observing their transit (or eclipse) across the disk of their primary star as seen from Earth, that method requires that the plane of any planets' orbits be closely aligned with the direction of our Sun with respect to that system — which is obviously extremely unlikely when attempting to locate worlds circling any particular star — and thus such an approach is suitable only for statistical surveys of a great many stars, not for finding the planets of any specific suns.
</P>
<P>In addition to evaluating how Alpha Centaurian planets could be observed from the perspective of Earth, the authors conducted a number of computed simulations (eight in all) of possible routes to planetary system formation, starting from initial circumstances “mimic[ing] conditions at the onset of the chaotic growth phase of terrestrial planet formation in which collisions of isolated embryos, protoplanets of approximately lunar mass, dominate the evolution of the disk.
During this phase, gravitational interactions among planetary embryos serve to form the final planetary system around the star and clear out the remaining material in the disk.
At the start of this phase, several hundred protoplanets were presumed to orbit the star on nearly circular orbits.”
Each run of the simulation “populate[d] the disk with <SPAN class="italic">N</SPAN> = 400 to <SPAN class="italic">N</SPAN> = 900 embryos of lunar mass […].”
</P>
<P>Simulation number 7 (see Figure 3), specially exemplified herein and in <SPAN class="italic">The Astrophysical Journal</SPAN> article (known as r600_1 there), started with 600 embryos.
</P>
<P>All bodies in the simulations interact only through gravity and the evolution of their positions and velocities with time were calculated using the MERCURY code, designed for the presence of a binary companion and allowing planetary embryos to collide and stick together to form larger planets.
</P>
<P>The investigators “focus[ed] on terrestrial planet formation around <SPAN class="fontserif">α</SPAN> Cen B […].”
As they note, “[P]lanet formation around <SPAN class="fontserif">α</SPAN> Cen A is expected to be qualitatively similar.”
</P>
<P>Figure 2 illustrates how simulations of the evolution of a planetary system surrounding Alpha Centauri B typically progressed (using simulation 7):
</P>
<!-- ******** Figure 2 ******** -->
<!-- inner, unbordered table -->
<TABLE width="100%" border="0" class="lg-text" cellspacing="0" cellpadding="0">
<TR>
<TD align="left">
<P><A name="ACentPlanetsBackF2"></A>
<!-- Flickr.com hosted: Copy and paste this HTML into your webpage
<a href="http://www.flickr.com/photos/10610528@N04/3630018883/" title="ACent-Fig1-Evolution-1-resz-crop640x800 by Michael Edward McNeil, on Flickr"><img src="http://farm3.static.flickr.com/2441/3630018883_4dbdd244b4_o.png" width="640" height="800" alt="ACent-Fig1-Evolution-1-resz-crop640x800" /></a>
-->
<!-- Flickr.com hosted: Grab the photo's URL
http://farm3.static.flickr.com/2441/3630018883_4dbdd244b4_o.png
-->
<!-- Flickr.com hosted: Link to original size
http://www.flickr.com/photos/10610528@N04/3630018505/sizes/o/in/set-72157605562537449/
-->
<A href="http://www.flickr.com/photos/10610528@N04/3630018505/sizes/o/in/set-72157605562537449/"
><IMG style="display:block; margin:0px auto 0px; text-align:center; cursor:hand;"
src="http://farm3.static.flickr.com/2441/3630018883_4dbdd244b4_o.png"
width="640" height="800" border="0"
alt="Fig. 2. Simulated evolution of a planetary system (simulation 7) for Alpha Centauri B"
title="Fig. 2. Simulated evolution of a planetary system (simulation 7) for Alpha Centauri B"
/></A>
<BR />
</P>
</TD>
</TR>
<TR>
<TD align="center">
<P class="lg-text">Figure 2.
Simulated evolution of a planetary system (simulation 7) for Alpha Centauri B
<BR />
<BR />
</P>
</TD>
</TR>
</TABLE>
<!-- end of inner, unbordered table -->
<!-- ******** Article proper, part 2 ******** -->
<P>The authors describe the foregoing figure thusly:
</P>
<blockquote><P>Figure [2] shows the late evolutionary stage of a protoplanetary disk initially containing 600 moon-mass embryos ([appearing in Figure 3 as simulation number 7]).
The radius of each circle is proportional to the radius of the object.
Bodies in the outer parts of the disk ([orbital semimajor axis] <SPAN class="italic">a</SPAN> > 3 AU) are immediately launched into highly eccentric orbits and either migrate inward to be accreted by inner bodies, collide with the central star, or are ejected from the system […].
In this simulation, ∼65% of the total initial mass is cleared within the first 70 Myr.
By the end of simulation [7], four planets have formed.
One planet has approximately the mass of Mercury and is located at <SPAN class="italic">a</SPAN> = 0.2 AU, two 0.6 [Earth mass] planets form at <SPAN class="italic">a</SPAN> = 0.7 and <SPAN class="italic">a</SPAN> = 1.8 AU, and a 1.8 [Earth mass] planet forms at <SPAN class="italic">a</SPAN> = 1.09 AU.
</P>
<P>[…]
All of our simulations result in the formation of 1–4 planets with semimajor axes in the range 0.7 < <SPAN class="italic">a</SPAN> < 1.9 AU […].
We find that 42% of all planets formed with masses in the range 1–2 [Earth masses] reside in the star's habitable zone (Fig. [3]), taken to be 0.5 < <SPAN class="italic">a</SPAN><SUB>hab</SUB> < 0.9 [AU].
[…].
All of our disks form systems with one or two planets in the 1–2 [Earth] mass range.
</P>
</blockquote>
<P>Figure 3 illustrates the results of all eight Alpha Centauri B system evolution simulations that the authors performed.
The especially illustrated simulation used herein appears as number seven near the bottom, whilst for comparison our Solar System is shown to scale at top.
</P>
<!-- ******** Figure 3 ******** -->
<!-- inner, unbordered table -->
<TABLE width="100%" border="0" class="lg-text" cellspacing="0" cellpadding="0">
<TR>
<TD align="left">
<P><A name="ACentPlanetsBackF3"></A>
<!-- Flickr.com hosted: Copy and paste this HTML into your webpage
<a href="http://www.flickr.com/photos/10610528@N04/3630679138/" title="ACent-Fig2-Systems-1-resz-crop640x800 by Michael Edward McNeil, on Flickr"><img src="http://farm4.static.flickr.com/3386/3630679138_ae5f13cde5_o.png" width="640" height="800" alt="ACent-Fig2-Systems-1-resz-crop640x800" /></a>
-->
<!-- Flickr.com hosted: Grab the photo's URL
http://farm4.static.flickr.com/3386/3630679138_ae5f13cde5_o.png
-->
<!-- Flickr.com hosted: Link to original size
http://www.flickr.com/photos/10610528@N04/3630678906/sizes/o/in/set-72157605562537449/
-->
<A href="http://www.flickr.com/photos/10610528@N04/3630678906/sizes/o/in/set-72157605562537449/"
><IMG style="display:block; margin:0px auto 0px; text-align:center; cursor:hand;"
src="http://farm4.static.flickr.com/3386/3630679138_ae5f13cde5_o.png"
width="640" height="800" border="0"
alt="Fig. 3. Simulated planetary systems of Alpha Centauri B"
title="Fig. 3. Simulated planetary systems of Alpha Centauri B"
/></A>
<BR />
</P>
</TD>
</TR>
<TR>
<TD align="center">
<P class="lg-text">Figure 3.
Simulated planetary systems of Alpha Centauri B
<BR />
<BR />
</P>
</TD>
</TR>
</TABLE>
<!-- end of inner, unbordered table -->
<!-- ******** Article proper, part 3 ******** -->
<P>We see that realistic astrophysical simulations predict that planets surrounding Alpha Centauri B (as well as a similar system circling A) are quite likely. What will it take to actually find such worlds, if they do exist?
</P>
<P>As noted earlier, due to the extreme unlikelihood of any specific stellar planetary system's equivalent of our “plane of the ecliptic” (the plane in which its planets' orbits generally circle) exactly lining up on edge as seen from Earth, the <SPAN class="italic">transit</SPAN> method for detecting extrasolar planets cannot be applied (other than by the remotest chance) for locating worlds orbiting specific suns — leaving only the “Doppler wobble” approach available for finding planets in more particular circumstances.
Even for that method to work, the plane of a given star's planetary orbits must not directly face the Sun (i.e., the <SPAN class="italic">axis</SPAN> of that plane mustn't be oriented directly toward or away from the Sun), as there has to be <SPAN class="italic">some</SPAN> planetary radial velocity toward or away from the Earth for us to detect.
Inasmuch as theoretical considerations imply that the orbital plane of planets circling either star of a close binary system should in general be aligned with the orbits of the stars themselves as they revolve about each other — and since in the case of the Alpha Centauri system, its two stars' orbital plane can be observed to be inclined to the line of view from here in the Sol System by a mere 11 degrees (the axis of that plane being almost perpendicular to the line of sight from the Earth) — thus planets circling either A or B are nearly ideal for detection from Earth using the radial-velocity technique.
</P>
<P>Indeed, as the authors of this study conclude:
“<SPAN class="fontserif">α</SPAN> Cen B is overwhelmingly the best star in the sky for which one can contemplate mounting a high-cadence [nightly] search” for extant terrestrial worlds, among other things because “<SPAN class="fontserif">α</SPAN> Cen B is exceptionally quiet, both in terms of acoustic <SPAN class="italic">p</SPAN>-wave mode oscillations and chromospheric activity.”
</P>
<P>They note that “[t]he radial velocity [Doppler] detection of Earth-mass planets near the habitable zones of solar-type stars requires cm s<SUP>−1</SUP> [centimeter per second velocity] precision,” whereas Alpha Centauri A exhibits (rather Sun-like) oscillatory noise on the order of 1 to 3 m s<SUP>−1</SUP> (meters per second), which would effectively swamp attempts to detect planets circling A using near-term technology.
Alpha Centauri B, on the other hand, as a fundamentally quieter star, displays peak amplitude noise on the order of 0.08 m s<SUP>−1</SUP> (8 cm/second), which is also far higher in frequency than the periods of any potential terrestrial planets to be detected.
As a result, a “focused high cadence approach involving year-round, all-night observations would effectively average out the star's <SPAN class="italic">p</SPAN>-mode oscillations.”
</P>
<P>Observations also reveal that Alpha Centauri B exhibits much less chromospheric variability associated with stellar flares than does A (the former modifying its x-ray brightness only within a factor of two over a couple of years time whilst A could be observably seen to vary by an order-of-magnitude factor of <SPAN class="italic">ten</SPAN>).
</P>
<P>The paper further points out that:
</P>
<blockquote><P><SPAN class="fontserif">α</SPAN> Cen B is remarkably similar in age, mass, and spectral type to HD 69830, the nearby K0 dwarf known to host three Neptune mass planets.
Both <SPAN class="fontserif">α</SPAN> Cen B and HD 69830 are slightly less massive than the Sun with masses 0.91 and 0.86 [solar masses] respectively.
Their estimated ages are 5.6–5.9 Gyr for <SPAN class="fontserif">α</SPAN> Cen B and 4–10 Gyr for HD 69830.
Both stars are slightly cooler than the Sun:
<SPAN class="fontserif">α</SPAN> Cen B is a K1 V with [an effective temperature] <SPAN class="italic">T</SPAN><SUB>eff</SUB> = 5350 K, while HD 69830 is a type K0 V star with <SPAN class="italic">T</SPAN><SUB>eff</SUB> = 5385 K.
The stars have also similar visual absolute magnitudes, <SPAN class="italic">M<SUB>V</SUB></SPAN> = 5.8 for <SPAN class="fontserif">α</SPAN> Cen B and <SPAN class="italic">M<SUB>V</SUB></SPAN> = 5.7 for HD 69830; however, due to its proximity to us, the former star appears much brighter (<SPAN class="italic">m<SUB>V</SUB></SPAN> = +1.34), allowing for exposures that are ∼60 times shorter.
One can thus use a far smaller aperture telescope, or alternatively, entertain a far higher observational cadence.
</P>
</blockquote>
<P>Moreover, Alpha Centauri A and B being so close to each other in space as well as physically similar to one another allows parallel observations of the two stars to reveal concurrent variations which, seen in both, allow identification of systematic artifacts in the observational process, that can thus be filtered out of any meaningful results.
Furthermore, as the study notes, the position of Alpha Centauri at about −60° declination in our southern sky is nearly perfect for virtually continuous night-by-night (“high cadence”) observations from two existing vantage points, the Las Campanas Observatory together with the Cerro Tololo Inter-American Observatory, both in Chile, either of which ought to provide up to almost 300 viewing days a year (60 days a year being basically unavailable while Alpha Centauri annually passes behind the Sun, plus a few more days lost as a result of bad weather).
</P>
<P> Inasmuch as the proportionate density of binary, roughly solar-mass component star systems in this part of the galaxy is only about 0.02 per cubic parsec (1 cubic parsec = ∼35 cubic light years), since at this time the Alpha Centauri system hovers a mere 1.33 parsecs away from us, we're very lucky here in the Solar System having <SPAN class="fontserif">α</SPAN> Cen proceeding so close nearby during this era for us to perform this highly desirable search upon.
</P>
<P>As <SPAN class="italic">The Astrophysical Journal</SPAN> paper concludes:
“All these criteria make <SPAN class="fontserif">α</SPAN> Cen B the ideal host and candidate for the detection of a planetary system that contains one or more terrestrial planets.”
Indeed, “our current understanding of the process of terrestrial planet formation strongly suggests that <SPAN class="italic">both</SPAN> principal components of the <SPAN class="fontserif">α</SPAN> Cen system should have terrestrial planets.”
</P>
<P>Given that extremely tantalizing possibility, what will it take to find at least those worlds orbiting Alpha Centauri B, if they exist?
As the authors make note:
</P>
<blockquote><P>A successful detection of terrestrial planets orbiting <SPAN class="fontserif">α</SPAN> Cen B can be made within a few years and with the modest investment of resources required to mount a dedicated radial-velocity campaign with a 1 m class telescope and high-resolution spectrograph.
The plan requires three things to go right.
First, the terrestrial planets need to have formed, and they need to have maintained dynamical stability over the past 5 Gyr.
Second, the radial velocity technique needs to be pushed (via unprecedentedly high cadence) to a degree where planets inducing radial velocity half-amplitudes of order cm s<SUP>−1</SUP> [centimeter per second] can be discerned.
Third, the parent star must have a negligible degree of red noise on the ultralow frequency range occupied by the terrestrial planets.
</P>
<P>In this paper, we have made the case that conditions 1 and 2 are highly likely to have been met.
In our view, the intrinsic noise spectrum of <SPAN class="fontserif">α</SPAN> Centauri B is likely all that stands between the present day and the imminent detection of extremely nearby, potentially habitable planets.
Because whole-Sun measurements of the solar noise are intrinsically difficult to obtain, our best opportunity to measure microvariability in radial velocities is to do the <SPAN class="fontserif">α</SPAN> Cen AB Doppler experiment.
The intrinsic luminosity of the stars, their sky location, and their close pairing will allow for a definitive test of the limits of the radial velocity technique.
If these limits can be pushed down to the cm s<SUP>−1</SUP> level, then the prize, and the implications, may be very great indeed.
</P>
</blockquote>
<P>At this point well over three hundred planets have been discovered circling other stars beyond the Sun — all thus far found, due to hitherto operative technical limitations, necessarily being much larger than Earth and thus far from being really terrestrial in type.
The Alpha Centauri system offers the opportunity to refine those limits downward towards worlds much closer in size, and thus potentially in habitability, to the Earth.
</P>
<P>Figures 4 and 5 below illustrate how such a high-cadence search over a period of several years could zero in closer and closer towards identifying any planets of Alpha Centauri B that are truly terrestrial in scale.
</P>
<!-- ******** Figure 4 ******** -->
<!-- inner, unbordered table -->
<TABLE width="100%" border="0" class="lg-text" cellspacing="0" cellpadding="0">
<TR>
<TD align="left">
<P><A name="ACentPlanetsBackF4"></A>
<!-- Flickr.com hosted: Copy and paste this HTML into your webpage
<a href="http://www.flickr.com/photos/10610528@N04/3725812113/" title="ACent-Fig5-Periodogram-Lb by Michael Edward McNeil, on Flickr"><img src="http://farm3.static.flickr.com/2505/3725812113_a13fabcd55_o.png" width="526" height="654" alt="ACent-Fig5-Periodogram-Lb" /></a>
-->
<!-- Flickr.com hosted: Grab the photo's URL
http://farm3.static.flickr.com/2505/3725812113_a13fabcd55_o.png
-->
<!-- Flickr.com hosted: Link to original size
http://www.flickr.com/photos/10610528@N04/3725812113/sizes/o/in/set-72157605562537449/
-->
<A href="http://www.flickr.com/photos/10610528@N04/3725812113/sizes/o/in/set-72157605562537449/"
><IMG style="display:block; margin:0px auto 0px; text-align:center; cursor:hand;"
src="http://farm3.static.flickr.com/2505/3725812113_a13fabcd55_o.png"
width="526" height="654" border="0"
alt="Fig. 4. How the detection “periodogram” for a simulated Alpha Centauri B planetary system (simulation 7) evolves over 5 years of observations"
title="Fig. 4. How the detection “periodogram” for a simulated Alpha Centauri B planetary system (simulation 7) evolves over 5 years of observations "
/></A>
<BR />
</P>
</TD>
</TR>
<TR>
<TD align="center">
<P class="lg-text">Figure 4.
How the detection “periodogram” for a simulated Alpha Centauri B planetary system (simulation 7) evolves over 5 years of observations
<BR />
<BR />
</P>
</TD>
</TR>
</TABLE>
<!-- end of inner, unbordered table -->
<!-- ******** Figure 5 ******** -->
<!-- inner, unbordered table -->
<TABLE width="100%" border="0" class="lg-text" cellspacing="0" cellpadding="0">
<TR>
<TD align="left">
<P><A name="ACentPlanetsBackF5"></A>
<!-- Flickr.com hosted: Copy and paste this HTML into your webpage
<a href="http://www.flickr.com/photos/10610528@N04/3726618490/" title="ACent-Fig4-Periodogram_color by Michael Edward McNeil, on Flickr"><img src="http://farm3.static.flickr.com/2605/3726618490_8324c4f139_o.png" width="546" height="680" alt="ACent-Fig4-Periodogram_color" /></a>
-->
<!-- Flickr.com hosted: Grab the photo's URL
http://farm3.static.flickr.com/2605/3726618490_8324c4f139_o.png
-->
<!-- Flickr.com hosted: Link to original size
http://www.flickr.com/photos/10610528@N04/3726618490/sizes/o/in/set-72157605562537449/
-->
<A href="http://www.flickr.com/photos/10610528@N04/3726618490/sizes/o/in/set-72157605562537449/"
><IMG style="display:block; margin:0px auto 0px; text-align:center; cursor:hand;"
src="http://farm3.static.flickr.com/2605/3726618490_8324c4f139_o.png"
width="546" height="680" border="0"
alt="Fig. 5. How nightly observations over 5 years build that periodogram for a simulated Alpha Centauri B planetary system"
alt="Fig. 5. How nightly observations over 5 years build that periodogram for a simulated Alpha Centauri B planetary system"
/></A>
</P>
</TD>
</TR>
<TR>
<TD align="center">
<P class="lg-text">Figure 5.
How nightly observations over 5 years build that periodogram for a simulated Alpha Centauri B planetary system
<BR />
<BR />
</P>
</TD>
</TR>
</TABLE>
<!-- end of inner, unbordered table -->
<!-- ******** Closing ******** -->
<P>As the capability for detecting truly terrestrial-type planets circling round nearby stars approaches, we're on the cusp of an adventure grander by far than Columbus's voyages to the New World or other great discoveries of the age of exploration, not only for its tremendous scientific value (finding what variety of worlds so-called “terrestrial” planets can form, not to speak of the enormous significance of possibly discovering other independently evolved organisms inhabiting them), but also for the sake of the future history of mankind, along with the ultimate fate of all life dwelling on — but presently restricted to this single egg-basket of — our planet Earth.
</P>
<P><A name="ACentPlanetsBack2"></A><A name="ACentPlanetsBack3"></A><A name="ACentPlanetsBack3"></A>In a discussion such as this of potential planets circling the component stars of the Alpha Centauri system, special recognition is due the late biochemist and most prolific science fiction and fact writer Isaac Asimov, for it was he who, just a half-century ago (in June, 1959), penned his far-sighted essay “The Planet of the Double Sun” <A href="#ACentPlanetsNote2"><SUP>2</SUP></A> concerning the possibility of just such worlds existing.
A quarter-century later, in 1985 he wrote another essay on the subject of life near Alpha Centauri called “The Double Star&rdquo <A href="#ACentPlanetsNote3"><SUP>3</SUP></A>; whilst in 1976 Asimov published an entire book on <SPAN class="italic">Alpha Centauri, The Nearest Star</SPAN>. <A href="#ACentPlanetsNote4"><SUP>4</SUP></A>
</P>
<P><A name="ACentPlanetsBack5"></A>In regard to the intrinsic value of such planets, it's worth noting the ending of Asimov's affecting science fiction novel <SPAN class="italic">The End of Eternity</SPAN> <A href="#ACentPlanetsNote5"><SUP>5</SUP></A>,
which serves as the introduction to his famous <SPAN class="italic">Galactic Empire</SPAN> and <SPAN class="italic">Foundation</SPAN> series of stories.
In the context of this tale, when it is realized that ready access to the universe is at hand for humanity (provided they take a critical step, namely make a certain change to the past), the principal protagonist wonders aloud what good it would really do if they should indeed accomplish it:
</P>
<blockquote><P>“And what would have been gained?” asked Harlan doggedly.
“Would we be happier?”
</P>
</blockquote>
<P>Whereupon his erstwhile enemy, more recent ally, and soon to be spouse replies:
</P>
<blockquote><P>“Whom do you mean by ‘we’?
Man would not be a world but a million worlds, a billion worlds.
We would have the infinite in our grasp.
Each world would have its own stretch of the Centuries, each its own values, a chance to seek happiness after ways of its own in an environment of its own.
There are many happinesses, many goods, infinite variety….
<SPAN class="italic">That</SPAN> is the Basic State of mankind.”
</P>
</blockquote>
<P>Now, on the cusp of the fortieth anniversary of mankind's (as representative of all life on Earth) first visit in all the billions of years history of Earthly life to another planet, it's time to get on with it.
Let's find those worlds!
<BR />
<BR />
<BR clear="all" />
</P>
<!-- ******** Glossary ******** -->
<DIV class="reftitle">
Glossary
</DIV>
<P>
<TABLE width="100%" border="0" class="sm-text" cellspacing="2" cellpadding="2">
<tr>
<td align="left">
absolute magnitude
</td>
<td align="left">
intrinsic visual brightness of an object as it would be seen from a fixed distance — in the case of a star this is established as being 10 parsecs or 32.6 light years away
</td>
</tr>
<tr>
<td align="left">
AU
</td>
<td align="left">
astronomical unit, abbreviated AU (sometimes symbolized <SPAN class="italic">ua</SPAN>): one AU is the average distance between Earth and the Sun — about 150 million km or 93 million miles
</td>
</tr>
<tr>
<td align="left">
binary star system
</td>
<td align="left">
star system consisting of two stars orbiting each other about a common center of mass
</td>
</tr>
<tr>
<td align="left">
chromosphere
</td>
<td align="left">
relatively thin (perhaps 2,000 km thick in the case of the Sun) semitransparent layer in a star which lies just above its opaque photosphere or visible “surface”
</td>
</tr>
<tr>
<td align="left">
chromospheric variability
</td>
<td align="left">
activity or variability in a star which occurs within its chromosphere
</td>
</tr>
<tr>
<td align="left">
Doppler wobble
</td>
<td align="left">
method for locating extrasolar planets by the radial velocity (as seen from Earth) perturbations they induce in the motions of the primary star they orbit
</td>
</tr>
<tr>
<td align="left">
Earth mass
</td>
<td align="left">
mass of the Earth: some 6 × 10<sup>24</sup> kg or about 0.31% the mass of Jupiter
</td>
</tr>
<tr>
<td align="left">
dynamical stability
</td>
<td align="left">
long-term probabilistic stability of planets over gigayears time against perturbations that would eject them from the system, or throw them into their primary star or each other
</td>
</tr>
<tr>
<td align="left">
eccentric orbit
</td>
<td align="left">
an orbital path that is a highly flattened ellipse rather than being approximately circular
</td>
</tr>
<tr>
<td align="left">
ecliptic
</td>
<td align="left">
rough plane in which the planets of the Solar System (exception: Pluto) generally orbit
</td>
</tr>
<tr>
<td align="left">
extrasolar body
</td>
<td align="left">
planet, star, or other body which orbits or moves outside the realm of the Solar System
</td>
</tr>
<tr>
<td align="left">
gas-giant planet
</td>
<td align="left">
giant planet like Jupiter which is composed principally of the gases hydrogen and helium
</td>
</tr>
<tr>
<td align="left">
Gyr
</td>
<td align="left">
gigayears: billions of years
</td>
</tr>
<tr>
<td align="left">
habitable zone
</td>
<td align="left">
region surrounding a star where temperatures on an Earth-type planet circling within that zone are suitable for life as we know it — in our Solar System it is considered to lie between about 0.95 to 1.37 AU from the Sun
</td>
</tr>
<tr>
<td align="left">
half-amplitude
</td>
<td align="left">
absolute (positive) value of maximum amplitude, as opposed to amplitudes varying in sign between positive and negative over a continuous approximately sine-wave cycle
</td>
</tr>
<tr>
<td align="left">
high cadence
</td>
<td align="left">
astronomical observations conducted at a high frequency — e.g., nightly
</td>
</tr>
<tr>
<td align="left">
Jupiter mass
</td>
<td align="left">
mass of Jupiter: around 2 × 10<sup>27</sup> kg, or about 0.1% the mass of the Sun versus 318 times the mass of Earth
</td>
</tr>
<tr>
<td align="left">
light year
</td>
<td align="left">
the distance that light travels in vacuum in a year: about 9 trillion km or 6 trillion miles
</td>
</tr>
<tr>
<td align="left">
Mercury mass
</td>
<td align="left">
mass of the planet Mercury: about 3 × 10<sup>23</sup> kg or around 5.5% the mass of Earth
</td>
</tr>
<tr>
<td align="left">
metals
</td>
<td align="left">
metals as astronomers regard them: to wit, elements heavier than hydrogen and helium
</td>
</tr>
<tr>
<td align="left">
microvariability
</td>
<td align="left">
small amplitude variability
</td>
</tr>
<tr>
<td align="left">
Moon (or lunar) mass
</td>
<td align="left">
mass of the Moon: some 7 × 10<sup>22</sup> kg or about 1.2% the mass of Earth
</td>
</tr>
<tr>
<td align="left">
Neptune mass
</td>
<td align="left">
mass of Neptune: close to 1 × 10<sup>26</sup> kg, or some 17 times the mass of Earth or 5.4% of Jupiter's mass
</td>
</tr>
<tr>
<td align="left">
parsec
</td>
<td align="left">
the distance at which an extrasolar body's parallax with regard to Earth's orbit around the Sun subtends an angle of one second of arc — approximately 3.26 light years
</td>
</tr>
<tr>
<td align="left">
periodogram
</td>
<td align="left">
measured periodic radial velocity variations in a star over time that might indicate the presence of planets
</td>
</tr>
<tr>
<td align="left">
photosphere
</td>
<td align="left">
opaque layer of a star which constitutes its visible “surface”
</td>
</tr>
<tr>
<td align="left">
protoplanet
</td>
<td align="left">
Moon-sized or larger planetary embryos orbiting a star within its protoplanetary disk
</td>
</tr>
<tr>
<td align="left">
protoplanetary disk
</td>
<td align="left">
rotating disk of gas and dust surrounding a fledgling star which may accrete into planets
</td>
</tr>
<tr>
<td align="left">
radial velocity
</td>
<td align="left">
velocity component of an extrasolar star or planet directed toward or away from Earth
</td>
</tr>
<tr>
<td align="left">
red noise
</td>
<td align="left">
low-frequency random noise emitted by a star under observation
</td>
</tr>
<tr>
<td align="left">
semimajor axis
</td>
<td align="left">
one-half of the length of the long axis of an elliptical orbit — equivalent to a body's average distance from its primary
</td>
</tr>
<tr>
<td align="left">
spectral type
</td>
<td align="left">
classification system for stars based on a star's color and thus its surface temperature
</td>
</tr>
<tr>
<td align="left">
spectrograph
</td>
<td align="left">
instrument measuring an object's light output across a spectrum of optical frequencies
</td>
</tr>
<tr>
<td align="left">
stellar flare
</td>
<td align="left">
eruption of plasma from the surface of a star
</td>
</tr>
<tr>
<td align="left">
Sun (or solar) mass
</td>
<td align="left">
mass of the Sun: about 2 × 10<sup>30</sup> kg or some 333,000 times the mass of Earth
</td>
</tr>
<tr>
<td align="left">
terrestrial planet
</td>
<td align="left">
planets consisting primarily of rocks (normally silicate rocks) at least near the surface; as opposed to gas-giant planets
</td>
</tr>
<tr>
<td align="left">
transit method
</td>
<td align="left">
method for detecting an extrasolar planet by observing the dip in its primary star's light output as the planet passes directly in front of the star's disk as viewed from Earth
</td>
</tr>
</TABLE>
<BR />
<BR />
</P>
<!-- ******** Acknowledgments and References ******** -->
<DIV class="reftitle">
Acknowledgments and References
</DIV>
<P>Many thanks to talented astronomy and astrophysics graduate student Javiera Guedes for her support and suggestions as well as permission to use the figures (indeed her own modifications to one of the figures) from her and her coauthors' article in <SPAN class="italic">The Astrophysical Journal</SPAN>.
One might note that Ms. Guedes herself will personally be conducting observations of Alpha Centauri later on this year.
Kudos to her and the other investigators in this study, and best wishes in the great search!
</P>
<P><A name="ACentPlanetsNote1"></A><A href="#ACentPlanetsBack1"><SUP>1</SUP></A>
J. M. Guedes, E. J. Rivera, E. Davis, and G. Laughlin (all at the University of California at Santa Cruz, Astronomy and Astrophysics department), E. V. Quintana (SETI Institute, Mountain View, CA), and D. A. Fischer (San Francisco State University, Physics and Astronomy department), “<a href="http://www.iop.org/EJ/abstract/0004-637X/679/2/1582">Formation and Detection of Terrestrial Planets around <SPAN class="fontserif">α</SPAN> Centauri B</a>,” <a href="http://www.iop.org/EJ/home/AP"><SPAN class="italic">The Astrophysical Journal</SPAN></a>, Vol. 679, Issue No. 2 (2008), pp. 1581-1587; doi: 10.1086/587799.
</P>
<P><A name="ACentPlanetsNote2"></A><A href="#ACentPlanetsBack2"><SUP>2</SUP></A>
Isaac Asimov, “The Planet of the Double Sun,” <SPAN class="italic">The Magazine of Fantasy and Science Fiction</SPAN>, 1959-06, Mercury Press, New York.
Collected in <SPAN class="italic">Fact and Fancy</SPAN>, Doubleday & Co., Garden City, NY, 1962; also in <SPAN class="italic">Asimov on Astronomy</SPAN>, Anchor Press, Garden City, NY, 1975.
</P>
<P><A name="ACentPlanetsNote3"></A><A href="#ACentPlanetsBack3"><SUP>3</SUP></A>
Isaac Asimov, “The Double Star,” <SPAN class="italic">American Way</SPAN>, American Airlines, 1985-09-03.
Collected in <SPAN class="italic">The Dangers of Intelligence And Other Science Essays</SPAN>, Houghton Mifflin, Boston, 1986.
</P>
<P><A name="ACentPlanetsNote4"></A><A href="#ACentPlanetsBack4"><SUP>4</SUP></A>
Isaac Asimov, <SPAN class="italic">Alpha Centauri, The Nearest Star</SPAN>, Lothrop, Lee & Shepard Co., New York, 1976.
</P>
<P><A name="ACentPlanetsNote5"></A><A href="#ACentPlanetsBack5"><SUP>5</SUP></A>
Isaac Asimov, <SPAN class="italic">The End of Eternity</SPAN>, Doubleday & Co., Garden City, NY, 1955, p. 187.
<BR />
<BR />
<BR />
</P>
<!-- ******** Updates ******** -->
<P>
<SPAN class="updathdr">
<SPAN class="updattitle">
UPDATE:
</SPAN>
2009-07-19 19:40 UT:
</SPAN>
Version 2:
Updated via suggestions from Javiera Guedes.
</P>
<P>
<SPAN class="updathdr">
<SPAN class="updattitle">
UPDATE:
</SPAN>
2009-07-28 06:00 UT:
</SPAN>
Version 3:
At the time of submission for publication in <SPAN class="italic">Noesis</SPAN>.
</P>
<P>
<SPAN class="updathdr">
<SPAN class="updattitle">
UPDATE:
</SPAN>
2009-08-03 19:00 UT:
</SPAN>
Version 4:
Further updates to the <SPAN class="italic">Noesis</SPAN> publication version, including adding the Glossary.
</P>
<P>
<SPAN class="updathdr">
<SPAN class="updattitle">
UPDATE:
</SPAN>
2009-08-04 15:30 UT:
</SPAN>
Version 5:
A few corrections.
</P>
<P>
<SPAN class="updathdr">
<SPAN class="updattitle">
UPDATE:
</SPAN>
2009-08-05 03:40 UT:
</SPAN>
Version 6:
Minor fix.
</P>
<!--
<P>
<SPAN class="updathdr">
<SPAN class="updattitle">
UPDATE:
</SPAN>
2009-07-19 19:40 UT:
</SPAN>
Text
</P>
-->
<P><BR clear="all" /></P>Michael McNeilhttp://www.blogger.com/profile/08007336342718478839noreply@blogger.com0tag:blogger.com,1999:blog-3917777.post-15578263829725907812009-07-04T00:00:00.018+00:002009-09-20T17:44:46.837+00:00Fourth of July, 2008, aboard the W.W. II aircraft carrier the U.S.S. Hornet<!-- 4 - fixed SPAN tags -->
<!-- Header -->
<!-- Version: 2009-09-20 10:40 PDT -->
<A name="USSHornet20080704Back0"></A>
<table class="std-text" width="100%">
<tr>
<td valign="middle">
<SPAN class="posttitle">
Fourth of July, 2008, aboard the W.W. II aircraft carrier the U.S.S. Hornet
</SPAN>
</td>
<!-- ******** Navigation control panel ******** -->
<td width="20px"></td>
<td valign="top" align="right" class="lg2-text">
<table border="1px" cellspacing="2px" cellpadding="2px"
class="outernavpad">
<tr><td class="navpad">
<nobr>
<A href="http://impearls.blogspot.com/2009_07_19_archive.html#4594800160345438482"
class="navpad"
alt="navigate to next article posted after this one (in Archives)"
title="navigate to next article posted after this one (in Archives)"
><SUB>←</SUB></A>
<A href="http://impearls.blogspot.com/#4594800160345438482"
class="navpad"
alt="navigate to next article posted after this one (on local page)"
title="navigate to next article posted after this one (on local page)"
>←</A>
<A href="#"
class="navpad"
alt="navigate up to next higher section level in work"
title="navigate up to next higher section level in work"
></A>↑
<A href="#"
class="navpad"
alt="navigate down to next lower section level in work"
title="navigate down to next lower section level in work"
></A>↓
<A href="#"
class="navpad"
alt="navigate up to subsequent posted article in series or thread"
title="navigate up to subsequent posted article in series or thread"
></A><SUP>↑</SUP>
<A href="#"
class="navpad"
alt="navigate back to previous posted article in series or thread"
title="navigate back to previous posted article in series or thread"
></A><SUP>↓</SUP>
<A href="http://impearls.blogspot.com/#8900832923062767279"
class="navpad"
alt="navigate to last article posted before this one (on local page)"
title="navigate to last article posted before this one (on local page)"
>→</A>
<A href="http://impearls.blogspot.com/2007_11_04_archive.html#8900832923062767279"
class="navpad"
alt="navigate to last article posted before this one (in Archives)"
title="navigate to last article posted before this one (in Archives)"
><SUB>→</SUB></A>
</nobr>
</td></tr>
</table>
</td></tr>
</table>
<!-- ******** End of Navigation control panel ******** -->
<!-- ******** Opening Figure 1 ******** -->
<!-- inner, unbordered table -->
<P><TABLE width="100%" border="0" class="lg-text" cellspacing="0" cellpadding="0">
<TR>
<TD align="left">
<P>
<!-- http://www.flickr.com/photos/10610528@N04/2643033272/sizes/m/in/set-72157605562164891/ -->
<!-- http://www.flickr.com/photos/10610528@N04/2643033272/sizes/l/in/set-72157605562164891/ -->
<a
href="http://www.flickr.com/photos/10610528@N04/2643033272/sizes/l/in/set-72157605562164891/"
><img
title="San Francisco Bay to the west of the Naval Air Station in Alameda, Calif., facing S.F. (2008-07-04) (photographer: Tamara Lynn Scott)"
alt="San Francisco Bay to the west of the Naval Air Station in Alameda, Calif., facing S.F. (2008-07-04) (photographer: Tamara Lynn Scott)"
src="http://farm4.static.flickr.com/3176/2643033272_89bf262203.jpg"
moz-do-not-send="true" border="0" height="375" width="500"
></a>
<BR />
</P>
</TD>
</TR>
<TR>
<TD align="left">
<P class="lg-text">San Francisco Bay to the west of the Naval Air Station in Alameda, facing S.F.<BR />
<SPAN class="sm-text">(photographer: Tamara Lynn Scott)</SPAN>
</P>
</TD>
</TR>
</TABLE>
<BR />
</P>
<!-- end of inner, unbordered table -->
<!-- ******** text ******** -->
<P><SPAN class="bold">Fourth of July, 2008, aboard the W.W. II aircraft carrier the U.S.S. Hornet</SPAN>
</P>
<P>There was concern arriving in the area that day that it would be thoroughly socked in (and thus cold and dreary) with San Francisco's famous fog, but even though great tongues of fog had pushed via the considerable onshore breeze some distance to the north and south of the <SPAN class="italic"><a href="http://www.uss-hornet.org/">U.S.S. Hornet</a>'s</SPAN> permanent home (at the Naval Air Station on the island of Alameda, California, along the eastern shore of San Francisco Bay) — and while the city of San Francisco to be seen across the bay was almost completely enveloped in it, fortunately however the day actually experienced in the environs of the <SPAN class="italic">Hornet</SPAN> itself was beautifully sunny; though with the typical stiff cold onshore breeze emerging out of that fog bank (I wore an overcoat and was glad of it, many others there that day did too).
</P>
<P>(In these shots, as usual, simply click on an image to link to a substantially larger version of it….)
</P>
<!-- ******** Figure 2 (multiple) ******** -->
<!-- inner, unbordered table -->
<P><TABLE width="100%" border="0" class="lg-text" cellspacing="0" cellpadding="0">
<TR>
<TD align="left">
<P>
<!-- http://www.flickr.com/photos/10610528@N04/2642241929/sizes/m/in/set-72157605562164891/ -->
<!-- http://www.flickr.com/photos/10610528@N04/2642241929/sizes/l/in/set-72157605562164891/ -->
<a
href="http://www.flickr.com/photos/10610528@N04/2642241929/sizes/l/in/set-72157605562164891/"><img
title="The U.S.S. Hornet (CV-12), commissioned 1943"
alt="The U.S.S. Hornet (CV-12), commissioned 1943"
src="http://farm4.static.flickr.com/3035/2642241929_bfee97f1c8.jpg"
moz-do-not-send="true" border="0" height="375" width="500"></a><br>
<!-- http://www.flickr.com/photos/10610528@N04/2643065516/sizes/m/in/set-72157605562164891/ -->
<!-- http://www.flickr.com/photos/10610528@N04/2643065516/sizes/l/in/set-72157605562164891/ -->
<a
href="http://www.flickr.com/photos/10610528@N04/2643065516/sizes/l/in/set-72157605562164891/"><img
alt="The U.S.S. Hornet (CV-12), commissioned 1943"
title="The U.S.S. Hornet (CV-12), commissioned 1943"
src="http://farm4.static.flickr.com/3084/2643065516_c28d2d6e19.jpg"
moz-do-not-send="true" border="0" height="375" width="500"></a><br>
<!-- http://www.flickr.com/photos/10610528@N04/2642235419/sizes/m/in/set-72157605562164891/ -->
<!-- http://www.flickr.com/photos/10610528@N04/2642235419/sizes/l/in/set-72157605562164891/ -->
<a
href="http://www.flickr.com/photos/10610528@N04/2642235419/sizes/l/in/set-72157605562164891/"><img
title="The U.S.S. Hornet (CV-12), commissioned 1943"
alt="The U.S.S. Hornet (CV-12), commissioned 1943"
src="http://farm4.static.flickr.com/3123/2642235419_bcf0b65cdb.jpg"
moz-do-not-send="true" border="0" height="375" width="500"></a><br>
<!-- http://www.flickr.com/photos/10610528@N04/2642231799/sizes/m/in/set-72157605562164891/ -->
<!-- http://www.flickr.com/photos/10610528@N04/2642231799/sizes/l/in/set-72157605562164891/ -->
<a
href="http://www.flickr.com/photos/10610528@N04/2642231799/sizes/l/in/set-72157605562164891/"><img
title="The U.S.S. Hornet (CV-12), commissioned 1943"
alt="The U.S.S. Hornet (CV-12), commissioned 1943"
src="http://farm4.static.flickr.com/3157/2642231799_ff430ce386.jpg"
moz-do-not-send="true" border="0" height="375" width="500"></a><br>
<!-- http://www.flickr.com/photos/10610528@N04/2642212833/sizes/m/in/set-72157605562164891/ -->
<!-- http://www.flickr.com/photos/10610528@N04/2642212833/sizes/l/in/set-72157605562164891/ -->
<a
href="http://www.flickr.com/photos/10610528@N04/2642212833/sizes/l/in/set-72157605562164891/"><img
moz-do-not-send="true"
alt="The U.S.S. Hornet (CV-12), commissioned 1943"
title="The U.S.S. Hornet (CV-12), commissioned 1943"
src="http://farm4.static.flickr.com/3086/2642212833_caa3c4d890.jpg"
border="0" height="375" width="500"></a><br>
<!-- http://www.flickr.com/photos/10610528@N04/2642209331/sizes/m/in/set-72157605562164891/ -->
<!-- http://www.flickr.com/photos/10610528@N04/2642209331/sizes/l/in/set-72157605562164891/ -->
<a
href="http://www.flickr.com/photos/10610528@N04/2642209331/sizes/l/in/set-72157605562164891/"><img
alt="The U.S.S. Hornet (CV-12), commissioned in 1943"
title="The U.S.S. Hornet (CV-12), commissioned in 1943"
src="http://farm4.static.flickr.com/3103/2642209331_a27c4ce6cf.jpg"
moz-do-not-send="true" border="0" height="375" width="500"></a><br>
<!-- http://www.flickr.com/photos/10610528@N04/2642216055/sizes/m/in/set-72157605562164891/ -->
<!-- http://www.flickr.com/photos/10610528@N04/2642216055/sizes/l/in/set-72157605562164891/ -->
<a
href="http://www.flickr.com/photos/10610528@N04/2642216055/sizes/l/in/set-72157605562164891/"><img
alt="The U.S.S. Hornet (CV-12), commissioned in 1943, this last July 4, 2008"
title="The U.S.S. Hornet (CV-12), commissioned in 1943, this last July 4, 2008"
src="http://farm4.static.flickr.com/3102/2642216055_3a047c53c9.jpg"
moz-do-not-send="true" border="0" height="375" width="500"></a>
<BR />
</P>
</TD>
</TR>
<TR>
<TD align="left">
<P class="lg-text">The illustrious aircraft carrier the <SPAN class="italic">U.S.S. Hornet</SPAN> (CV-12), commissioned 1943<BR />
<SPAN class="sm-text">(photographer of these and all remaining shots: Michael Edward McNeil)</SPAN>
</P>
</TD>
</TR>
</TABLE>
</P>
<!-- end of inner, unbordered table -->
<!-- ******** text ******** -->
<P>
Even considering that there are much more substantial (and nuclear-powered) aircraft carriers operating these days, it's still amazing seeing, not to speak of hoofing it from one end to the other and back again (several times) on, this historic old warship:
basically several city blocks' of artificial territory placed end-to-end, several high decks deep bearing huge aircraft-carrying elevators, mounting massive engines (wish I could have seen them), thereafter set afloat to steam as an artificial steel island mounting a powerful mobile naval airfield (the pinnacle in military technology during its heyday) round the world's oceans and seas. Impressive isn't the word for it.
</P>
<!-- ******** Figure 3 ******** -->
<!-- inner, unbordered table -->
<P><TABLE width="100%" border="0" class="lg-text" cellspacing="0" cellpadding="0">
<TR>
<TD align="left">
<!-- http://www.flickr.com/photos/10610528@N04/2643046120/sizes/m/in/set-72157605562164891/ -->
<!-- http://www.flickr.com/photos/10610528@N04/2643046120/sizes/l/in/set-72157605562164891/ -->
<P>
<a
href="http://www.flickr.com/photos/10610528@N04/2643046120/sizes/l/in/set-72157605562164891/"><img
alt="Antiaircraft artillery emplacement along the edge of the mobile military airfield"
title="Antiaircraft artillery emplacement along the edge of the mobile military airfield"
src="http://farm4.static.flickr.com/3094/2643046120_153bf29f18.jpg"
moz-do-not-send="true" border="0" height="375" width="500"></a>
<BR />
</P>
</TD>
</TR>
<TR>
<TD align="left">
<P class="lg-text">
Antiaircraft artillery emplacement along the edge of the mobile military airfield
</P>
</TD>
</TR>
</TABLE>
</P>
<!-- end of inner, unbordered table -->
<!-- ******** Figure 4 ******** -->
<!-- inner, unbordered table -->
<P><TABLE width="100%" border="0" class="lg-text" cellspacing="0" cellpadding="0">
<TR>
<TD align="left">
<!-- http://www.flickr.com/photos/10610528@N04/2643055572/sizes/m/in/set-72157605562164891/ -->
<!-- http://www.flickr.com/photos/10610528@N04/2643055572/sizes/l/in/set-72157605562164891/ -->
<P>
<a
href="http://www.flickr.com/photos/10610528@N04/2643055572/sizes/l/in/set-72157605562164891/"><img
alt="The Hornet's bridge, together with its ship's decorations"
title="The Hornet's bridge, together with its ship's decorations"
src="http://farm4.static.flickr.com/3273/2643055572_d968ddc65a.jpg"
moz-do-not-send="true" border="0" height="375" width="500"></a>
<BR />
</P>
</TD>
</TR>
<TR>
<TD align="left">
<P class="lg-text">
The <SPAN class="italic">Hornet's</SPAN> bridge, together with its ship's decorations
</P>
</TD>
</TR>
</TABLE>
</P>
<!-- end of inner, unbordered table -->
<!-- ******** text ******** -->
<P>The <SPAN class="italic">U.S.S. Hornet</SPAN> (CV-12) had an illustrious career. Its namesake predecessor, the seventh American <SPAN class="italic">Hornet</SPAN> (CV-8), fought in the Pacific war's desperate turning-point Battle of Midway, afterwards going down to the bottom in the Battle of Santa Cruz later in 1942. Launched in 1943, its replacement, the eighth, now <SPAN class="italic">Essex</SPAN>-class <SPAN class="italic">Hornet</SPAN>, the instance before us, as the ship's <a href="http://www.uss-hornet.org/history/index.html">museum web site</a> notes, accomplished the following:
</P>
<!-- ******** list ******** -->
<ul>
<li>For 16 continuous months she was in action in the forward areas of the Pacific combat zone, sometimes within 40 miles of the Japanese home islands.
</li>
<li>Under air attack 59 times, she was never hit.
</li>
<li>Her aircraft destroyed 1410 Japanese aircraft, only ESSEX exceeded this record.
</li>
<li>Her air groups destroyed or damaged 1,269,710 tons of enemy shipping.
</li>
<li>10 HORNET pilots attained “Ace in a Day” status.
</li>
<li>30 of 42 VF-2 Hellcat pilots were aces.
</li>
<li>72 enemy aircraft shot down in one day.
</li>
<li>255 aircraft shot down in a month.
</li>
<li>Supported nearly every Pacific amphibious landing after March 1944.
</li>
<li>Scored the critical first hits in sinking the super battleship YAMATO.
</li>
<li>In 1945 launched the first strikes against Tokyo since the 1942 Doolittle Raid.
</li>
</ul>
<P align="center"><SPAN class="lg-text"><SPAN class="bold">
“A HERITAGE OF EXCELLENCE” is the ship's creed:
</SPAN></SPAN>
</P>
<ul>
<li>Earned 9 battle stars for her service in WWII.
</li>
<li>Awarded the Presidential Unit Citation for her WWII operations (only nine carriers so cited).
</li>
<li>Flawlessly recovered the Apollo 11 and Apollo 12 astronauts, the first men on the moon; 1969.
</li>
<li>USS HORNET (CVS-12) is designated a National Historic Landmark; 1991.
</li>
<li>HORNET opens to the public as an aircraft carrier museum in Alameda, California; 1998.
</li>
<li>USS HORNET is designated a State Historic Landmark; 1999.
</li>
<li>The F/A-18 strike fighter carries on the name of HORNET in today's NAVY.
</li>
</ul>
<!-- ******** text ******** -->
<P>The <SPAN class="italic">Hornet's</SPAN> extensive resume is also presented graphically within the carrier's high-rising hanger deck:
</P>
<!-- ******** Figure 5 ******** -->
<!-- inner, unbordered table -->
<P><TABLE width="100%" border="0" class="lg-text" cellspacing="0" cellpadding="0">
<TR>
<TD align="left">
<!-- http://www.flickr.com/photos/10610528@N04/2643074922/sizes/m/in/set-72157605562164891/ -->
<!-- http://www.flickr.com/photos/10610528@N04/2643074922/sizes/l/in/set-72157605562164891/ -->
<P>
<a
href="http://www.flickr.com/photos/10610528@N04/2643074922/sizes/l/in/set-72157605562164891/"><img
alt="Battle resume of the U.S.S. Hornet, presented on its hanger deck"
title="Battle resume of the U.S.S. Hornet, presented on its hanger deck"
src="http://farm4.static.flickr.com/3188/2643074922_cb8cb5e117.jpg"
moz-do-not-send="true" border="0" height="375" width="500"></a>
<BR />
</P>
</TD>
</TR>
<TR>
<TD align="left">
<P class="lg-text">
Battle resume of the <SPAN class="italic">U.S.S. Hornet</SPAN> (CV-12)
</P>
</TD>
</TR>
</TABLE>
</P>
<!-- end of inner, unbordered table -->
<!-- ******** Figure 6 ******** -->
<!-- inner, unbordered table -->
<P><TABLE width="100%" border="0" class="lg-text" cellspacing="0" cellpadding="0">
<TR>
<TD align="left">
<!-- http://www.flickr.com/photos/10610528@N04/2642263613/sizes/m/in/set-72157605562164891/ -->
<!-- http://www.flickr.com/photos/10610528@N04/2642263613/sizes/l/in/set-72157605562164891/ -->
<P>
<a
href="http://www.flickr.com/photos/10610528@N04/2642263613/sizes/l/in/set-72157605562164891/"><img
alt="Emblems of some of the U.S.S. Hornet's Essex-class sister ships"
title="Emblems of some of the U.S.S. Hornet's Essex-class sister ships"
src="http://farm4.static.flickr.com/3273/2642263613_721efe293c.jpg"
moz-do-not-send="true" border="0" height="375" width="500"></a>
<BR />
</P>
</TD>
</TR>
<TR>
<TD align="left">
<P class="lg-text">
Emblems of some of the <SPAN class="italic">U.S.S. Hornet's</SPAN> World War II <SPAN class="italic">Essex</SPAN>-class sister ships
</P>
</TD>
</TR>
</TABLE>
</P>
<!-- end of inner, unbordered table -->
<!-- ******** text ******** -->
<P>The kind of extreme action the <SPAN class="italic">Hornet</SPAN> and its sisters and kin experienced during World War II makes fond illusions about a “quagmire” in the present war in Iraq seem badly misplaced (especially now that the war there is winding down and nearly won). [Written in July of 2008; now of course that prognosis has simply been confirmed by an additional year's events.]
</P>
<!-- ******** Figure 7 ******** -->
<!-- inner, unbordered table -->
<P><TABLE width="100%" border="0" class="lg-text" cellspacing="0" cellpadding="0">
<TR>
<TD align="left">
<!-- http://www.flickr.com/photos/10610528@N04/2643071966/sizes/m/in/set-72157605562164891/ -->
<!-- http://www.flickr.com/photos/10610528@N04/2643071966/sizes/l/in/set-72157605562164891/ -->
<P>
<a
href="http://www.flickr.com/photos/10610528@N04/2643071966/sizes/l/in/set-72157605562164891/"><img
alt="The hanger deck of the Hornet serves today as a museum of naval aviation"
title="The hanger deck of the Hornet serves today as a museum of naval aviation"
src="http://farm4.static.flickr.com/3187/2643071966_288065ef5f.jpg"
moz-do-not-send="true" border="0" height="375" width="500"></a>
<BR />
</P>
</TD>
</TR>
<TR>
<TD align="left">
<P class="lg-text">
The <SPAN class="italic">Hornet's</SPAN> vast hanger deck serves today as a museum of naval aviation
</P>
</TD>
</TR>
</TABLE>
</P>
<!-- end of inner, unbordered table -->
<!-- ******** text ******** -->
<P>After such notable and terrific service during World War II, the <SPAN class="italic">Hornet</SPAN> entered into a second life during the fifties and sixties (performing antisubmarine-warfare carrier duty during that period, for instance), then directly supporting the Gemini and Apollo Moon program, ultimately retrieving the first two expeditions to visit surface of the Moon — Apollos 11 and 12 — from the sea, following their fireball return to this planet.
</P>
<!-- ******** Figure 8 ******** -->
<!-- inner, unbordered table -->
<P><TABLE width="100%" border="0" class="lg-text" cellspacing="0" cellpadding="0">
<TR>
<TD align="left">
<!-- http://www.flickr.com/photos/10610528@N04/2642251093/sizes/m/in/set-72157605562164891/ -->
<!-- http://www.flickr.com/photos/10610528@N04/2642251093/sizes/l/in/set-72157605562164891/ -->
<P>
<a
href="http://www.flickr.com/photos/10610528@N04/2642251093/sizes/l/in/set-72157605562164891/"><img
alt="Apollo lunar command module presentation, on the Hornet's hanger deck"
title="Apollo lunar command module presentation, on the Hornet's hanger deck"
src="http://farm4.static.flickr.com/3095/2642251093_169de75e6e.jpg"
moz-do-not-send="true" border="0" height="375" width="500"></a>
<BR />
</P>
</TD>
</TR>
<TR>
<TD align="left">
<P class="lg-text">
Apollo lunar command module presentation, on the <SPAN class="italic">Hornet's</SPAN> hanger deck
</P>
</TD>
</TR>
</TABLE>
</P>
<!-- end of inner, unbordered table -->
<!-- ******** text ******** -->
<P>Following their return from visiting the surface of the Moon, the Apollo astronauts spent a preplanned few weeks in a quarantine facility, as a precaution against the very remote eventuality that some dread malady could have been acquired by the astronauts during their visit to the (with little doubt) sterile surface of the Moon. As expected there was no such contagion.
</P>
<!-- ******** Figure 9 ******** -->
<!-- inner, unbordered table -->
<P><TABLE width="100%" border="0" class="lg-text" cellspacing="0" cellpadding="0">
<TR>
<TD align="left">
<!-- http://www.flickr.com/photos/10610528@N04/2643081446/sizes/m/in/set-72157605562164891/ -->
<!-- http://www.flickr.com/photos/10610528@N04/2643081446/sizes/l/in/set-72157605562164891/ -->
<P>
<a
href="http://www.flickr.com/photos/10610528@N04/2643081446/sizes/l/in/set-72157605562164891/"><img
alt="NASA Mobile Quarantine Facility, for isolating lunar astronauts after their return (on the Hornet's hanger deck)"
title="NASA Mobile Quarantine Facility, for isolating lunar astronauts after their return (on the Hornet's hanger deck)"
src="http://farm4.static.flickr.com/3120/2643081446_4a26b9b862.jpg"
moz-do-not-send="true" border="0" height="375" width="500"></a>
<BR />
</P>
</TD>
</TR>
<TR>
<TD align="left">
<P class="lg-text">
NASA Mobile Quarantine Facility, for isolating lunar astronauts after their return
</P>
</TD>
</TR>
</TABLE>
</P>
<!-- end of inner, unbordered table -->
<!-- ******** text ******** -->
<P>It looks like a modified “Airstream” trailer, actually — I wonder if that's what NASA did? (A fellow can be seen examining a display of a moon rock just in front of the entrance.)
<BR />
</P>
<!-- ******** Figure 10 (multiple) ******** -->
<!-- inner, unbordered table -->
<P><TABLE width="100%" border="0" class="lg-text" cellspacing="0" cellpadding="0">
<TR>
<TD align="left">
<P>
<!-- http://www.flickr.com/photos/10610528@N04/2643084778/sizes/m/in/set-72157605562164891/ -->
<!-- http://www.flickr.com/photos/10610528@N04/2643084778/sizes/l/in/set-72157605562164891/ -->
<a
href="http://www.flickr.com/photos/10610528@N04/2643084778/sizes/l/in/set-72157605562164891/"><img
alt="Kids play on the Hornet's hanger-deck stage"
title="Kids play on the Hornet's hanger-deck stage"
src="http://farm4.static.flickr.com/3137/2643084778_a0b908cc2a.jpg"
moz-do-not-send="true" border="0" height="375" width="500"></a><br>
<!-- http://www.flickr.com/photos/10610528@N04/2642267169/sizes/m/in/set-72157605562164891/ -->
<!-- http://www.flickr.com/photos/10610528@N04/2642267169/sizes/l/in/set-72157605562164891/ -->
<a
href="http://www.flickr.com/photos/10610528@N04/2642267169/sizes/l/in/set-72157605562164891/"><img
title="Kids play on the Hornet's hanger-deck stage"
alt="Kids play on the Hornet's hanger-deck stage"
src="http://farm4.static.flickr.com/3194/2642267169_d425c7c20a.jpg"
moz-do-not-send="true" border="0" height="375" width="500"></a>
<BR />
</P>
</TD>
</TR>
<TR>
<TD align="left">
<P class="lg-text">
Kids play on the <i>Hornet's</i> hanger-deck stage
</P>
</TD>
</TR>
</TABLE>
</P>
<!-- end of inner, unbordered table -->
<!-- ******** text ******** -->
<P>In the relaxed atmosphere of the Hornet's hanger deck (where the hectic though pleasant vibes of the band up atop the flight deck seemed far away), Kids enjoyed playing at hamming it up on the <SPAN class="italic">Hornet's</SPAN> flag-draped stage — while their doting parents oftentimes stood out in the “audience” videotaping them against the starry-striped backdrop.
</P>
<P>As a result of various instances of blurred motion, one can see that no was flash used anywhere during this visit to the <SPAN class="italic">Hornet</SPAN> — even in quite low-light situations — though the Panasonic DMC-FZ8 camera employed does possess a built-in flash, which generally works adequately well. Didn't turn out too bad, I'd have to say, though in retrospect I might have used the flash on a couple of occasions (such as for the fireworks -- just joking; actually what the fireworks could have used was turning off autofocus, while setting manual focus to infinity; along with mounting the camera on a tripod.)
<BR />
</P>
<P>For those occupying the stern end of the great aircraft carrier's hanger deck, folks enjoyed a relaxing (if bracing) view overlooking San Francisco Bay….
</P>
<!-- ******** Figure 11 ******** -->
<!-- inner, unbordered table -->
<P><TABLE width="100%" border="0" class="lg-text" cellspacing="0" cellpadding="0">
<TR>
<TD align="left">
<!-- http://www.flickr.com/photos/10610528@N04/2642260539/sizes/m/in/set-72157605562164891/ -->
<!-- http://www.flickr.com/photos/10610528@N04/2642260539/sizes/l/in/set-72157605562164891/ -->
<P>
<a
href="http://www.flickr.com/photos/10610528@N04/2642260539/sizes/l/in/set-72157605562164891/"><img
alt="Looking out Hornet's hanger-deck stern overlooking San Francisco Bay"
title="Looking out Hornet's hanger-deck stern overlooking San Francisco Bay"
src="http://farm4.static.flickr.com/3111/2642260539_3613f193bd.jpg"
moz-do-not-send="true" border="0" height="375" width="500"></a>
<BR />
</P>
</TD>
</TR>
<TR>
<TD align="left">
<P class="lg-text">
Looking out <SPAN class="italic">Hornet's</SPAN> hanger-deck stern overlooking San Francisco Bay
</P>
</TD>
</TR>
</TABLE>
</P>
<!-- end of inner, unbordered table -->
<!-- ******** text ******** -->
<P>Thereafter, whilst angling through various narrow passageways and clambering up and down steep ship's stairs aboard the old steel warcraft, one closely encounters the antiaircraft cannon glimpsed from dockside before….
</P>
<!-- ******** Figure 12 ******** -->
<!-- inner, unbordered table -->
<P><TABLE width="100%" border="0" class="lg-text" cellspacing="0" cellpadding="0">
<TR>
<TD align="left">
<!-- http://www.flickr.com/photos/10610528@N04/2642270381/sizes/m/in/set-72157605562164891/ -->
<!-- http://www.flickr.com/photos/10610528@N04/2642270381/sizes/l/in/set-72157605562164891/ -->
<P>
<a
href="http://www.flickr.com/photos/10610528@N04/2642270381/sizes/l/in/set-72157605562164891/"><img
alt="Anti-aircraft artillery position on the U.S.S. Hornet"
title="Anti-aircraft artillery position on the U.S.S. Hornet"
src="http://farm4.static.flickr.com/3145/2642270381_bdbb6016c0.jpg"
moz-do-not-send="true" border="0" height="375" width="500"></a>
<BR />
</P>
</TD>
</TR>
<TR>
<TD align="left">
<P class="lg-text">
Antiaircraft artillery position on the <SPAN class="italic">U.S.S. Hornet</SPAN>
</P>
</TD>
</TR>
</TABLE>
</P>
<!-- end of inner, unbordered table -->
<!-- ******** text ******** -->
<P>Ah, just the thing for an American gun-lover's back (or maybe front) yard! That ought to deal with all those naggling drive-by shootings! (/attempted humor)
</P>
<P>One might note that in the recent U.S. Supreme Court decision issued just the other day concerning the Constitution's Second (gun rights) Amendment, all nine Justices (including those appointed by liberal presidents) affirmed (with some variance from the majority 5-4 opinion concerning the extent of resulting legal protections, but unanimously as to) the basic individual rights interpretation of the original intent of the American founding fathers in composing the Second Amendment. As a result, the “collective rights” interpretation — whereby for decades legal “experts” solemnly intoned that when it said “the right of the people” it really meant “the right of the state(s)” — is now officially dead as a doornail. It is an individual right to keep and bear arms that the U.S. Constitution guarantees — though admittedly (and thankfully) that right does not extend to such things as personal WMD.
<BR />
</P>
<!-- ******** Figure 13 ******** -->
<!-- inner, unbordered table -->
<P><TABLE width="100%" border="0" class="lg-text" cellspacing="0" cellpadding="0">
<TR>
<TD align="left">
<!-- http://www.flickr.com/photos/10610528@N04/3692269378/sizes/o/in/set-72157605562164891/ -->
<!-- http://www.flickr.com/photos/10610528@N04/3692265720/sizes/o/in/set-72157605562164891/ -->
<!-- http://www.flickr.com/photos/10610528@N04/2645729484/sizes/l/in/set-72157605562164891/ -->
<!-- http://www.flickr.com/photos/10610528@N04/2644903675/sizes/l/in/set-72157605562164891/ -->
<!-- http://www.flickr.com/photos/10610528@N04/2642273501/sizes/l/in/set-72157605562164891/ -->
<P>
<a
href="http://www.flickr.com/photos/10610528@N04/2644903675/sizes/l/in/set-72157605562164891/"><img
alt="The command "Island" rises above the Hornet's flight deck"
title="The command "Island" rises above the Hornet's flight deck"
src="http://farm3.static.flickr.com/2588/3692269378_5c9c3f2e0e_o.jpg"
moz-do-not-send="true" border="0" height="960" width="640"></a>
<BR />
</P>
</TD>
</TR>
<TR>
<TD align="left">
<P class="lg-text">
The command “Island” rises above the <SPAN class="italic">Hornet's</SPAN> flight deck
</P>
</TD>
</TR>
</TABLE>
</P>
<!-- end of inner, unbordered table -->
<!-- ******** text ******** -->
<P>Once up on the flight deck, the aircraft carrier's commanding “Island” rises like an arcane metallic crag + treehouse, or vertical mandala, above the flattop “plateau.” (We're viewing the sternward-facing side of the island, opposite the bridge per se. The windowed area visible on this side isn't the ship's bridge proper but rather, I believe, controlled flight operations.) Hanging off the tower above, flags flap, and radar antennae rotate, like watchful eyes. On the left, today, kiosks provide refreshments.
<BR />
</P>
<!-- ******** Figure 14 ******** -->
<!-- inner, unbordered table -->
<P><TABLE width="100%" border="0" class="lg-text" cellspacing="0" cellpadding="0">
<TR>
<TD align="left">
<!-- http://www.flickr.com/photos/10610528@N04/3692269510/sizes/o/in/set-72157605562164891/ -->
<!-- http://www.flickr.com/photos/10610528@N04/3692266962/sizes/o/in/set-72157605562164891/ -->
<!-- http://www.flickr.com/photos/10610528@N04/2642276115/sizes/l/in/set-72157605562164891/ -->
<P>
<a
href="http://www.flickr.com/photos/10610528@N04/2642276115/sizes/l/in/set-72157605562164891/"><img
moz-do-not-send="true"
alt="Diagonal view of the Hornet's commanding Island"
title="Diagonal view of the Hornet's commanding Island"
src="http://farm4.static.flickr.com/3660/3692269510_7800b0c016_o.jpg"
border="0" height="853" width="640"></a>
<BR />
</P>
</TD>
</TR>
<TR>
<TD align="left">
<P class="lg-text">
Diagonal view of the <SPAN class="italic">Hornet's</SPAN> commanding Island
</P>
</TD>
</TR>
</TABLE>
</P>
<!-- end of inner, unbordered table -->
<!-- ******** text ******** -->
<P>My ex-wife Tamara appears in the shot above, at lower right with her TV production camera, wearing my Ecuadorian poncho for warmth….
<BR />
</P>
<!-- ******** Figure 15 (multiple) ******** -->
<!-- inner, unbordered table -->
<P><TABLE width="100%" border="0" class="lg-text" cellspacing="0" cellpadding="0">
<TR>
<TD align="left">
<!-- http://www.flickr.com/photos/10610528@N04/2643110140/sizes/m/in/set-72157605562164891/ -->
<!-- http://www.flickr.com/photos/10610528@N04/2643110140/sizes/l/in/set-72157605562164891/ -->
<P>
<a
href="http://www.flickr.com/photos/10610528@N04/2643110140/sizes/l/in/set-72157605562164891/"><img
alt="The Hornet's flight deck stretches out like a long, flat plateau"
title="The Hornet's flight deck stretches out like a long, flat plateau"
src="http://farm4.static.flickr.com/3171/2643110140_6042f7c73a.jpg"
moz-do-not-send="true" border="0" height="375" width="500"></a><br>
<!-- http://www.flickr.com/photos/10610528@N04/2643106662/sizes/m/in/set-72157605562164891/ -->
<!-- http://www.flickr.com/photos/10610528@N04/2643106662/sizes/l/in/set-72157605562164891/ -->
<a
href="http://www.flickr.com/photos/10610528@N04/2643106662/sizes/l/in/set-72157605562164891/"><img
title="The Hornet's flight deck stretches out like a long, flat plateau"
alt="The Hornet's flight deck stretches out like a long, flat plateau"
src="http://farm4.static.flickr.com/3004/2643106662_9edfe6aab8.jpg"
moz-do-not-send="true" border="0" height="375" width="500"></a>
<BR />
</P>
</TD>
</TR>
<TR>
<TD align="left">
<P class="lg-text">
The <SPAN class="italic">Hornet's</SPAN> flight deck stretches out like a long, flat plateau
</P>
</TD>
</TR>
</TABLE>
</P>
<!-- end of inner, unbordered table -->
<!-- ******** Figure 16 ******** -->
<!-- inner, unbordered table -->
<P><TABLE width="100%" border="0" class="lg-text" cellspacing="0" cellpadding="0">
<TR>
<TD align="left">
<!-- http://www.flickr.com/photos/10610528@N04/2642286521/sizes/m/in/set-72157605562164891/ -->
<!-- http://www.flickr.com/photos/10610528@N04/2642286521/sizes/l/in/set-72157605562164891/ -->
<P>
<a
href="http://www.flickr.com/photos/10610528@N04/2642286521/sizes/l/in/set-72157605562164891/"><img
alt="The bow of the flight deck of the Hornet"
title="The bow of the flight deck of the Hornet"
src="http://farm4.static.flickr.com/3263/2642286521_f42ac606f2.jpg"
moz-do-not-send="true" height="375" width="500"></a>
<BR />
</P>
</TD>
</TR>
<TR>
<TD align="left">
<P class="lg-text">
The bow of the flight deck on the <SPAN class="italic">Hornet</SPAN>
</P>
</TD>
</TR>
</TABLE>
</P>
<!-- end of inner, unbordered table -->
<!-- ******** text ******** -->
<P>
The bow of the aircraft carrier's flight deck, at the exact opposite end from where the band was set up, was a bit lonely during the celebration — until, later, the city of Oakland's fireworks commenced, that is!
<BR />
</P>
<P>Ascending into the Island into the <SPAN class="italic">Hornet's</SPAN> Bridge, one obtains great views looking down on the flight deck and surrounding terrain….
</P>
<!-- ******** Figure 17 ******** -->
<!-- inner, unbordered table -->
<P><TABLE width="100%" border="0" class="lg-text" cellspacing="0" cellpadding="0">
<TR>
<TD align="left">
<!-- http://www.flickr.com/photos/10610528@N04/2643133752/sizes/m/in/set-72157605562164891/ -->
<!-- http://www.flickr.com/photos/10610528@N04/2643133752/sizes/l/in/set-72157605562164891/ -->
<P>
<a
href="http://www.flickr.com/photos/10610528@N04/2643133752/sizes/l/in/set-72157605562164891/"><img
alt="Looking out from the Hornet's bridge toward the bow of the great ship"
title="Looking out from the Hornet's bridge toward the bow of the great ship"
src="http://farm4.static.flickr.com/3159/2643133752_65fbff1a92.jpg"
moz-do-not-send="true" border="0" height="375" width="500"></a>
<BR />
</P>
</TD>
</TR>
<TR>
<TD align="left">
<P class="lg-text">
Looking out from the <SPAN class="italic">Hornet's</SPAN> bridge toward the bow of the great ship
</P>
</TD>
</TR>
</TABLE>
</P>
<!-- end of inner, unbordered table -->
<!-- ******** Figure 18 ******** -->
<!-- inner, unbordered table -->
<P><TABLE width="100%" border="0" class="lg-text" cellspacing="0" cellpadding="0">
<TR>
<TD align="left">
<!-- http://www.flickr.com/photos/10610528@N04/2643116930/sizes/m/in/set-72157605562164891/ -->
<!-- http://www.flickr.com/photos/10610528@N04/2643116930/sizes/l/in/set-72157605562164891/ -->
<P>
<a
href="http://www.flickr.com/photos/10610528@N04/2643116930/sizes/l/in/set-72157605562164891/"><img
alt="On the U.S.S. Hornet's bridge"
title="On the U.S.S. Hornet's bridge"
src="http://farm4.static.flickr.com/3170/2643116930_b74c89d602.jpg"
moz-do-not-send="true" border="0" height="375" width="500"></a>
<BR />
</P>
</TD>
</TR>
<TR>
<TD align="left">
<P class="lg-text">
In the captain's chair on the <SPAN class="italic">U.S.S. Hornet's</SPAN> bridge
</P>
</TD>
</TR>
</TABLE>
</P>
<!-- end of inner, unbordered table -->
<!-- ******** text ******** -->
<P>“Captain James Cook,” er… “Kirk” issues an order on his communicator — “Warp factor eight, Scotty…!” (or should that be, “Full steam ahead!”).
<BR />
</P>
<P>In the bridge, the pilothouse receives some special armor protection, but the outer area, ringed by windows, does not:
</P>
<!-- ******** Figure 19 ******** -->
<!-- inner, unbordered table -->
<P><TABLE width="100%" border="0" class="lg-text" cellspacing="0" cellpadding="0">
<TR>
<TD align="left">
<!-- http://www.flickr.com/photos/10610528@N04/3692269566/sizes/o/in/set-72157605562164891/ -->
<!-- http://www.flickr.com/photos/10610528@N04/3691463409/sizes/o/in/set-72157605562164891/ -->
<!-- http://www.flickr.com/photos/10610528@N04/2643136648/sizes/l/in/set-72157605562164891/ -->
<P>
<a
href="http://www.flickr.com/photos/10610528@N04/2643136648/sizes/l/in/set-72157605562164891/"><img
alt="Armor surrounding the pilothouse on Hornet's bridge"
title="Armor surrounding the pilothouse on Hornet's bridge"
src="http://farm3.static.flickr.com/2662/3692269566_4481d98bb0_o.jpg"
moz-do-not-send="true" border="0" height="853" width="640"></a>
<BR />
</P>
</TD>
</TR>
<TR>
<TD align="left">
<P class="lg-text">
Armor surrounding the pilothouse on <SPAN class="italic">Hornet's</SPAN> bridge
</P>
</TD>
</TR>
</TABLE>
</P>
<!-- end of inner, unbordered table -->
<!-- ******** Figure 20 ******** -->
<!-- inner, unbordered table -->
<P><TABLE width="100%" border="0" class="lg-text" cellspacing="0" cellpadding="0">
<TR>
<TD align="left">
<!-- http://www.flickr.com/photos/10610528@N04/2642293009/sizes/m/in/set-72157605562164891/ -->
<!-- http://www.flickr.com/photos/10610528@N04/2642293009/sizes/l/in/set-72157605562164891/ -->
<P>
<a
href="http://www.flickr.com/photos/10610528@N04/2642293009/sizes/l/in/set-72157605562164891/"><img
alt="In Hornet's pilothouse on the bridge"
title="In Hornet's pilothouse on the bridge"
src="http://farm4.static.flickr.com/3060/2642293009_d5d0aee7d7.jpg"
moz-do-not-send="true" border="0" height="375" width="500"></a>
<BR />
</P>
</TD>
</TR>
<TR>
<TD align="left">
<P class="lg-text">
In <SPAN class="italic">Hornet's</SPAN> pilothouse on the bridge
</P>
</TD>
</TR>
</TABLE>
</P>
<!-- end of inner, unbordered table -->
<!-- ******** text ******** -->
<P>Descending from the bridge, the sun was close to setting at that point in the bank of fog, whilst near the stern of the flattop, the band played on….
</P>
<!-- ******** Figure 21 ******** -->
<!-- inner, unbordered table -->
<P><TABLE width="100%" border="0" class="lg-text" cellspacing="0" cellpadding="0">
<TR>
<TD align="left">
<!-- http://www.flickr.com/photos/10610528@N04/3691464855/sizes/o/in/set-72157605562164891/ -->
<!-- http://www.flickr.com/photos/10610528@N04/3692269276/sizes/o/in/set-72157605562164891/ -->
<!-- http://www.flickr.com/photos/10610528@N04/2642318979/sizes/l/in/set-72157605562164891/ -->
<P>
<a
href="http://www.flickr.com/photos/10610528@N04/2642318979/sizes/l/in/set-72157605562164891/"><img
alt="View from walkway leading to Hornet's bridge, of the stern, band, and bay"
title="View from walkway leading to Hornet's bridge, of the stern, band, and bay"
src="http://farm3.static.flickr.com/2454/3691464855_a03f854305_o.jpg"
moz-do-not-send="true" border="0" height="853" width="640"></a>
<BR />
</P>
</TD>
</TR>
<TR>
<TD align="left">
<P class="lg-text">
View from walkway leading to <SPAN class="italic">Hornet's</SPAN> bridge, of the stern, band, and bay
</P>
</TD>
</TR>
</TABLE>
</P>
<!-- end of inner, unbordered table -->
<!-- ******** Figure 22 ******** -->
<!-- inner, unbordered table -->
<P><TABLE width="100%" border="0" class="lg-text" cellspacing="0" cellpadding="0">
<TR>
<TD align="left">
<!-- http://www.flickr.com/photos/10610528@N04/2643139848/sizes/m/in/set-72157605562164891/ -->
<!-- http://www.flickr.com/photos/10610528@N04/2643139848/sizes/l/in/set-72157605562164891/ -->
<P>
<a
href="http://www.flickr.com/photos/10610528@N04/2643139848/sizes/l/in/set-72157605562164891/"><img
alt="The band pavilion at the stern of the Hornet on 2008-07-04"
title="The band pavilion at the stern of the Hornet on 2008-07-04"
src="http://farm4.static.flickr.com/3057/2643139848_661d9cb52e.jpg"
moz-do-not-send="true" border="0" height="375" width="500"></a>
<BR />
</P>
</TD>
</TR>
<TR>
<TD align="left">
<P class="lg-text">
The band pavilion at the stern of the <SPAN class="italic">Hornet</SPAN>
</P>
</TD>
</TR>
</TABLE>
</P>
<!-- end of inner, unbordered table -->
<!-- ******** text ******** -->
<P>As the sun set behind the fog bank and lights began coming on across the bay, the final band, the “<a href="http://www.theurs.com/">Unauthorized Rolling Stones</a>” — <SPAN class="italic">not</SPAN> a military or marching band, one might note, like the other bands playing that day — finished up its set. As their name implies, specializing in Rolling Stones compositions, and not doing too bad a job on them I'd say, they performed a number of oldies from other groups as well. (I don't recall them doing the Stones' “20,000 light years from home” though, which this ship certainly makes me think of — as an analogy to the “Starship Enterprise” in <SPAN class="italic">Star Trek</SPAN> — indeed, there is an in-commission U.S. nuclear-powered aircraft carrier today called the <SPAN class="italic">U.S.S. Enterprise</SPAN> ….)
</P>
<!-- ******** Figure 23 (multiple) ******** -->
<!-- inner, unbordered table -->
<P><TABLE width="100%" border="0" class="lg-text" cellspacing="0" cellpadding="0">
<TR>
<TD align="left">
<P>
<!-- http://www.flickr.com/photos/10610528@N04/2642315915/sizes/m/in/set-72157605562164891/ -->
<!-- http://www.flickr.com/photos/10610528@N04/2642315915/sizes/l/in/set-72157605562164891/ -->
<a
href="http://www.flickr.com/photos/10610528@N04/2642315915/sizes/l/in/set-72157605562164891/"><img
alt="Lights begin to come on in San Francisco across the bay"
title="Lights begin to come on in San Francisco across the bay"
src="http://farm4.static.flickr.com/3193/2642315915_c7a6b6e9b1.jpg"
moz-do-not-send="true" border="0" height="375" width="500"></a><br>
<!-- http://www.flickr.com/photos/10610528@N04/2643150174/sizes/m/in/set-72157605562164891/ -->
<!-- http://www.flickr.com/photos/10610528@N04/2643150174/sizes/l/in/set-72157605562164891/ -->
<a
href="http://www.flickr.com/photos/10610528@N04/2643150174/sizes/l/in/set-72157605562164891/"><img
alt="Lights alight across the bay as the band completes its set"
title="Lights alight across the bay as the band completes its set"
src="http://farm4.static.flickr.com/3127/2643150174_7691d1a6f1.jpg"
moz-do-not-send="true" border="0" height="375" width="500"></a><br>
<!-- http://www.flickr.com/photos/10610528@N04/2642326341/sizes/m/in/set-72157605562164891/ -->
<!-- http://www.flickr.com/photos/10610528@N04/2642326341/sizes/l/in/set-72157605562164891/ -->
<a
href="http://www.flickr.com/photos/10610528@N04/2642326341/sizes/l/in/set-72157605562164891/"><img
title="Lights alight across the bay as the band completes its set"
alt="Lights alight across the bay as the band completes its set"
src="http://farm4.static.flickr.com/3034/2642326341_c72837571b.jpg"
moz-do-not-send="true" border="0" height="375" width="500"></a><br>
<!-- http://www.flickr.com/photos/10610528@N04/2643164104/sizes/m/in/set-72157605562164891/ -->
<!-- http://www.flickr.com/photos/10610528@N04/2643164104/sizes/l/in/set-72157605562164891/ -->
<a
href="http://www.flickr.com/photos/10610528@N04/2643164104/sizes/l/in/set-72157605562164891/"><img
title="Lights alight across the bay as the band completes its set"
alt="Lights alight across the bay as the band completes its set"
src="http://farm4.static.flickr.com/3037/2643164104_e547f03441.jpg"
moz-do-not-send="true" border="0" height="375" width="500"></a>
<BR />
</P>
</TD>
</TR>
<TR>
<TD align="left">
<P class="lg-text">
Lights alight across the bay as the band completes its set
</P>
</TD>
</TR>
</TABLE>
</P>
<!-- end of inner, unbordered table -->
<!-- ******** text ******** -->
<P>Notice in the background of the last shot above how the Transamerica Pyramid skyscraper pokes up out of the top of the fog bank, above San Francisco's foggy cityscape.
<BR />
</P>
<P>Behind the band, at the stern end of the flight deck facing San Francisco Bay, a remembered flag flaps in the breeze…. Note the number and pattern of stars. This is the 48-star flag that the <SPAN class="italic">Hornet</SPAN> fought under during World War II — and in the fifties, during the Korean War.
</P>
<!-- ******** Figure 24 (multiple) ******** -->
<!-- inner, unbordered table -->
<P><TABLE width="100%" border="0" class="lg-text" cellspacing="0" cellpadding="0">
<TR>
<TD align="left">
<P>
<!-- http://www.flickr.com/photos/10610528@N04/2643157150/sizes/m/in/set-72157605562164891/ -->
<!-- http://www.flickr.com/photos/10610528@N04/2643157150/sizes/l/in/set-72157605562164891/ -->
<a
href="http://www.flickr.com/photos/10610528@N04/2643157150/sizes/l/in/set-72157605562164891/"><img
alt="At the stern end of the flight deck, a remembered flag flaps in the breeze"
title="At the stern end of the flight deck, a remembered flag flaps in the breeze"
src="http://farm4.static.flickr.com/3182/2643157150_e77456a117.jpg"
moz-do-not-send="true" border="0" height="375" width="500"></a><br>
<!-- http://www.flickr.com/photos/10610528@N04/2643160512/sizes/m/in/set-72157605562164891/ -->
<!-- http://www.flickr.com/photos/10610528@N04/2643160512/sizes/l/in/set-72157605562164891/ -->
<a
href="http://www.flickr.com/photos/10610528@N04/2643160512/sizes/l/in/set-72157605562164891/"><img
title="At the stern end of the flight deck, a remembered flag flaps in the breeze"
alt="At the stern end of the flight deck, a remembered flag flaps in the breeze"
src="http://farm4.static.flickr.com/3058/2643160512_18a679a820.jpg"
moz-do-not-send="true" border="0" height="375" width="500"></a>
<BR />
</P>
</TD>
</TR>
<TR>
<TD align="left">
<P class="lg-text">
A remembered flag waves in the breeze
</P>
</TD>
</TR>
</TABLE>
</P>
<!-- end of inner, unbordered table -->
<!-- ******** text ******** -->
<P>The evening ended with spectacular fireworks in several directions — except the direction of San Francisco, whose own fireworks were lost in the fog — with just an occasional flash, like distant lightning, visible from that direction. Other points of the compass held greater wonders:
</P>
<!-- ******** Figure 25 ******** -->
<!-- inner, unbordered table -->
<P><TABLE width="100%" border="0" class="lg-text" cellspacing="0" cellpadding="0">
<TR>
<TD align="left">
<!-- http://www.flickr.com/photos/10610528@N04/2642340143/sizes/m/in/set-72157605562164891/ -->
<!-- http://www.flickr.com/photos/10610528@N04/2642340143/sizes/l/in/set-72157605562164891/ -->
<P>
<a
href="http://www.flickr.com/photos/10610528@N04/2642340143/sizes/l/in/set-72157605562164891/"><img
alt="Fireworks over Oakland from the U.S.S. Hornet on 2008-07-04"
title="Fireworks over Oakland from the U.S.S. Hornet on 2008-07-04"
src="http://farm4.static.flickr.com/3139/2642340143_0477f6df2d.jpg"
moz-do-not-send="true" border="0" height="375" width="500"></a>
<BR />
</P>
</TD>
</TR>
<TR>
<TD align="left">
<P class="lg-text">
Fireworks over Oakland, from the flight deck of the <SPAN class="italic">Hornet</SPAN>
</P>
</TD>
</TR>
</TABLE>
</P>
<!-- end of inner, unbordered table -->
<!-- ******** text ******** -->
<P>That one kind of looks like a Hubble Space Telescope photo, no? The Orion Nebula….
<BR />
</P>
<P>After that there was nothing to do but join the hour-long traffic jam getting off Alameda island and onto the freeway heading towards home.
</P>
<P><BR clear="all" /></P>Michael McNeilhttp://www.blogger.com/profile/08007336342718478839noreply@blogger.com0tag:blogger.com,1999:blog-3917777.post-89008329230627672792007-11-10T23:00:00.019+00:002009-12-15T20:06:04.262+00:00Apotheosis in the American duumvirate<!-- 9 - backlinked to subsequent posting in thread -->
<!-- Header -->
<!-- Version: 2009-12-15 12:00 PST -->
<A name="DuumvirApotheosBack0"></A>
<table class="std-text" width="100%">
<tr>
<td valign="middle">
<SPAN class="posttitle">
Apotheosis in the American duumvirate
</SPAN>
</td>
<!-- ******** Navigation control panel ******** -->
<td width="20px"></td>
<td valign="top" align="right" class="lg2-text">
<table border="1px" cellspacing="2px" cellpadding="2px"
class="outernavpad">
<tr><td class="navpad">
<nobr>
<A href="http://impearls.blogspot.com/2009_06_28_archive.html#1557826382972590781"
class="navpad"
alt="navigate to next article posted after this one (in Archives)"
title="navigate to next article posted after this one (in Archives)"
><SUB>←</SUB></A>
<A href="http://impearls.blogspot.com/#1557826382972590781"
class="navpad"
alt="navigate to next article posted after this one (on local page)"
title="navigate to next article posted after this one (on local page)"
>←</A>
<A href="#"
class="navpad"
alt="navigate up to next higher section level in work"
title="navigate up to next higher section level in work"
></A>↑
<A href="#"
class="navpad"
alt="navigate down to next lower section level in work"
title="navigate down to next lower section level in work"
></A>↓
<A href="http://impearls.blogspot.com/2009_12_13_archive.html#4946115192582249334"
class="navpad"
alt="navigate up to subsequent posted article in series or thread"
title="navigate up to subsequent posted article in series or thread"
><SUP>↑</SUP></A>
<A href="http://impearls.blogspot.com/2007_10_07_archive.html#6445039621561943263"
class="navpad"
alt="navigate back to previous posted article in series or thread"
title="navigate back to previous posted article in series or thread"
><SUP>↓</SUP></A>
<A href="#4259364454677693615"
class="navpad"
alt="navigate to last article posted before this one (on local page)"
title="navigate to last article posted before this one (on local page)"
>→</A>
<A href="http://impearls.blogspot.com/2007_10_21_archive.html#4259364454677693615"
class="navpad"
alt="navigate to last article posted before this one (in Archives)"
title="navigate to last article posted before this one (in Archives)"
><SUB>→</SUB></A>
</nobr>
</td></tr>
</table>
<!-- ******** End of Navigation control panel ******** -->
</td></tr>
</table>
<!-- ******** Article proper, part 1 ******** -->
<P>In <SPAN class="italic">Impearls'</SPAN> earlier piece on the
“<A href="http://impearls.blogspot.com/2007_10_07_archive.html"
>Constitution of the Roman city-state</A>,”
notice was paid to the fact that the principal officers of the Roman <SPAN class="italic">civitas</SPAN> (city-state or county) were a duo who were typically termed <SPAN class="italic">duumvirs</SPAN> and the system was thereby a <SPAN class="italic">duumvirate</SPAN> (literally “two-man-office”); to the tail end of which I thereby tacked on a postscript, to wit:
</P>
<blockquote>
<P>I'm no fan of American paleoconservative Patrick Buchanan, but I almost fell out of my chair a while back when I heard him (on PBS's <SPAN class="italic">McLaughlin Group</SPAN>) refer to Bush/Cheney as <SPAN class="italic">“duumvirs.”</SPAN>
Somehow it had hitherto escaped my notice, but “duumvir” and “duumvirate” are actually English words (as well as Latin), and — along with triumvirate, etc. — are present in English dictionaries.
</P>
<P>In the American Presidential system, the U.S. President/Vice-President clearly more closely resemble the Roman Emperor/Vice-Emperor (known titularly as the <SPAN class="italic">Augustus</SPAN>/<SPAN class="italic">Cæsar</SPAN><!-- Caesar -->), wherein one member of the official dyad is institutionally superior to the other (though the U.S. President can't fire the Vice President) — as opposed to the Roman municipal (along with Roman Republican) system detailed heretofore, in which the duumvir (consul) magistrate pairs are institutionally <SPAN class="italic">equal</SPAN> in status and powers, each magistrate also possessing the power of <SPAN class="italic">vetoing</SPAN> his colleague's actions and decisions.
Either approach can presumably be properly termed a kind of <SPAN class="italic">duumvirate</SPAN> and its official magistrates <SPAN class="italic">duumvirs</SPAN>.
</P>
</blockquote>
<P>That then drew this reply from <SPAN class="italic">Impearls</SPAN> reader
<A href="http://circe-purrs.blogspot.com/"
>Circe</A>:
</P>
<blockquote>
<P>Well, I wouldn't hold your breath for any posthumous deification of Bush.
Though if I see any depictions of Bush apotheosis, I'll let ya know.
</P>
</blockquote>
<P>(Laughing.)
That's pretty funny!
Taking the point semi-seriously though, I suspect — the malady known as “Bush Derangement Syndrome” being as prevalent as it is at present — quite a number of BDS-affected souls would like or at least fantasize treating the President of the United States as Nero was.
Bush, however, is fairly young and <SPAN class="italic">will</SPAN> in bit over a year (unlike Nero) voluntarily leave office; thereafter (barring untoward events) he's likely to live for a number of decades yet.
Given that, who knows how public opinion will shift by the time the matter truly is “postumous”?
Recall that Truman ended his term in office highly unpopular (locked in a stalemated war that cost nearly as many American lives as the Vietnam War did to boot), and yet look how he's regarded now.
</P>
<P>The essential point, of course, is that the United States (in its executive branch) is a constitutional <SPAN class="italic">duumvirate</SPAN> — a feature in my view probably copied by the American founding fathers (I suspect principally James Madison) directly from the Roman model.
Certainly there's nothing among America's British and Continental political forebears (other than the Roman) similar to the U.S. President and Vice President.
(That and other resemblances between the Roman and American constitutional systems probably deserve a further posting one of these days to properly consider the matter.)
</P>
<P>Beyond that, folks who disbelieve that America (as well as Rome) has “apotheosized” (honorarily deified) at least some past Presidents (as Rome did some of its Emperors) need look no further than the overlooming fresco encompassing the dome of nothing less than the Capitol of the United States (Congress's designated assembly hall, as the Roman Capitol was for the Senate in Rome), revealing emigre Italian artist
<A href="http://www.gpo.gov/congress/senate/brumidi/"
>Constantino Brumidi</A>'s
stunning masterpiece “The Apotheosis of Washington”….
<BR />
<BR />
</P>
<!-- ******** Figure 1 ******** -->
<P><A name="DuumvirApotheosBackF1"></A>
<!-- Flickr.com hosted: Copy and paste this HTML into your webpage
<a href="http://www.flickr.com/photos/10610528@N04/2195702970/" title="A0-all-9-rot-resize640 by Michael Edward McNeil, on Flickr"><img src="http://farm3.static.flickr.com/2350/2195702970_c4d9a8e486_o.jpg" width="640" height="640" alt="A0-all-9-rot-resize640" /></a>
-->
<!-- Flickr.com hosted: Grab the photo's URL
http://farm3.static.flickr.com/2350/2195702970_c4d9a8e486_o.jpg
-->
<!-- Flickr.com hosted: Link to original size
http://www.flickr.com/photo_zoom.gne?id=2195702970&size=o
-->
<A href="http://www.flickr.com/photo_zoom.gne?id=2195702970&size=o"
><IMG style="display:block; margin:0px auto 0px; text-align:center; cursor:hand;"
src="http://farm3.static.flickr.com/2350/2195702970_c4d9a8e486_o.jpg"
width="640" height="640" border="0"
alt="Constantino Brumidi's Apotheosis of Washington, U.S. Capitol dome, Washington, D.C."
title="Constantino Brumidi's Apotheosis of Washington, U.S. Capitol dome, Washington, D.C."
/></A>
<A href="#DuumvirApotheosNoteF1"
title="Constantino Brumidi's Apotheosis of Washington, U.S. Capitol dome, Washington, D.C."
><SUP><SPAN class="smallcaps">f1</SPAN></SUP></A>
<BR clear="all" />
</P>
<!-- ******** Figure 2 ******** -->
<P><A name="DuumvirApotheosBackF2"></A>
<!-- Flickr.com hosted: Copy and paste this HTML into your webpage
<a href="http://www.flickr.com/photos/10610528@N04/2194916407/" title="A1-det-2-resize640x258 by Michael Edward McNeil, on Flickr"><img src="http://farm3.static.flickr.com/2332/2194916407_1f50f21c5f_o.jpg" width="640" height="258" alt="A1-det-2-resize640x258" /></a>
-->
<!-- Flickr.com hosted: Grab the photo's URL
http://farm3.static.flickr.com/2332/2194916407_1f50f21c5f_o.jpg
-->
<!-- Flickr.com hosted: Link to original size
http://www.flickr.com/photo_zoom.gne?id=2194916407&size=o
-->
<A href="http://www.flickr.com/photo_zoom.gne?id=2194916407&size=o"
><IMG style="display:block; margin:0px auto 0px; text-align:center; cursor:pointer; cursor:hand;"
src="http://farm3.static.flickr.com/2332/2194916407_1f50f21c5f_o.jpg"
width="640" height="258" border="0"
alt="Detail: George Washington as Lord of Hosts, Constantino Brumidi's Apotheosis of Washington, U.S. Capitol dome, Washington, D.C."
title="Detail: George Washington as Lord of Hosts, Constantino Brumidi's Apotheosis of Washington, U.S. Capitol dome, Washington, D.C."
/></A>
<A href="#DuumvirApotheosNoteF2"
title="Detail: George Washington as Lord of Hosts, Constantino Brumidi's Apotheosis of Washington, U.S. Capitol dome, Washington, D.C."
><SUP><SPAN class="smallcaps">f2</SPAN></SUP></A>
<BR clear="all" />
</P>
<!-- ******** Article proper, part 2 ******** -->
<P>George Washington — General principally responsible for his country's independence, chairman of its constitutional convention, and first President of the United States — sits enthroned over a rainbow.
With a gesture at the Constitution/Law, flanked by the goddesses of Liberty (holding the traditional Roman <SPAN class="italic">fasces</SPAN> of authority) and Victory/Fame (cradling the palm of victory whilst flourishing the clarion of fame) — haloed round by a constellation of thirteen Starry maidens hoisting a banner proclaiming <SPAN class="italic">E Pluribus Unum</SPAN> — the apotheosized Washington regards us from on high as the Lord of Hosts.
<BR />
<BR />
</P>
<!-- ******** Closing Figure 3 ******** -->
<P><A name="DuumvirApotheosBackF3"></A>
<!-- Flickr.com hosted: Copy and paste this HTML into your webpage
<a href="http://www.flickr.com/photos/10610528@N04/2194916491/" title="A2-all-4-resize640x675 by Michael Edward McNeil, on Flickr"><img src="http://farm3.static.flickr.com/2165/2194916491_47034bb7cb_o.jpg" width="640" height="675" alt="A2-all-4-resize640x675" /></a>
-->
<!-- Flickr.com hosted: Grab the photo's URL
http://farm3.static.flickr.com/2165/2194916491_47034bb7cb_o.jpg
-->
<!-- Flickr.com hosted: Link to original size
http://www.flickr.com/photo_zoom.gne?id=2194916491&size=o
-->
<A href="http://www.flickr.com/photo_zoom.gne?id=2194916491&size=o"
><IMG style="display:block; margin:0px auto 0px; text-align:center; cursor:pointer; cursor:hand;"
src="http://farm3.static.flickr.com/2165/2194916491_47034bb7cb_o.jpg"
width="640" height="675" border="0"
alt="Detail: E Pluribus Unum, Constantino Brumidi's Apotheosis of Washington, U.S. Capitol dome, Washington, D.C."
title="Detail: E Pluribus Unum, Constantino Brumidi's Apotheosis of Washington, U.S. Capitol dome, Washington, D.C."
/></A>
<A href="#DuumvirApotheosNoteF3"
title="Detail: E Pluribus Unum, Constantino Brumidi's Apotheosis of Washington, U.S. Capitol dome, Washington, D.C."
><SUP><SPAN class="smallcaps">f3</SPAN></SUP></A>
<BR />
<BR />
<BR clear="all" />
</P>
<!-- ******** References ******** -->
<DIV class="reftitle">
References
</DIV>
<P><A name="DuumvirApotheosNoteF1"></A>
<A href="#DuumvirApotheosBackF1">
<SUP><SPAN class="smallcaps">f1</SPAN></SUP></A>
<A href="http://www.gpo.gov/congress/senate/brumidi/"
>Constantino Brumidi</A>,
“The Apotheosis of Washington,” 1865, Capitol of the United States.
</P>
<P><A name="DuumvirApotheosNoteF2"></A>
<A href="#DuumvirApotheosBackF2">
<SUP><SPAN class="smallcaps">f2</SPAN></SUP></A>
<A href="http://www.gpo.gov/congress/senate/brumidi/"
>Constantino Brumidi</A>,
Detail: George Washington as Lord of Hosts, from “The Apotheosis of Washington,” 1865, Capitol of the United States.
</P>
<P><A name="DuumvirApotheosNoteF3"></A>
<A href="#DuumvirApotheosBackF3">
<SUP><SPAN class="smallcaps">f3</SPAN></SUP></A>
<A href="http://www.gpo.gov/congress/senate/brumidi/"
>Constantino Brumidi</A>,
Detail: E Pluribus Unum, from “The Apotheosis of Washington,” 1865, Capitol of the United States.
</P>
<P><A name="DuumvirApotheosNote1"></A>
<A href="#DuumvirApotheosBack1">
<SUP>1</SUP></A>
Dan Brown,
<a href="http://www.amazon.com/Lost-Symbol-Dan-Brown/dp/0385504225/ref=pd_cp_b_0"
><SPAN class="italic">The Lost Symbol</SPAN></a>
(novel).
<BR />
<BR />
<BR />
</P>
<!-- ******** Updates ******** -->
<P>
<SPAN class="updathdr">
<SPAN class="updattitle">
UPDATE:
</SPAN>
2009-09-22 17:50 UT:
</SPAN>
This piece was published nearly two years ago, but about a week back a mass of Google image searches pointing at Brumidi's “Apotheosis of Washington” fresco pictured in this article began bringing in a flood of thousands of visitors — on a daily basis almost an order of magnitude greater than <SPAN class="italic">Impearls'</SPAN> usual traffic — which is still ongoing.
Would one of these visitors please
<a href="mailto:Michael Edward McNeil <Impearls@gmail.com>?Subject=[Impearls]%20Apotheosis%20of%20Washington"
>e-mail me</a>
or add a comment to the effect of what the source of their sudden inspiration for doing that search was?
</P>
<P>One might also note that December 14 of this year 2009 local time (Earthdate 2009-12-15 03:00 UT) will be the 210th anniversary of George Washington's death (apotheosis) in 1799.
<SPAN class="italic">Impearls</SPAN> plans another article on Washington for that occasion.
</P>
<P><A name="DuumvirApotheosBack1"></A>
<SPAN class="updathdr">
<SPAN class="updattitle">
UPDATE:
</SPAN>
2009-09-28 02:00 UT:
</SPAN>
Reader Kaitie Marie responded to my appeal for information concerning how the recent flood of visitors to <SPAN class="italic">Impearls</SPAN> as a result of web searches for the Apotheosis of Washington got their inspiration to do so, posting a recent comment:
</P>
<blockquote>
<P>The Apotheosis of Washington is mentioned in Dan Brown's new book, <SPAN class="italic">The Lost Symbol</SPAN>.
<A href="#DuumvirApotheosNote1"
title="Dan Brown's novel The Lost Symbol"
><SUP>1</SUP></A>
The book describes what the frescoe looks like and mentions some of its symbolism.
When you google search for the piece under images, this website is in the first two or three results and this is probably the reason that you've been seeing such an influx of new visitors.
That said, I'm glad that I came across this blog and look forward to reading your other posts.
The diversity of subject matter and obvious research that you've put into your posts is impressive.
</P>
</blockquote>
Thanks, Kaitie!
No doubt you're right that that's the explanation, and thanks too for your kind words about <SPAN class="italic">Impearls</SPAN>.
One might note that the rate of visitors has continued to rocket up over the last few days, reaching a new (at least recent) record of 820 visitors just during the last day.
Welcome, everybody, and I hope that many of you, like Kaitie, will continue to stop by.
</P>
<P>As mentioned in the earlier update above, in December of this year (2009) <SPAN class="italic">Impearls</SPAN> will publish a more in depth memoriam concerning the character of George Washington for the 210th anniversary of his death (or “apotheosis”), for which numerous additional images of paintings and sculpture by Brumidi and others are planned revealing the depth of the acclaim that Washington has earned in the minds of the American people.
In the meantime, folks might like to check out <a href="http://www.gpo.gov/congress/senate/brumidi/">this fascinating book</a> about the artist Constantino Brumidi including many more images of paintings by him which appear in the U.S. Capitol and elsewhere, available on-line at the U.S. Government Printing Office.
</P>
<P>
<SPAN class="updathdr">
<SPAN class="updattitle">
UPDATE:
</SPAN>
2009-10-08 19:50 UT:
</SPAN>
A site named <a href="http://www.mahalo.com/"
>Mahalo: Human-Powered Search</a>,
in a posting titled
“<a href="http://www.mahalo.com/apotheosis-of-washington"
>Apotheosis Of Washington</a>,”
has linked to this article.
Also, the blizzard of visitors searching for the images in this posting, referred to in earlier updates above, reached a peak on Earthdate 2009-09-28 with 971 visitors arriving that day.
</P>
<!--
<P>
<SPAN class="updathdr">
<SPAN class="updattitle">
UPDATE:
</SPAN>
2009-07-19 19:40 UT:
</SPAN>
Text
</P>
-->
<P><BR clear="all" /></P>Michael McNeilhttp://www.blogger.com/profile/08007336342718478839noreply@blogger.com2tag:blogger.com,1999:blog-3917777.post-42593644546776936152007-10-27T20:00:00.000+00:002008-12-11T18:05:59.920+00:00Photo album: lunar eclipse<!-- Version: 2007-11-13 18:30 PST -->
<A name="PhotoAlbum1EclipseBack1"></A>
<table class="std-text" width="100%">
<tr>
<td valign="middle">
<SPAN class="posttitle">
Photo album – lunar eclipse
</SPAN>
</td>
<!-- ******** Navigation control panel ******** -->
<td width="20px"></td>
<td valign="top" align="right" class="lg2-text">
<table border="1px" cellspacing="2px" cellpadding="2px"
class="outernavpad">
<tr><td class="navpad">
<nobr>
<A href="http://impearls.blogspot.com/2007_11_04_archive.html#8900832923062767279"
class="navpad"
alt="navigate to next article posted after this one (in Archives)"
title="navigate to next article posted after this one (in Archives)"
><SUB>←</SUB></A>
<A href="#8900832923062767279"
class="navpad"
alt="navigate to next article posted after this one (on local page)"
title="navigate to next article posted after this one (on local page)"
>←</A>
<A href="#"
class="navpad"
alt="navigate up to next higher section level in work"
title="navigate up to next higher section level in work"
></A>↑
<A href="#"
class="navpad"
alt="navigate down to next lower section level in work"
title="navigate down to next lower section level in work"
></A>↓
<A href="#3596188219314912431"
class="navpad"
alt="navigate up to subsequent posted article in series or thread"
title="navigate up to subsequent posted article in series or thread"
><SUP>↑</SUP></A>
<A href="#"
class="navpad"
alt="navigate back to previous posted article in series or thread"
title="navigate back to previous posted article in series or thread"
></A><SUP>↓</SUP>
<A href="#3596188219314912431"
class="navpad"
alt="navigate to last article posted before this one (on local page)"
title="navigate to last article posted before this one (on local page)"
>→</A>
<A href="http://impearls.blogspot.com/2007_10_21_archive.html#3596188219314912431"
class="navpad"
alt="navigate to last article posted before this one (in Archives)"
title="navigate to last article posted before this one (in Archives)"
><SUB>→</SUB></A>
</nobr>
</td></tr>
</table>
</td></tr>
</table>
<!-- ******** End of Navigation control panel ******** -->
<P>After the demise of an earlier digital camera (an old 1 megapixel), I resisted buying another (due to its supposed high cost) for some time.
However, following a death in the family, I was suddenly catapulted last August back to my home state of Montana — whereupon I ended up using up <SPAN class="italic">six</SPAN> throwaway cameras (some of whose results will appear in a forthcoming <SPAN class="italic">Impearls’</SPAN> piece on the mountains of central Montana), but which results were of mediocre quality at best, one whole (camera’s) set of shots of which being massively out of focus, while the overall cost including developing added up to a not-so-trivial $120.
<!-- Blogger hosted: uncropped
<a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/_psZjXLGQ-p4/RzGJNQYLPHI/AAAAAAAAABE/XEJ0w78Mct4/s1600-h/Panasonic-Lumix-DMC-FZ8-Black.jpg"><img style="float:right; margin:0 0 10px 10px;cursor:pointer; cursor:hand;" src="http://4.bp.blogspot.com/_psZjXLGQ-p4/RzGJNQYLPHI/AAAAAAAAABE/XEJ0w78Mct4/s200/Panasonic-Lumix-DMC-FZ8-Black.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5130032311379377266" /></a>
-->
<!-- Blogger hosted: cropped
<a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/_psZjXLGQ-p4/RzGLvwYLPII/AAAAAAAAABM/X2XcFjw5D3o/s1600-h/Panasonic-Lumix-DMC-FZ8-Black-crop.jpg"><img style="float:right; margin:0 0 10px 10px;cursor:pointer; cursor:hand;" src="http://2.bp.blogspot.com/_psZjXLGQ-p4/RzGLvwYLPII/AAAAAAAAABM/X2XcFjw5D3o/s320/Panasonic-Lumix-DMC-FZ8-Black-crop.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5130035103108119682" /></a>
-->
<A onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://www.amazon.com/Panasonic-DMC-FZ8K-Digital-Optical-Stabilized/dp/B000MWVMRG/ref=pd_bbs_1/104-4095463-1397564?ie=UTF8&s=electronics&qid=1194409503&sr=8-1"
><IMG style="float:right; margin:0 0 0 0;cursor:pointer; cursor:hand;"
src="http://2.bp.blogspot.com/_psZjXLGQ-p4/RzGLvwYLPII/AAAAAAAAABM/X2XcFjw5D3o/s320/Panasonic-Lumix-DMC-FZ8-Black-crop.jpg"
width="200" height="200" border="0"
alt="Panasonic Lumix DMC-FZ8K (Black)"
title="Panasonic Lumix DMC-FZ8K (Black)"
/></A>
</P>
<P>Following that sad experience, I decided “never again,” and after doing a small amount of research (such as perusing Instapundit’s couple of recent digital camera carnivals), and applying a handful of criteria — e.g., I wanted a high degree of available optical zoom, together with image stabilization — I settled on a 7 megapixel Panasonic “Lumix” model
<A href="http://www.amazon.com/Panasonic-DMC-FZ8K-Digital-Optical-Stabilized/dp/B000MWVMRG/ref=pd_bbs_1/104-4095463-1397564?ie=UTF8&s=electronics&qid=1194409503&sr=8-1"
>DMC-FZ8</A>,
which along with a high-speed (required for full-motion video)
<A href="http://www.amazon.com/Kingston-Technology-SecureDigital-SD-2GB-U/dp/tech-data/B000AQOHC6/ref=de_a_smtd/104-4095463-1397564?ie=UTF8&qid=1194409868&sr=8-1"
>memory chip</A>,
set me back just shy of $300 (I see the two are even cheaper now some two months later).
Considering what I’d spent earlier on mere throwaways, vis-a-vis a camera that can take excellent (7 MP!) shots <SPAN class="italic">indefinitely</SPAN> for basically <SPAN class="italic">no</SPAN> further expenditure, that sounds like a bargain.
(I just wish I’d made the determination to buy it <SPAN class="italic">before</SPAN> I left on my trip — I’d have come back with more and better photos, and spent less to boot.)
</P>
<P>This week we’ll christen and celebrate this new acquisition for <SPAN class="italic">Impearls</SPAN> by engaging in a little photo blogging, bringing forth for display a selection of the initial results of this endeavor.
<BR />
<BR />
</P>
<P>One of the first things I experimentally unlimbered the new camera upon was the lunar eclipse of 2007-08-28, which, despite the fact that it was not really designed for astronomical applications, I think actually turned out rather well.
Below we see a sampling of the results.
</P>
<P>Following the final (fourth) shot below, the Moon was close to setting (it was after 03:00 here local time in a tall redwood forest on the northeast side of a northwest-trending mountain) — but by that time the eclipse was so near to totality anyway (and the Moon thus so dark) that I found it was getting almost impossible to find on the camera’s finder screen — which was obviously nearing the limits of its capability in this regard.
</P>
<P>Despite this relatively minor drawback near the extreme edge of its applicability, I’d judge that the camera turned in a rather impressive performance given the rather unconventional application for it.
<BR />
</P>
<P>
<!-- Flikr.com upload: photo 1
<a href="http://www.flickr.com/photos/10610528@N04/1893501748/" title="Photo Sharing"><img src="http://farm3.static.flickr.com/2328/1893501748_e2e6c2fcd3_o.jpg" width="640" height="640" alt="2007-08-28 09-22-39_0011-crop2-halfsize-comp" /></a>
-->
<!-- Flikr.com upload: photo 2
<a href="http://www.flickr.com/photos/10610528@N04/1893501948/" title="Photo Sharing"><img src="http://farm3.static.flickr.com/2245/1893501948_0c5ebeafb7_o.jpg" width="640" height="640" alt="2007-08-28 09-46-34_0016-crop2-halfsize-comp" /></a>
-->
<!-- Flikr.com upload: photo 3
<a href="http://www.flickr.com/photos/10610528@N04/1892663427/" title="Photo Sharing"><img src="http://farm3.static.flickr.com/2404/1892663427_a71461d377_o.jpg" width="640" height="640" alt="2007-08-28 09-59-28_0036-crop2-halfsize-comp" /></a>
-->
<!-- Flikr.com upload: photo 4
<a href="http://www.flickr.com/photos/10610528@N04/1893502240/" title="Photo Sharing"><img src="http://farm3.static.flickr.com/2087/1893502240_1c58a843ca_o.jpg" width="640" height="640" alt="2007-08-28 10-04-11_0048-crop2-halfsize-comp" /></a>
-->
<!-- juxtapose the four photographs together vertically -->
<table cellspacing=0 cellpadding=0>
<!-- Photo 1 -->
<tr>
<td>
<A onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"
href="http://www.flickr.com/photos/10610528@N04/1893501748/"
><IMG style="display:block; margin:0px auto 0px; text-align:center; cursor:pointer; cursor:hand;"
src="http://farm3.static.flickr.com/2328/1893501748_e2e6c2fcd3_o.jpg"
width="640" height="640" border="0"
alt="1. Lunar eclipse, 2007-08-28 09:22:39 UT (photographer: Michael McNeil)"
title="1. Lunar eclipse, 2007-08-28 09:22:39 UT (photographer: Michael McNeil)"
/></A>
</td>
</tr>
<!-- Photo 2 -->
<tr>
<td>
<A onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"
href="http://www.flickr.com/photos/10610528@N04/1893501948/"
><IMG style="display:block; margin:0px auto 0px; text-align:center; cursor:pointer; cursor:hand;"
src="http://farm3.static.flickr.com/2245/1893501948_0c5ebeafb7_o.jpg"
width="640" height="640" border="0"
alt="2. Lunar eclipse, 2007-08-28 09:46:34 UT (photographer: Michael McNeil)"
title="2. Lunar eclipse, 2007-08-28 09:46:34 UT (photographer: Michael McNeil)"
/></A>
</td>
</tr>
<!-- Photo 3 -->
<tr>
<td>
<A onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"
href="http://www.flickr.com/photos/10610528@N04/1892663427/"
><IMG style="display:block; margin:0px auto 0px; text-align:center; cursor:pointer; cursor:hand;"
src="http://farm3.static.flickr.com/2404/1892663427_a71461d377_o.jpg"
width="640" height="640" border="0"
alt="3. Lunar eclipse, 2007-08-28 09:59:28 UT (photographer: Michael McNeil)"
title="3. Lunar eclipse, 2007-08-28 09:59:28 UT (photographer: Michael McNeil)"
/></A>
</td>
</tr>
<!-- Photo 4 -->
<tr>
<td>
<A onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"
href="http://www.flickr.com/photos/10610528@N04/1893502240/"
><IMG style="display:block; margin:0px auto 0px; text-align:center; cursor:pointer; cursor:hand;"
src="http://farm3.static.flickr.com/2087/1893502240_1c58a843ca_o.jpg"
width="640" height="640" border="0"
alt="4. Lunar eclipse, 2007-08-28 10:04:11 UT (photographer: Michael McNeil)"
title="4. Lunar eclipse, 2007-08-28 10:04:11 UT (photographer: Michael McNeil)"
/></A>
</td>
</tr>
</table>
<BR />
</P>
<P>(And in case you need ask, no these weren’t taken handheld!)
</P>
<P><BR clear="all"/></P>Michael McNeilhttp://www.blogger.com/profile/08007336342718478839noreply@blogger.com2tag:blogger.com,1999:blog-3917777.post-35961882193149124312007-10-27T18:00:00.000+00:002007-11-11T01:41:43.425+00:00Photo album: looking up a cathedral grove<!-- Version: 2007-11-09 23:40 PST -->
<A name="PhotoAlbum2RedwoodBack1"></A>
<table class="std-text" width="100%">
<tr>
<td valign="middle">
<SPAN class="posttitle">
Photo album – looking up a cathedral grove
</SPAN>
</td>
<!-- ******** Navigation control panel ******** -->
<td width="20px"></td>
<td valign="top" align="right" class="lg2-text">
<table border="1px" cellspacing="2px" cellpadding="2px"
class="outernavpad">
<tr><td class="navpad">
<nobr>
<A href="http://impearls.blogspot.com/2007_10_21_archive.html#4259364454677693615"
class="navpad"
alt="navigate to next article posted after this one (in Archives)"
title="navigate to next article posted after this one (in Archives)"
><SUB>←</SUB></A>
<A href="#4259364454677693615"
class="navpad"
alt="navigate to next article posted after this one (on local page)"
title="navigate to next article posted after this one (on local page)"
>←</A>
<A href="#"
class="navpad"
alt="navigate up to next higher section level in work"
title="navigate up to next higher section level in work"
></A>↑
<A href="#"
class="navpad"
alt="navigate down to next lower section level in work"
title="navigate down to next lower section level in work"
></A>↓
<A href="#8447618077087103248"
class="navpad"
alt="navigate up to subsequent posted article in series or thread"
title="navigate up to subsequent posted article in series or thread"
><SUP>↑</SUP></A>
<A href="#4259364454677693615"
class="navpad"
alt="navigate back to previous posted article in series or thread"
title="navigate back to previous posted article in series or thread"
><SUP>↓</SUP></A>
<A href="#8447618077087103248"
class="navpad"
alt="navigate to last article posted before this one (on local page)"
title="navigate to last article posted before this one (on local page)"
>→</A>
<A href="http://impearls.blogspot.com/2007_10_21_archive.html#8447618077087103248"
class="navpad"
alt="navigate to last article posted before this one (in Archives)"
title="navigate to last article posted before this one (in Archives)"
><SUB>→</SUB></A>
</nobr>
</td></tr>
</table>
</td></tr>
</table>
<!-- ******** End of Navigation control panel ******** -->
<P>Located just outside <SPAN class="italic">Impearls</SPAN> world headquarters.
(Click on each image to see it full scale.)
<BR />
</P>
<P>
<!-- Flikr.com upload: photo 1
<a href="http://www.flickr.com/photos/10610528@N04/1940141451/" title="Photo Sharing"><img src="http://farm3.static.flickr.com/2330/1940141451_55d6f5377c_o.jpg" width="640" height="480" alt="2007-08-27 16-51-14_0007-resz640x480-comp" /></a>
-->
<!-- Flikr.com upload: photo 2 (linked to by 1)
<a href="http://www.flickr.com/photos/10610528@N04/1940984944/" title="Photo Sharing"><img src="http://farm3.static.flickr.com/2207/1940984944_401d5a9f8c_o.jpg" width="3072" height="2304" alt="2007-08-27 16-51-14_0007-comp" /></a>
-->
<!-- Flikr.com upload: photo 3
<a href="http://www.flickr.com/photos/10610528@N04/1940985732/" title="Photo Sharing"><img src="http://farm3.static.flickr.com/2394/1940985732_56c0b21d99_o.jpg" width="640" height="480" alt="2007-08-25 18-10-49_0001-resz640x480-comp" /></a>
-->
<!-- Flikr.com upload: photo 4 (linked to by 3)
<a href="http://www.flickr.com/photos/10610528@N04/1940993858/" title="Photo Sharing"><img src="http://farm3.static.flickr.com/2247/1940993858_9afd0e9af5_o.jpg" width="3072" height="2304" alt="2007-08-25 18-10-49_0001-comp" /></a>
-->
<!-- Flikr.com upload: photo 5
<a href="http://www.flickr.com/photos/10610528@N04/1940156355/" title="Photo Sharing"><img src="http://farm3.static.flickr.com/2199/1940156355_b694b1c644_o.jpg" width="640" height="853" alt="2007-08-25 18-13-12_0004-resz640x853-comp" /></a>
-->
<!-- Flikr.com upload: photo 6 (linked to by 5)
<a href="http://www.flickr.com/photos/10610528@N04/1940163351/" title="Photo Sharing"><img src="http://farm3.static.flickr.com/2216/1940163351_3e2360084f_o.jpg" width="2304" height="3072" alt="2007-08-25 18-13-12_0004-comp" /></a>
-->
<!-- juxtapose the three photographs (plus links) together vertically -->
<table cellspacing=0 cellpadding=0>
<!-- Photo 1 (links to 2) -->
<tr>
<td>
<A onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"
href="http://www.flickr.com/photo_zoom.gne?id=1940984944&size=o"
><IMG style="display:block; margin:0px auto 0px; text-align:center; cursor:pointer; cursor:hand;"
src="http://farm3.static.flickr.com/2330/1940141451_55d6f5377c_o.jpg"
width="640" height="480" border="0"
alt="1. Looking up an (adolescent) redwood cathedral grove (zoom in) (photographer: Michael McNeil)"
title="1. Looking up an (adolescent) redwood cathedral grove (zoom in) (photographer: Michael McNeil)"
/></A>
</td>
</tr>
<!-- Photo 3 (links to 4) -->
<tr>
<td>
<A onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"
href="http://www.flickr.com/photo_zoom.gne?id=1940993858&size=o"
><IMG style="display:block; margin:0px auto 0px; text-align:center; cursor:pointer; cursor:hand;"
src="http://farm3.static.flickr.com/2394/1940985732_56c0b21d99_o.jpg"
width="640" height="480" border="0"
alt="2. Looking up an (adolescent) redwood cathedral grove (non-zoom) (photographer: Michael McNeil)"
title="2. Looking up an (adolescent) redwood cathedral grove (non-zoom) (photographer: Michael McNeil)"
/></A>
</td>
</tr>
<!-- Photo 5 (links to 6) -->
<tr>
<td>
<A onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"
href="http://www.flickr.com/photo_zoom.gne?id=1940163351&size=o"
><IMG style="display:block; margin:0px auto 0px; text-align:center; cursor:pointer; cursor:hand;"
src="http://farm3.static.flickr.com/2199/1940156355_b694b1c644_o.jpg"
width="640" height="853" border="0"
alt="3. Looking at an (adolescent) redwood cathedral grove (no zoom) (photographer: Michael McNeil)"
title="3. Looking at an (adolescent) redwood cathedral grove (no zoom) (photographer: Michael McNeil)"
/></A>
</td>
</tr>
</table>
</P>
<P><BR clear="all"/></P>Michael McNeilhttp://www.blogger.com/profile/08007336342718478839noreply@blogger.com0tag:blogger.com,1999:blog-3917777.post-84476180770871032482007-10-27T16:00:00.000+00:002007-11-10T07:51:29.684+00:00Photo album: my fiddle<!-- Version: 2007-11-09 23:50 PST -->
<A name="PhotoAlbum3ViolinBack1"></A>
<table class="std-text" width="100%">
<tr>
<td valign="middle">
<SPAN class="posttitle">
Photo album – my fiddle
</SPAN>
</td>
<!-- ******** Navigation control panel ******** -->
<td width="20px"></td>
<td valign="top" align="right" class="lg2-text">
<table border="1px" cellspacing="2px" cellpadding="2px"
class="outernavpad">
<tr><td class="navpad">
<nobr>
<A href="http://impearls.blogspot.com/2007_10_21_archive.html#3596188219314912431"
class="navpad"
alt="navigate to next article posted after this one (in Archives)"
title="navigate to next article posted after this one (in Archives)"
><SUB>←</SUB></A>
<A href="#3596188219314912431"
class="navpad"
alt="navigate to next article posted after this one (on local page)"
title="navigate to next article posted after this one (on local page)"
>←</A>
<A href="#"
class="navpad"
alt="navigate up to next higher section level in work"
title="navigate up to next higher section level in work"
></A>↑
<A href="#"
class="navpad"
alt="navigate down to next lower section level in work"
title="navigate down to next lower section level in work"
></A>↓
<A href="#"
class="navpad"
alt="navigate up to subsequent posted article in series or thread"
title="navigate up to subsequent posted article in series or thread"
></A><SUP>↑</SUP>
<A href="#3596188219314912431"
class="navpad"
alt="navigate back to previous posted article in series or thread"
title="navigate back to previous posted article in series or thread"
><SUP>↓</SUP></A>
<A href="#6445039621561943263"
class="navpad"
alt="navigate to last article posted before this one (on local page)"
title="navigate to last article posted before this one (on local page)"
>→</A>
<A href="http://impearls.blogspot.com/2007_10_07_archive.html#6445039621561943263"
class="navpad"
alt="navigate to last article posted before this one (in Archives)"
title="navigate to last article posted before this one (in Archives)"
><SUB>→</SUB></A>
</nobr>
</td></tr>
</table>
</td></tr>
</table>
<!-- ******** End of Navigation control panel ******** -->
<P>
<!-- Flikr.com upload: photo 1
<a href="http://www.flickr.com/photos/10610528@N04/1891512791/" title="Photo Sharing"><img src="http://farm3.static.flickr.com/2029/1891512791_bae40a6d95_o.jpg" width="640" height="1066" alt="2007-09-11 15-49-40_0004-2-mv-crop-resz640x1066-comp" /></a>
-->
<!-- juxtapose the one photograph together vertically (null situation) -->
<table cellspacing=0 cellpadding=0>
<!-- Photo 1 -->
<tr>
<td>
<A onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"
href="http://www.flickr.com/photos/10610528@N04/1891512791/"
><IMG style="display:block; margin:0px auto 0px; text-align:center; cursor:pointer; cursor:hand;"
src="http://farm3.static.flickr.com/2029/1891512791_bae40a6d95_o.jpg"
width="640" height="1066" border="0"
alt="My violin (photographer: Michael McNeil)"
title="My violin (photographer: Michael McNeil)"
/></A>
</td>
</tr>
</table>
</P>
<P><BR clear="all"/></P>Michael McNeilhttp://www.blogger.com/profile/08007336342718478839noreply@blogger.com0